To me, this movie is perfection.

Fantastic!

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

This story has more twists and turns than a second-rate soap opera.

This film -- like most of Bing's films from the 1930s -- is eclipsed from the bigger budget Crosby films of the 1940s. Nevertheless, this is a rather pleasant diversion that includes several Hawaiian themed songs that were forever thereafter associated with Crosby.Here, Crosby plays a publicity agent for a pineapple company whose latest publicity stunt -- a young lady (Shirley Ross) from the continental United States -- is chosen as the "Pineapple Girl" and is given "3 romantic weeks" in Hawaii; which she finds rather rather dissatisfying and she decides to head back stateside, thus ruining the publicity campaign. Crosby to the rescue, but he misidentifies the girl in question, thinking it is Martha Raye. Meanwhile, by pure coincidence, he falls in love with Ross, not knowing she is the actual "Pineapple Girl".There's a lot of nonsense about a sacred pearl stolen from a local shrine. It's kind of a dead end part of the plot, although it does give us a chance to see a very young Anthony Quinn as a native Hawaiian. There's more nonsense about a pig. Don't ask.In the end -- of course -- Crosby wins Ross, only then finding out she is the real "Pineapple Girl".Among the great songs here are "Blue Hawaii" and "Sweet Leilani".Crosby is...well...Crosby. No great acting here. Just the pleasant personality audiences enjoyed back then. Ross is fairly good here, too. Martha Raye contributes her comic relief. Bob Burns, as Crosby's buddy, also provides comic relief...although I found him more annoying than humorous.It's a decent film. Better than "Double Or Nothing", which is often on the same DVD disc. Probably more for Crosby fans, although the on location outdoor photography makes the Hollywood scenes believable as Hawaii in the 1930s.

The film credits omitted one of the main players: Wolford: Arkansas bumpkin Bob Burn's pet mini pig, who accompanies him everywhere and is frequently seen throughout. Zany Martha Raye even claimed he won first prize in a dog show, to pay for Bob's jail bail. This was the second and last film pairing of Martha and Bob, again cast as an impromptu pair of slow-witted clowns. Unlike their first pairing, Bob doesn't get to play his unique 'bazooka' musical instrument, thus Wolford serves as his unusual 'prop'. When the stolen sacred necklace the gang is trying to return to the natives is dropped by butterfingers Georgia Smith(Shirley Ross), it lands around Wolford's neck, below. Startled, he runs off into the forest. Bob gives a sampling of his 'championship' hog calling talent, resulting in the appearance of a mob of pigs, along with Wolford. When Martha tries to imitate Bob, it sounds like Johnny Weismuller's Tarzan call, and the pigs all scatter.As in her first Paramount film, Martha gets to do one of her zany vaudeville-styled songs, entitled "Okolehau", which is the name of the native alcoholic drink, usually made from tubers of the Ti shrub, which was also very important in providing leaves for their roofs and skirts. Martha had a good swing of this liquor before her performance, as part of the celebration surrounding the return of the stolen black pearl necklace. It was hoped this would placate the angry spirit causing Pelee volcano to rumble. but Pelee blew her top anyway, causing the native priest to declare the necklace a fake. Incidentally, the infamous Pelee , which 'blew its top' in 1902, killing many thousands, is in the eastern Caribbean, not Hawaii, where the volcanoes spew non-explosive magma, having little dissolved gases, which are the cause of explosive eruptions.Judging by their names,probably few of the 'natives' were genuine, or at least were not full-blooded. This includes a young Anthony Quinn. Nonetheless, most do come across as genuine, and we are treated to a number of festivals, with much singing and dancing. The actors never got to Hawaii, the film being shot mostly in the LA Arboretum or studio. However, periodically, clearly we do have shots of the real Hawaii in the background.The screen play often makes little sense. Why did Bing, as publicity manager of a Pineapple firm, have to reach to Birch Falls,Iowa, to find a 'Pineapple Princess', flown in for a 3 week publicity campaign, promised a romantic time, as well??. It's never explained why Martha apparently accompanied her, as her roommate? Soon after arriving, Georgia inexplicably complains she is bored and is thinking of soon leaving, bad publicity for Hawaii's tourism image! So, Bing is hauled off his fishing yacht, and told to do something to prevent Georgia from leaving. He organizes an evening serenade with some native men, and himself as the chief singer of "Blue Hawaii". Yes, long before Elvis claimed it as his own, this classic was composed for this film and was sung twice, as well as during the opening credits. Eventually ,Martha, not Georgia, emerges from the bungalow, enthralled that she has been serenaded, and jumps into Bob's arms. Bing is not impressed, and leaves to work on his yacht, near the ticket booth for the ocean liner China Clipper. I'm not aware of any actual ocean liner by that name, but Glenn Martin famously inaugurated trans-Pacific air service just the year before this film was made, with its three China Clippers! In fact, when Georgia's suspicious boyfriend, back in Iowa, rushes to find out what Georgia is up to, he presumably arrives via a China Clipper, seen overhead in one shot! Anyway, Bing meets Georgia while working on his boat, and they have a humorous, if inauspicious, introduction, in which he discovers that she is the real Pineapple Princess. By inadvertently getting mixed up in the stolen black pearl necklace affair, Georgia misses the ship home. Bing proceeds to make her stay memorable, beginning with a repeat of his "Blue Hawaii". Of course, when it's time to go home, she has to choose between Bing and her old stuffy boyfriend : a close call, with Bing requiring an accomplice.Ralph Rainger and Leo Robin did a commendable job with the scores, which included all but the academy award-winning "Sweet Leilani", composed a few years earlier by Hawaii-based Harry Owens, in honor of his new daughter. Bing insisted that it be included, over the vehement objections of producer Hornblow. Although memorable, I'm surprised "Blue Hawaii" didn't win the award instead! Shirely Ross(as Georgia) was also a good singer, if lacking much charisma. Besides accompanying Bing with "Blue Hawaii", she does ""In a Little Hula Heaven" on her own, and reprises "Sweet is the Word for You", after Bing initiates it, as their romance heats up. Bing also sings one song, presumably Nani Ona Pua, in the native language.I can see why some people might be put off by Martha Raye's or Bob Burn's brands of humor, as dated. It's difficult to imagine Shirley as a woman Bing would get too excited about. Plenty of the native women were better looking and more pleasant, and Martha was way more charismatic. I would have preferred Betty Grable, who was with Paramount then, grossly under-appreciated, and would be paired with Martha as sisters the following year. Despite the often nonsensical screenplay, it's mostly a fast-moving fun time.

