It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The acting is good, and the firecracker script has some excellent ideas.

This film is so real. It treats its characters with so much care and sensitivity.

The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

This is one of the most entertainingly ridiculous TV movies ever made. It has often been written off by many smug critics as "Carrie Goes to College", but that's not entirely accurate. It has a bit more of an occult angle for one thing (Why not "To the Devil, a Coed"?). Mostly though, unlike "Carrie" it's pretty hard to take seriously, and I think most of the people involved in it were perfectly aware they were making a cheap TV movie and were in on the joke.The casting is pretty ridiculous. There is ugly and then there is "Hollywood ugly", but Kay Lenz wasn't even "Hollywood ugly", and it's pretty hard to buy her as a socially shunned girl who has to join the loser sorority. Lenz (who was married to 70's heart-throb David Cassidy at the time) was actually a lot prettier than walking, talking Barbie dolls like Morgan Brittany, who plays her much more popular sister, or Morgan Fairchild, who heads the popular sorority. Anyway, it is testament to her acting ability that Lenz is at all believable in this role. Tisa Farrow who plays a put-upon character named "Mouse" is highly annoying but not exactly ugly either. (She is famous for three things: she is Mia Farrow's sister,she was the female lead in Lucio Fulci's "Zombie",and she was involved in a famous falling out the Beatles had with the Maharishi in the 60's after the transcendental mystic couldn't transcend the urge to pinch the butts of her and the other young starlets in their entourage).Of course, the best thing as usual is Shelley Winters as a house mother with an interest in the occult who encourages "Sarah" to use her latent telekinetic powers against their popular rivals. Winters was derided by some for gaining a lot of weight late in her career, but given all the scenery she typically chewed (or simply swallowed whole), I thought she stayed remarkably svelte. (Around the same time as this movie, Winter squared off with a giant octopus in Italian "Jaws" knock-off "Tentacles", and frankly she was far, far scarier than the octopus). The handsome but rather bland Robert Hays ("Airplane"), on the other hand, has an especially bland role as the Morgan Fairchild character's boyfriend and mostly just fades into the 70's wood paneling.This doesn't really compare to "Carrie", but I would definitely recommend it highly to fans of cheesy 70's TV horror flicks.

I won't pretend that this made for TV film is one of the greatest horror movies I've ever scene (what made for TV horror film is?). However, it has a certain unexplainable quirky charm about it that makes it a very enjoyable film. I often feel the same way about 80's films that love watching and I don't know quite why. It has that certain unexplainable magic similar to the 1986 "The Canterville Ghost" (which is a Family Comedy). I tend to like all sorts of mystery's with secret rooms and antient stories. I liked the story, however I wasn't 100% satisfied with the ending. All actors involved gave great performances, which alone is worth the viewing.This is perfect for a midnight movie when you just want to sit back and throw something one when you're tired. Don't hope for a masterpiece, but enjoy the overall feel and vibe of this pleasantly quirky film.

Here we have kind of a 'Carrie-look-alike' film, but I'd say a little bit moralist. Sarah (Kay Lenz), a weird girl (yes, she does have telekinetic powers) scorned by snobbish dull colleagues is admitted in a strange sorority where she is manipulated by the evil house mother Mrs. Hunter (Shelley Winters). On the other hand, her beautiful and ingenuous sister Patty (Morgan Brittany) joins a renowned sorority where she is forced to cast Sarah away by no less manipulative Jennifer Lawrence (Morgan Fairchild). The entire film has a 'gloomy aura', it's a somewhat sad story which could never have happened if it wasn't for the juicy 70's!... The TV production is poor, nevertheless it doesn't matter once this is a very enjoyable flick.

A shy girl with strange telekinetic powers joins an unpopular sorority, where the house mother is a mysterious and manipulative Shelley Winters. Meanwhile, the girl's sister joins a popular sorority, where Morgan Fairchild is the queen snob. A sacrificial initiation has tragic consequences. Bad acting, poor production values, seventies threads -- in other words, cheesy fun.