Although it has its amusing moments, in eneral the plot does not convince.

In truth, there is barely enough story here to make a film.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

Back in the glorious 1970's, the prison escape movies were enormously popular, and since there exist a couple of major milestones (like "Escape from Alcatraz" and "Midnight Express" for example), it's quite normal that smaller and more modestly produced titles like this "Breakout" are relatively unknown and almost forgotten. This isn't entirely unjustified, because "Breakout" is an overall mundane and straightforward action movie without a distinct style or exceptionally memorable aspects. It's a fun enough movie to pass an hour and a half of your time with, but it certainly doesn't rank amongst the better 70's action/adventure outings or even amongst Charlie Bronson's highlights of that period. Nonetheless, "Breakout" has quite a number of elements in common with the aforementioned success movies and actually could have been a lot bigger. The story is (loosely) based on true events, the film benefices from an excellent supportive cast and the ideally raw US/Mexican border setting. Still, the story itself is rather common (most unfortunate for the people involved, of course, but nothing extraordinary) and mostly due to Tom Gries' uninspired direction, the terrific cast and settings are underused. In fact, the only truly remarkable thing about "Breakout" is that Charles Bronson depicts an unusually extrovert and eloquent protagonist. The Bronson we all know and love, from classics like "Mr. Majestyk" and "The Mechanic" for instance, is a very silent and solitary outsider, whereas his character Nick Colton here is a reckless joker and playboy. Colton gets approached by Ann Wagner, a desperate woman whose husband is innocently sentenced to 28 years in a corrupt and inhumanly run Mexican prison. Mrs. Wagner hires Colton to help him escape from prison with money from his wealthy grandfather. What she doesn't know, however, is that the grandfather himself framed Jay Wagner and naturally also causes for all the escape attempts to fail. Nick Colton doesn't give up and thinks up a master plan involving helicopters, airplanes and various accomplices. Oh, and meanwhile he also finds the time to fall for his client. The action sequences in "Breakout" look impressive and spectacular enough on paper, what with helicopter escape and getaway car chases, but they're all actually quite tame. Some of the other escape are humorous (like Randy Quaid dressing up like a woman) but quite implausible and dumb, like Robert Duvall's character Ray Wagner stating so himself. Charles Bronson is handsome and robust as ever, but I still prefer him as the silent and solitary outsider guy. I don't know, maybe it's because you're used to seeing him like that, because he actually doesn't seem too uncomfortable in his role. Strangely enough, the chemistry between him and his real-life wife Jill Ireland works better when they're NOT playing an actual couple. Of all the terrific supportive roles (Robert Duvall, Randy Quaid, Alan Vint…) I mostly preferred John Huston – the versatile actor and director of "The Maltese Falcon" – as the greedy and hypocrite grandfather. Too bad his role was little more than a cameo.

