That Wonderful Urge

November. 20,1948      NR
Rating:
6.5
Trailer Synopsis Cast

When an heiress finds out that the friendly young man she's met at Sun Valley is really an investigative reporter, she ruins his career by falsely claiming they're married.

Tyrone Power as  Thomas Jefferson Tyler
Gene Tierney as  Sara Farley
Reginald Gardiner as  Count André de Guyon
Arleen Whelan as  Jessica Woods
Lucile Watson as  Cornelia Farley
Gene Lockhart as  Judge Parker
Lloyd Gough as  Duffy, Chronicle Editor
Porter Hall as  Attorney Ketchell
Richard Gaines as  Whitson, Farley's Executive
Taylor Holmes as  Attorney Rice

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Reviews

Linkshoch
1948/11/20

Wonderful Movie

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Wordiezett
1948/11/21

So much average

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Lawbolisted
1948/11/22

Powerful

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Kaelan Mccaffrey
1948/11/23

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

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lora64
1948/11/24

After half a lifetime of viewing movies I finally got to see this film "That Wonderful Urge" with Ty Power and Gene Tierney, once again teamed up. Always interesting to see a new film not viewed before.There's a fabulous, well-rounded cast - Gene Lockhart, Lucile Watson, Reginald Gardiner, Chill Wills, Porter Hall - all familiar faces, and I really felt much more could have been done due to the presence of these great actors appearing all in one film. Well, in Marlon Brando's words (On the Waterfront), you could say, "I coulda been a somebody" because everything was there except a fine script, but I'm thinking drama instead of comedy, my fault really. I think the main problem is that Ty and Gene are forever enshrined in my memory as two of the finest actors in that great story, "The Razor's Edge," an influence which is hard to shake free of and I'd gladly welcome another film of that calibre with them in it but my expectations will have to remain a wish.Since the story of "That Wonderful Urge" is based on comedy I must admit there are many amusing moments and unexpected turns as the tale unfolds.Thomas Tyler (Ty), a reporter, is out to get the inside scoop for his newspaper on the heiress, Sara Farley (Gene Tierney). After he poses as an admirer in order to obtain a story of her personal side, she becomes aware of his trickery and is determined to show him what it's like being in the spotlight of public news, and she does this by announcing to a group of anxious newspapermen the fact that they are indeed married. Needless to say from hereon the newspapers take over and the plot is up and running. It is then Tom-Tom's turn to refute the statement and it gets more complicated at every turn.I like Gene Lockhart in his role as a judge and it reminded me of his later role in "Carousel" also.This movie is one I recently bought as part of a box set "Tyrone Power Matinée Collection" where I thought I was getting five movies but it turns out to be ten, plus more extras. It's a must-have for those who appreciate Tyrone Power's films.

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bkoganbing
1948/11/25

That Wonderful Urge turned out to be Tyrone Power's last film in the comedy vein. It's a pity that Darryl Zanuck couldn't waste a little money on an original story.If you think you've seen this film before with Power, you have. This is a remake of his film Love Is News that he did with Loretta Young back in 1936. Back then films about ditzy heiresses that the Depression era public could laugh it were in vogue. In 1948 this was very old fashioned.Still it's quite humorous as heiress Gene Tierney who is sick tired of all the bad publicity she gets, especially from Power who seems to be making a career of writing about her foibles, turns the tables on him. Tierney announces to one and all that she's engaged to be married to none other than reporter Power. Now he becomes paparazzi fodder and the tables get turned. Power's not without resources and he finds ways to make the pretend marriage both work and be annoying to Tierney. But I don't think I have to tell you where this will all end.As I said in the review of Love Is News, our fascination with heiresses from Barbara Hutton to Paris Hilton seems endless. But it all gets a bit hollow because if Tierney didn't want publicity, believe me she wouldn't get it. There are a lot of rich people out there whose lives never become tabloid stories.Still it's amusing and in the supporting cast judges Chill Wills and Gene Lockhart come out the best. In fact Lockhart seems to be continuing his role as a judge from that other 20th Century Fox classic, Miracle on 34th Street.That Wonderful Urge is a dated comedy that today's audiences will still get laughs from. We do love our ditzy heiresses.

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blanche-2
1948/11/26

Tyrone Power made light comedies in the mid to late 1930s when he was first establishing himself at Twentieth Century Fox. In fact, he made this exact light comedy in 1937, then called "Love is News." The story concerns an heiress who, to get back at a reporter and show him what it's like to be the subject of headlines, claims they're married. This tired romp was fresher back then and much, much more entertaining in the hands of Power, Loretta Young, and Don Ameche. What a blow this must have been for Power, to make "The Razor's Edge," his personal favorite, "Nightmare Alley," and "Captain from Castile," and then be forced into this by the studio. It's no wonder he turned to the stage and then formed his own film production company.Power is paired with his leading lady from happier productions, the luminous Gene Tierney ("Son of Fury" and "The Razor's Edge"). Unfortunately, she plays the role of the heiress in such a coy and put-on manner that it's hard to tell when the character is being sincere, as she delivers her lines in the same way on both occasions, and always with an icy smile. Power does his best - he plays the role realistically, with no mugging or attempts at forced humor, but alas, the material isn't very good. These two wonderful stars can be seen to better advantage in earlier and later films.

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rfkeser
1948/11/27

Using the same plot as MGM's LIBLED LADY and EASY TO WED [aggrieved heiress vs. undercover reporter], Fox tried to resuscitate the romantic screwball comedy. However, aside from a few stray witty lines, nothing seems to work: not the comic business that Tyrone Power adeptly performs, not the Katharine Hepburn accent essayed by Gene Tierney, and certainly not scenes like the jailhouse exchange of bedbugs [what were they thinking?] Power and Tierney supply ample star power, and all the cast members are perfectly competent, but the whole enterprise resists laughter. Perhaps it's the brief but awful organ music in the score.

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