This is a good film to watch late at night, when you're too tired to concentrate on a heavy plot and are ready for some pretty music and comic diversion. The two songs you'll immediately recognize are "Blue Hawaii" and "Sweet Lelani" (which won the Oscar that year).Bing Crosby is his usual agreeable self, in great voice, inhabiting the screen but not his character, really. His seemingly effortless singing is,as always,mellow and fine. Shirley Ross (she of "Thanks for the Memory" with Bob Hope) has a very appealing, intelligent and charming way with a line and a song. Bob Burns is there for comic relief, as is a young Martha Raye, who is, well, Martha Raye. You either like her or you don't...but she does manage a few laughs with her very physical antics and double-take expressions. A very lithe and boyish Anthony Quinn, playing one of his early "native" roles (here as a Polynesian), pops up in several scenes...years before his own ascendancy to super-stardom.It's the music and the lavish Hollywood-Hawaiian sets and luau scenes that make this a very pleasant movie to watch.

Bing Crosby was one of the biggest stars in the world for much of his career and this movie released in 1937 was the third biggest hit of the year. Supporting him are the hilarious duo of Bob burns and Martha Raye, especially who seems to spark every scene she's in with a splash of wine and vinegar. The plot as it is as PR man Bing who works for the Pineapple company located in Hawaii who has a Pr mishap on his hands when the girl brought in as the Pineapple girl goes sour on the island and intends to let everyone know how lousy and unexciting the island is. This for sure will hurt tourism so Bing has to save the day. So what else does a nagging Yenta need but a man who will keep her from leaving the island. The plot is on. Songs are interspersed BTW the action including one which supposedly became a million seller. Anthony Quinn who was years removed from his movie star days plays an Indian with his typical zest and good craftsmanship. The female lead who never amounted to much stardom of her own is pretty and really can sing. I do like the way the movie ends. It is slightly unconventionally but slightly forced in performance. But it works. It could be a good movie for some enterprising producer to remake.