Highly Overrated But Still Good

In truth, there is barely enough story here to make a film.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

In 1945, shortly after Heinrich Himmler committed suicide, the US Army found a huge cache of his letters, papers and diaries at his house. Instead of handing them in to the appropriate authorities, they kept them; many of the papers subsequently found their way on to the international auction market.Vanessa Lapa's documentary tells the story of Himmler's life through these letters and other documents exchanged between Himmler, his parents, his wife Marga and daughter Gudrun. Contrary to what other reviewers have observed about the title's so-called banality, the term THE DECENT ONE refers to a moment late on in the film, when Himmler discovers that the Nazi cause is about to collapse. He insists that he and many of his fellow-officers were decent in their behavior, as they were committed to the patriotic ideal of a greater Germany. We might interpret the term ironically, especially in light of our knowledge about Nazi atrocities, but in Himmler's view the Party always acted according to the noblest motives - for the greater good of the German (i.e. Aryan) people.The documentary derives much of its power from the contrast between the sentiments exchanged in the letters - where Himmler expresses his love for his daughter and his concern for his family's welfare - and the images projected on screen, such as the burning of so-called "seditious" literature in Berlin in 1933, the regular parades of the SS in front of Hitler and Himmler, and the callous shooting of Nazi enemies in cold blood. We understand just how ruthless Himmler and his acolytes actually were, while at the same time realizing just how much their patriotism had corrupted them.Despite the sentiments expressed in family letters, Himmler was in truth not really concerned about anyone except himself. He embarked on a well-publicized affair with one of his former staffers, by whim he had another child. But this did not stop him proclaiming his commitment to noble ideals such as the propagation of the Aryan race. He forced his family to take on an adopted child, Gerhard, who seldom got on with Gudrun and eventually joined the Nazi army at the earliest possible opportunity. Himmler did not really care; so long as he and his family could be seen to support the noble cause of Nazism, that was all that mattered.In the end we are left with the sense that Nazism was actually an ideology that so blinded its supporters that they had no real sense of morality; they no longer understood the difference between right and wrong. They could claim quite innocently that they were kind and understanding towards their people, while at the same time embarking on a campaign to systematically exterminate Germany's Jewish population. Himmler's letters, as well as those written by his family, embody this (lack of) morality; to proclaim (as Marga did) that she "did not know" about the so-called "Final Solution" is no excuse.This is the true horror of Lapa's documentary; it provides a lesson in the ways in which dictatorships erode human values, not only corrupting those at the apex of power, but the people willingly allowing themselves to be ruled in favor of a cause.

This is a debut from director and writer Vanessa Lapa; and she has taken for her subject one of the architects of the horrors of WWII – Heinrich Himmler. Using diary entries that were found when the Allies reached his house in 1945 as well as letters from those concerned she builds up a disturbing picture of the man who is often put down as a 'chicken farmer' . *The Following has a couple of plot reveals if that is the right phrase.* He helped Hitler achieve his nightmare and facilitated 'the Final Solution'. We also get to see how his children loved him and the devotion he inspired in his personal life – to prove his German efficiency he actually numbered his love letters. His views are far right from the very start and he relished what he managed to do with the Schutzstaffel (the SS) and the killing machine it became.There is use of archive footage throughout and some of this is quite disturbing – including scenes of execution. The film often juxtaposes the 'we love you daddy' letters with on screen displays of atrocities that he ordered to be carried out and has much more of an impact because of it. This is smiles- heils and lies and is a compelling and disturbing watch; for those that are interested in our history – even a dark episode like this – then there is a lot here to recommend viewing.

A documentary film combining letters and diary entries made by Heinrich Himmler and his family along with extraordinary archival footage involving most aspects of Himmler's life from his birth as well as concerning the rise of the Nazis in Germany from the 20s on through to the end of WWII. The letters and diaries were from a cache of materials discovered in Himmler's home by American soldiers at the end of the war. An amazing chronology made even more vivid by the recitation throughout of Himmler's actual words from his letters and diary entries, and enhanced even more by archival photography which I consider to be some of the best I've ever seen in films about the Holocaust or WWII.

Der Anständige" (Himmer's private letters) is saddled with the unfortunately banal English release title of "The DECENT ONE" which will undoubtedly cause too many people to overlook it -- which is indeed unfortunate, because this film --fortunately caught at the Miskolc film festival in Hungary in September -- is definitely one of the more interesting documentaries to probe the background of top Nazi leaders and Holocaust perpetrators to come out in recent years. What this film does is is let Himmler, the most notorious Nazi of all next to Hitler himself -- speak for himself, through private letters sent to his wife throughout his unbelievably nefarious career. We therefore see an absolutely callous mass murderer as he saw himself -- which is to say as basically a warm hearted family man in love with a woman whom he eventually marries, but having to sacrifice his love in the name of duty -- a higher calling ...to exterminate all enemies of the Third Reich -- revealing his personal feelings to her in private letters at various stages of his insanely murderous career which is barely hinted at in the nebulous background lurking behind these letters. As Hanna Arendt pointed out in "The Banality of Evil" it is necessary to see that mass murderers like Himmler, Eichman, and company, did have private lives, and did not see themselves as evil bastards but rather as devoted men carrying out a lofty mission. Ugh. Shrug. Shudder. This remarkable documentary will evoke a different kind of revulsion in a new dimension. A must see for all having any interest in Naziism and Holocaust studies as well as, on a purely formal level, styles of documentation. Belgian~Israeli director Vanessa Lapa assembled this utterly amazing film from a cache of Himmler family letters that were "liberated" by advancing American troops at the end of the war and circulated for decades on a paper black market until winding up somehow in the hands of Vanessa's father in Israel -- but that is sordid story of its own.