Sick Product of a Sick System

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The film never slows down or bores, plunging from one harrowing sequence to the next.

One of the best movies I've seen lately. Once again Molina has granted us such a pearl. I wish there were more movies like this one - showing the eternal values and true things in life. At the end only the simplest things matter - have you really loved, were you fateful, did you have dignity.

I have watched many and many movies and not every movie can actually leave a big influence on me. This one did it. "Palm trees in the snow" (or as I prefer in Spanish "Palmeras en la nieve") is very deep, sad, interesting too. You have to concentrate a lot to understand everything you need to. The biggest shock for my brain was when the movie ended and 10 minutes later I just started crying and couldn't stop. It has many historical things happening besides the actual movie plot. It made me think about lives of those people in Africa, second half of the 20th century. I am quite sure it will make you too. Brought to life by phenomenal actors, it will leave a mark in your head, I know it. Highly recommending it to you.

The Cinematographic transposition of Luz Gabás' (first) fine novel.It's a wonderful story, very well adapted for the screen by Sergio G. Sánchez (screenplay) and Fernando González Molina (Director).It's a great emotional tableau, dealing with Universal themes.So no matter what age, race or gender you are: you will surrender to the romantic charm of Equatorial Africa at the end of the Colonial Era.

Cringeworthy from beginning to end. Overly sexualized black bodies. The movie is all about the seductive, primal power the black women's bodies had over the white men. The black roles barely had any depth or character development. The black women are depicted as facile and oversexed. The black men are overly docile, stupidly superstitious, crazy-eyed angry and savagely violent. Colonialism (which is essentially theft) is presented as a family business, not the systematic destruction of a country and its people. No one apologizes for it or reflects on it. The white characters are presented as fellow victims of circumstances, not willing participants in evil. The narrative: Killian abandoned the civilized world to save her; the lighter-skinned (clearly mixed-race), and relatively chaste savage. Their love could only exist in a lawless, uncivilized underworld created by the bloodthirsty slave rebels. A tragic, cautionary tale. This is the same reinforced culturally separatist narrative routinely found in Spanish (and Portuguese) movies. It's sad that these ill-considered movies are still being released in 2015. Thanks to the ongoing civil rights movement here in the U.S., modern filmmakers can't get away with this reckless narrative anymore. Cinematography was beautiful, though.