Mary Brooks' father, who has been studying ancient tribes, falls into the hands of "the people of Zar, god of the Emerald Fingers." Tarzan helps Mary locate her father, rescues everyone from the High Priest of Zar, and takes Mary to his cave.
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Reviews
Simply Perfect
Powerful
It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
This early Tarzan film, produced without the backing of a major studio, is primitive and crudely made, and the story (written by Edgar Rice Burroughs himself!) is formulaic, but it has plenty of action, some impressive animal performances, and, in Buster Crabbe, a Tarzan who is both sturdy and nimble. Lots of beefcake here. It would be welcome news if the entire serial (this movie is only the first 4 chapters) was discovered some day. **1/2 out of 4.
I don't know about the serial, but the movie version is terrible. It's just Tarzan running around in a thong, getting his naked butt cheeks kicked. The movie made him look like a complete idiot. Did the filmmakers hate Tarzan or something? I've seen a lot of Tarzan movies, and this is the only one I really didn't like. It smells worse than Cheetah's armpits.
This movie exists in various versions. It started off as a 15- chapter serial. In the USA, it was cut down to both 85 minutes and 71 minutes. In England, it was cut to 95 minutes. The version I recommend for maximum laughs is the 85 minute cut – and fortunately, this is the version favored by TV stations. Edited with the proverbial meat ax, the story jumps wildly from numbingly senseless situations to ancient stock footage to tattily staged "action" to tedious animal antics to lengthy close-ups of the remarkably wide- eyed heroine (Jacqueline Wells a.k.a. Julie Bishop), to incredibly extended shots of an imbecilely grinning Tarzan. Please note that it's worth persevering right to the climax for some of the most hilarious stuff occurs right at the end. Technically, the film is atrocious. The sets are tatty, the photography so dull and grainy that it looks as if photographers Harry Neuman and Joseph Brotherton used smoked glass instead of film stock. The sound recordist wisely decided not to put his name to his hopelessly primitive attempt in which sound levels vary wildly from scene to scene. I'm amazed that both Buster Crabbe (Tarzan) and Miss Wells/Bishop managed to survive this movie. I guess it was simply their amazingly good luck that hardly anybody ever saw it! That's a pity in a way. This movie is a riot!
In an attempt to cash-in on MGM's successful "Tarzan the Ape Man" (1932) starring Johnny Weissmuller, producer Sol Lesser went ahead with a serial follow-up. Perhaps not expecting its revival would become so valuable a property, MGM had not fully secured the rights. Cashing in on cashing in, the first four chapters of the "Tarzan" serial were edited into a feature-length "Tarzan the Fearless". The full 12-part serial is presently lost. This is not a good film, but it's worth seeing muscularly handsome Buster Crabbe in the lead role; he has a different, more spirited, take on the jungle man. Watchers should be advised that Mr. Crabbe's loincloth seems to be missing half of its backside, but his front is securely covered.*** Tarzan the Fearless (8/11/33) Robert F. Hill ~ Buster Crabbe, Julie Bishop, E. Alyn Warren, Edward Woods