Touches You

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

It's an amazing and heartbreaking story.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Beautiful, mystical story of grief and hope. Wonderful performances, especially Cumberbatch.

A British television film based on the 30 year old novel. The theme intrigued me. I thought I'm going to see an emotional film. But it was not strong. Basically the film avoided those common cliches. Like the film characters trying to get over a disaster that struck in their lives. But you can't avoid them entirely.Occasionally the narration kept reminding us what led each new development. So in a way it was refreshing. Like cinematically it achieved something different in the theme we're very familiar with. But it was less entertaining, and the viewer might feel they were fooled. So honestly, I would say watch it without any expectations.This is the story of a couple whose 4 year old daughter goes missing. The story follows their bearing, how it affects their relationship and how far they keep their hope to see her again. Difficult times ahead, their lives go on. There's a bit of politics too. I thought it was developed inappropriately compared to the initiation, but the real life filled with everything and everyone around us.In a short, you would see unexpected drama events than everything you could anticipate. It's just a life. No matter what happens to whom, it keeps going forward. Might not be the best message, but it's only being honest. For me, it's like 8, but all I wanted was to end even better than the existing one. So it became an average. Who knows you could like it better than me!5/10

...In that, after finally getting around to seeing it last night, being unsure as to whether I disliked 'The Child in Time' or not. It does have some good things and it's to me nowhere near as bad as some of the reviews have said. However, considering the cast and the subject matter, 'The Child in Time' could have been so much better and it is easy to understand why the reaction to it was mostly mixed to negative.As well as having talented actors on board (Benedict Cumberbatch has rarely disappointed me, even in lesser projects where he tended to be one of the better assets of them) and that it touches on the very sensitive and daring subjects of a missing child and nervous breakdowns, 'The Child in Time' is also adapted from wonderful source material from Ian McEwan. Talking briefly about how it fares as an adaptation, 'The Child in Time' underwhelms, the book has much more depth, more consistent emotional and harrowing impact and the storytelling has far more clarity. As has been said many times by me, adaptations deserve to be judged on their own terms, on that front it's to me neither great or terrible, the unevenness of it makes it a tough one to rate and review.Starting with 'The Child in Time's' good things, where it fares most strongly is the acting, which is mostly very good with a couple of exceptions (Elliot Levey doesn't register in a heavy-handed and underwritten character that could easily have been cut out entirely). Benedict Cumberbatch gives a performance of true understated poignancy and honesty, a truly courageous role to take on and he does it justice with one really feeling his anguish and pain. Likewise with Kelly MacDonald, who in her emotional scenes wrenches the gut and heart without being overwrought and she also charms. The two have terrific chemistry together and succeed in portraying the emotional toll of one of the worst situations ever for a parent. Stephen Campbell Moore is touching in a more difficult role than one thinks and the bravery of his performance is equal to those of Cumberbatch and MacDonald. Saskia Reeves is a sympathetic presence.Apart from some jumpy editing where transitions seemed rushed and sudden, 'The Child in Time' looks good, especially in the beautiful and suitably bleak locations. Had no problem with the photography like some did, which is slick and matches the thought processes of the characters very well, as an epileptic who can be sensitive to the technique used. there are films and television shows that overuse and abuse it far more. The music score is haunting and soothing.There are elements that work well in the story. It starts off very well, starting off in a tense and affecting way. The outcome of Charles' story, the scene in the school and the eulogy were particularly emotionally powerful moments and while it was not focused on enough the main story resonates and is handled sympathetically. Cumberbatch, MacDonald and their chemistry have a lot to thank for this.However, much of the story execution could have been much better. Not enough time is devoted to the missing child story, which was the most interesting and well done part, and focuses too much on elements that are nowhere near as interesting or well developed. Charles' subplot had its moments, like the interplay between him and Stephen, but should have gone into more depth and not been as confused. More problematic were the pub/time, prime minister and the Child Education committee elements, the first made no sense whatsoever and was severely under-developed, the second was pretty pointless and underwritten and the third felt shoe-horned in and it felt disconcerting that for a Child Education committee it seemed they had their own interests at heart and not the children's.Writing had its moments, like the eulogy scene, but tended to be stilted and contrived. Structurally it was pretty scattershot where the back and forth was not always as clear as it ought to have been and it often felt like the writers didn't know what its primary focus was. The middle third, which was where things started to fall apart, drags.Apart from Stephen, Julie and Charles, the characters are either thinly sketched or superfluous. Really do have to agree with everybody who said that the near-universally panned ending is a huge let-down, far too abrupt, tacked on, rushed and left too many things unresolved (especially when it had a lot of strands that were crying out for resolution). In fact the whole thing felt incomplete.Overall, uneven and difficult to rate and review, didn't know what to make of it. Applaud anything that takes on difficult subjects that need more awareness, but 'The Child in Time' would have benefited from trying to take on less and doing more with its primary issues. 5/10 (my mixed feelings rating). Bethany Cox

This excellent production had a real feel of a high quality indie movie. Cumberbatch was outstanding as the desperate Stephen Lewis who for a split second takes his attention away from his beloved little girl, an action which is at the heart of this beautiful and yet painful story. And yet the story is also uplifting, and at times there are touches of real life humour as well. The relationship between Stephen and his estranged wife Julie is so real on screen. You can easily believe these two deeply love each other despite their difficulties that they face. Everything about this film is moving, thoughtful and filled with genuine emotions. And bravo for Cumberbatch's company SunnyMarch for for taking such cerebral material and turning it into a beautiful and moving film! Kudos all round to all involved in bring this to life.