A bunch of city slickers from different backgrounds go into the wild mountains to be one with nature, but basically to have a good time. However, a paramilitary group has chosen the same time to go camping. When one of the soldiers thinks their boss has been killed by one of the city slickers, he coaxes his team into exterminating all of them. They will have to rely on their wits and on each other in order to survive.
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Sadly Over-hyped
A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
One of the worst ways to make a cult movie is to set out to make a cult movie.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
Cult filmmaker Don Coscarelli has brought us such films as the "Phantasm" Tetralogy, "The Beastmaster" and "Bubba Ho-Tep" but a film he did in the last 80s seemed to go by mostly unnoticed and maybe it was thought to be the usual routine woodland survival outing. In some regards this survival adventurer is, but what makes this one work is the fighting character dynamics, a thoughtful script and the always dependable Lance Henriksen. "Survival Quest" follows a group of strangers (one just happening to be an ex-convict played by Dermont Mulroney) from the city battling the wilderness in the North Rockies Survival Quest School led by their resourceful instructor Frank (Henriksen). However nearby is another group (paramilitary), lead by an aggressively hard-nose and demanding instructor (played by Mark Rolston with cynically great ticker). These two schools / groups are at total opposites (extremely so -- one relying on trust while the other sees fit to only look after one's own self) to each other in what they teach (one to embrace your surrounding while the other to dominate in its forceful actions) and from that an encounter occurs where it becomes a struggle to stay alive for Frank's group against an armed, unstable squad (Steve Antin is good as the instigator). The plot slowly hangs off its characters --- building up relationships, developing mindsets (cementing self-confidence) so when it gradually builds up to its explosive confrontations and then the trek becomes a bloody survival course it really pulls you in as you put some much time into the characters that you want to see them get through it. What starts of as a battle against mother nature (what looks beautiful can just be as dangerous), becomes something much more. As their training comes into play, as their team morale to not leave anybody behind which drives them home. Its good to have strength and stamina, but it's nothing without spirit and that's the difference between the two groups. " it's a matter of heart. Not hardware." To use and respect the power of your surroundings/the wilderness to adapt. Writer / director Coscarelli's resiliently tight direction commendably balances out the character developing staples and the excitingly tension-fuelled cat and mouse exchanges. Some witty scenes are a nice cover too. Another striking attraction would be that of the rugged, but eye-catching locations which is always scenically shot. The performances can feel a little awkward, but it's a likable bunch with Catherine Keener, Traci Lind, Dominic Hoffman, Paul Provenza and a special guest appearance by Reggie Bannister. A fine, under-seen terrain adventure caper.
Well, it's not "Phantasm", but it's still a good 1980's movie from Don Coscarelli, who is a very interesting author. Although the basic idea is looks like a remake of "First Blood" in which one John Rambo is replaced by a group of regular people and sheriff with his officers is replaced by a bunch of military, the story itself is quite good. We see how these two groups are moving from indifference to confrontation and then whole conflict becomes a run for survival for ones and hide-and-seek game for others. Lance Henricksen is good here - nothing special, but just a good actor in adequate role. Also, there's a lot of action, some shooting and fighting, but keep in mind it's a thriller first, not an action or horror, and I hope you'll not be disappointed.
SURVIVAL QUEST was Don Coscarelli's exploitation of my Merc School. I had advised on one of his earlier films, and he was interested in doing a film about paramilitaries chasing some tourists out west.I have him actual info on my school, and his writers split our one school into two, a "good" survival course, and a "bad" paramilitary training course, in order to have a conflict between them.Coscarelli even went so far as to recreate scenes of our training taken from "60 Minutes" videotape.If you combine the good and bad schools of the movie, you have an idea of what Merc School was really like.For Merc School grads, SURVIVAL QUEST is both tribute and comedy.Frank Camper
Don Coscarelli should be a little embarrassed, I think. Not of the film altogether, because it's a fun timewaster, but of the really textbook formula characterizations he heaps onto his protagonists. I would've expected more from the creator of PHANTASM, but just the same, I enjoyed this movie. Six city slickers sign on to Survival Quest, which will teach them how to survive in the Great Outdoors for four weeks. A paramilitary group is sharing the woods with them and soon it's THE MOST DANGEROUS GAME.Lance Henriksen is always cool to watch; he gives any film class. A young Catherine Keener has one of the aforementioned embarrassing roles, going from a pathetic girl to a Ripley-styled woman. Ben Hammer weighs in to let you know geriatrics can do anything you youngsters can do (provided you don't get shot), and Dermot Mulroney makes the most of the bad-boy-from-jail-on-probation shtick. Apparently Mulroney and Keener are married (or so a friend told me-check this fact yourself)so this would explain where they met. Ah, true love. Traci Lin is also in it and let's just say I've always had a thing for Miss CLASS OF 1999. Looks like a gore effect involving a hunting knife was trimmed for the R rating judging by a quick, jarring cut at the right time. As for the direction...truthfully, anybody could've wrote or directed this. It's very pedestrian, but credit Coscarelli for keeping it moving and watchable. I liked it, so sue me.