In a rare show of his comedic talents as well as having more lines of dialog to read then in his last two or three films put together Charles Bronson as crackerjack pilot Nick Colton is really enjoying himself in the movie "Breakout". Together with his wife, in real life, Jill Ireland as Ann Wagner the wife in the film who's husband Jay, Robert Duvell,Nick Bronson is out to rescue Jay from a brutal Mexican prison. Jay was framed by non-other then his grandfather Harris Wagner, John Huston, who together with his silent partners in the fruit and transportation business The CIA. Wagner feels that Jays free spirited and revolutionary ideas are a treat to the future of his company and has Jay arrested in Satiago Chile for a murder in Mexico some 2,000 or so miles away. Thrown before a Mexican kangaroo court, with a paid-off judge presiding, Jay's guilt despite the illogic fact that he can't be at two places at the same time, Mexico & Chile,is a forgone conclusion and he's sent up the river for 28 years in a castle-like Mexican prison.Nick hired by Ann to rescue her husband is stifled by Jays sleazy grandpa Harris Wagner who Ann, unknowing that he had her husband set up, is totally trustful of. Nick realizing that the best way to get Jay freed is to do it by air and to keep the plan only to himself and his fellow rescuers Hawk Hawkins & Myrna, Randy Quaid & Sheree North, which leads to the exciting final. Nick not only rescues Jay but also finds out who that lousy creep Cable, Paul Mantee, really is by him making sure, for Harris and the CIA, that his rescue of Jay falls flat on it's face. Cable is to murder Ann's husband if he ever makes it back to the USA, where the Mexican police can't touch him. Charles Bronson as Nick Colton and wife Jill Ireland as Ann Wagner really touch off sparks in all their scenes together even though Jill isn't married to him in the movie and they have no romantic scenes in the film at all. Nick's trying to learn how to fly a helicopter didn't go that well at all at the start of his lessons from helicopter pilot Harve, Alan Vint. Later when he took off by himself, Harve felt that the rescue attempt was to dangerous, with only three flying lessons under his belt had even Herve surprised and shocked at just how good he was at the controls.Tense action when Nick tries to land and then rescue the very sick Jay Wagner who escapes from the prison hospital with the help of fellow prisoner Sosa, Jorge Moreno. Sosa who ironically was part of the frame-up that put Jay there in the first place may have gotten guilt feelings about what he did to Jay. Some really great stunts in the movie with a man falling some 100 feet from a helicopter straight through the roof of a house, with what looked like nothing to break his fall. Later at the airport across the border in Texas at the end of the movie one of the baddies is sliced to pieces, by an oncoming jumbo passenger plane, as if he were a roll of salami.

The movie "Breakout" was based on a true story by Joel Kaplan, the man who actually broke out of a Mexican prison, after being framed for murder. He wrote the book, and I dated his sister. It was actually his sister who arranged his escape, not his fictional Hollywood wife. Hollywood greatly exaggerated the true story. Even the Mexican Attorney General admitted this was the greatest escape in Mexican prison history! The New York Times backs my story in about 1972. Jack Sandy

"Breakout" is easily one of Charles Bronson's best starring vehicles. For the most part his early 70's films fell into two categories: either junky (Violent City) or pretentious (The Mechanic). The first Death Wish film was thought-provoking, but marred by sickeningly graphic and misogynist violence; the sequels had the violence with none of the art. His late-70s films were quickie garbage (Death Hunt, Love and Bullets). His 80's films featured a sickly prurient violence level and a sleepwalking star.But Bronson did have quite a string of quality films in the mid-70s: "Breakheart Pass (1974)," "Hard Times" (1975), "Mr. Majestic" (1974), "From Noon Til Three" (1976), and "Telefon" (1977)were all quality films in which Bronson's star quality, charisma, and acting ability was able to shine through. The best of Bronson's mid-70s output in my opinion, however, is Tom Gries' "Breakout." The story has drama, humor, and tremendous forward momentum, the cast is superior (Robert Duvall, Randy Quaid, John Huston, and the always-underrated Jill Ireland). Most importantly, Charles Bronson breaks out of his silent-and-stony persona and creates a character that has depth, humour, and humanity as well as toughness.Those who complain that this film has little action have obviously not seen many of Bronson's films. Very few of them are actually what could be called "action movies". For the most part they were melodramas with some gunplay, the occasional fight, and a maybe car chase near the end. "Breakout" is actually as much or more of an action film than most of Bronson's others. I think that most folks who mistakenly lament the lack of "action" in this film compared to his others are confusing "action" with sick, perverse violence. Look at "Death Wish" for instance: Bronson shoots some guys. That's the extent of the action, if you exclude the graphic rape scene near the beginning. He points a gun and shoots. He rarely runs. There's never a car chase. It's a melodrama, not an action film. `Breakout' has a helicopter escape, a fistfight on a dark runway as a twin-prop plane approaches at breakneck speed, and an attitude that make it more of an action film.So "Breakout" doesn't have graphic torture, or rape, or someone getting sodomized with a nightstick. I'll settle for a great story, fine acting, cool action, and interesting characters.