Attack Force Z

June. 11,1982      NR
Rating:
5.4
Rent / Buy
Trailer Synopsis Cast

Tim Burstall directs then-up-and-comers Mel Gibson and Sam Neill in this action-packed Cannes Film Festival selection about the grim realities of World War II, a gritty drama based on actual events. Sent to rescue survivors from the site of a plane crash in the South Pacific, Capt. P.G. Kelly (Gibson) and his elite squad of Australian commandos must keep tabs on a defecting Japanese official who could hold the secret to peace.

John Phillip Law as  Lieutenant Veitch
Mel Gibson as  Captain Kelly
Sam Neill as  Sergeant Costello
Chris Haywood as  Able Seaman A.D. 'Sparrer' Bird
Sylvia Chang as  Chien Hua
Ko Chun-Hsiung as  Lin Chan-Lang
John Waters as  Ted King
Yi Yuan as  Imanaka

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Reviews

Grimerlana
1982/06/11

Plenty to Like, Plenty to Dislike

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CrawlerChunky
1982/06/12

In truth, there is barely enough story here to make a film.

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Tayloriona
1982/06/13

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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Brendon Jones
1982/06/14

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

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popcorninhell
1982/06/15

Attack Force Z; A movie saved from obscurity solely because it provided early rolls to Mel Gibson and Sam Neill. Throw parallels to The Guns of Navarone (1961), The Dirty Dozen (1967) and Where Eagles Dare (1968) and you got yourself an Australian knock-off of early tough-soldier- man American bravado.A group of Australian special forces is deployed during WWII to recover the passengers of a downed plane in Japanese occupied Dutch East Indies. There they kick the proverbial hornets nest and try to stay alive thanks to the help of an underground resistance movement.It was hard to get into this one largely due to its constant clichés. I guess I have seen the dramatic self-sacrifice of a noble comrade and stealth gone awry because a twig snapped way too many times. The characters themselves aren't incredibly developed and any attempt to flesh them out feels jerky and unnatural. At one point it just gets absurd as one character stays behind to protect the love interest he had shared a room with only a few cuts ago. Granted she prevented him from being discovered but besides a common enemy they had little to really bond over.Another major problem I had was the elongated scenes involving other languages like Japanese and Cantonese. Perhaps it was just the version I saw but with no subtitles provided, I was forced to guess what they were saying and only later confirm what was going on. Plus if I'm not mistaken, they speak Malay in Indonesia not Cantonese.

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TBJCSKCNRRQTreviews
1982/06/16

I don't know enough about Aussie involvement in WWII to say if this has actually happened, but I understand that there are definitely some things that don't ring true, accuracy-wise. The plot is fine, though I can't claim that this ever gripped me. Not even a firm handshake. The pacing is reasonable enough, and the battles and such have their moments. Acting is mixed, none of it got me that engaged in this. Was Gibson not a name yet? Mad Max was out, as was its first sequel. Did he not get recognition before Lethal Weapon? I am not sufficiently familiar with his career, and I frankly don't care to be. Neill, come on, he's got talent, had that not been realized at this point? Did he need a paycheck? That badly? Seriously? While I suppose I may have just watched a half-heartedly put together copy of this, I gotta say... there were a lot of speeches in, I guess Mandarin, that seemed to be important and like they should affect the audience, in spite of the fact that they were not subbed. What gives? I did follow the story, however, if the words were meant to evoke emotion, they failed. Still, this is not useless, or it doesn't have to be. If so inclined, you can make drinking games for it. How about every time a gun fires without making a sound? Each time the piece of music playing in this is one that belongs in a film at least one or two decades prior to the release of this. And of course, whenever you spot a tired action flick cliché. Make sure to stock up. I recommend this to the biggest fans of war movies. 5/10

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SgtSlaughter
1982/06/17

ATTACK FORCE Z is the only Aussie war movie I've seen yet besides RETURN FROM THE RIVER KWAI. It's fast-paced, fun, cheesy and plenty entertaining.Jon Phillip Law (DEATH RIDES A HORSE) stars as an Allied commando who leads 4 international commandos to rescue a Japanese defector from a Japanese-infested island in the Pacific. The movie features a lot of familiar plot elements, and strongly resembles the earlier American features AMBUSH BAY and BEACHHEAD. Only here, the movie is based on fact; a similar mission involving the "Z" Special Forces team was actually undertaken in the Pacific. The cast features a lot of young actors who were unknown at the time, including Mel Gibson (WE WERE SOLDIERS) as the team leader and Sam Neill as the radio operator. The movie is obviously pretty low budget, as the action scenes involve few extras and are mostly skirmishes between the 5 commandos and Japanese patrols. There's some great martial arts action as a Chinese commando judo-chops dozens of Japanese soldiers to their deaths. The final battle scene, in which a handful of Chinese resistance fighters hold off at least a few dozen Japanese soldiers with shotguns is corny, as the Japanese always charge right into oncoming fire and never attempt a flanking movement. One resistance fighter stands in the alley blasting away with a shotgun, only dying once he's taken 6+ direct hits and grenade fragments. The Japanese soldiers look and act like idiots and use American machineguns, and the Aussies have M3 machine-pistols with silencers that never run out of ammo and never miss -- but what the heck, it's pretty entertaining and logic-free entertainment. The musical score is great patriotic stuff by Eric Jupp, and the cinematography is pretty stunning. The Taiwanese crew does a great job with the little budget they had. The version shown on TNT and TBS once in a very great while is of good quality. Unfortunately, there were some scenes in Japanese and others in Chinese which lacked subtitles. The closed captions weren't much help either as they read, "Speaking in Oriental Language". I haven't seen the NTSC video yet because it's far too expensive for my taste.All in all, this really isn't the best war film out there. The action scenes bring the worst excesses to WINDTALKERS to mind as they're excellently photographed by defy all logic known to man. Still, the pace is fast, the characters good and the scenery is stunning. I give this a 6/10.

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Jonny Frost
1982/06/18

War films formed the basis of many a childhood, mine included, and this film is a firm favourite of mine, my brother and my cousin.Made by the Australian film industry it is one of two films about the Australian Special Task Force Z during the Second World War. It shows that the war in the Pacific was not won solely by the Americans and that the Japanese occupation of China was brutal to anyone who would oppose them. Having seen photos of what the Japanese did to Chinese relatives of mine and to the population of China in general this film goes someway to highlight a rather forgotten piece of history.Having said that, taking the film as an action/ war drama it is well paced and fairly realistic with but one feat of fantasy. As cinematic trivia it is noteworthy for the performances of Mel Gibson, Sam Neill and singer/actress Sylvia Chang pre-stardom. The star that never was, John Phillip Law takes centre stage for the most part but is beaten for intensity by Gibson as the young officer. The effects are a bit ropey, the blood has the red paint quality of war films of the late 60's - early 70's, but this adds to the charm.If you like "men on a mission" films you should enjoy this. NB- For more films on the Z Special Forces see "Heroes" 1 and 2 (made for tv). "Heroes 2" follows the same failed real-life mission as the second of the two Australian films whose title escapes me.

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