I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

This movie was so-so. It had it's moments, but wasn't the greatest.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

An old-fashioned movie made with new-fashioned finesse.

"O Caminho das Nuvens"(American title: "The Middle of the World") tells the true story of a man who leads his itinerant family across Brazil on bicycles. Romao(Wagner Moura) is that man, a seemingly good man who doesn't drink(by default, perhaps; he can't afford any alcohol), or beat his wife and kids. Unfortunately for his wife, Romao is not a smart man. The world that passes by their two wheels looks yellow, dead, without promise. Rose(Claudia Abreu) is a saint whose husband needs a slap in the face. His dogged persistence that he won't settle for a job that pays less than a thousand reals makes him sound like the Rainman. While he promises Rose a better life in Rio de Janerio, Rose and his family make ends meet by performing traditional songs for tourists, and whatever odd jobs or crimes that turn up during their travels. It's okay for his family to demean themselves, but when Romao has the opportunity to contribute, pride takes precedence over his obligation to provide leadership and sustenance for the people who carry his surname.Growing pains is a trying time for an adolescent boy, even if he resides in a nice home with enough food on the table. Now consider poor Antonio(Ravi Ramos Lacerda) who goes through puberty on location. His raging hormones, raging in the brush, the tumbleweeds, the whole outback entire. When Antonio falls in love with a mermaid(a girl who poses for pictures in a club), he announces his decision to leave the two-wheel caravan. Romao doesn't discourage him because it's one less mouth to feed. After the beautiful girl in the mermaid costume rejects him for the older and wealthier club owner, we think about his mother, who married out of love instead of money. There should be a scene in which this beautiful woman second-guesses herself. A cross-country journey is exhausting, but the family in "Caminho das Nuvens" seem remarkably fresh. They must be part-camel because the heat doesn't prevent them from sharing an occasional off-the-cuff moment while they stave off hunger and dehydration. Remarkably, prostitution, or some desperate means of earning money is never broached between father and mother. Considering the distance they cover, the parents and kids just aren't dirty enough, or angry enough, at their dire situation, or at each other.

A great Brazilian movie called "The Middle of the World", which, in fact, it is in so many ways. It is a rich but unpretentious chronicle of an extraordinary journey of one rural Brazilian family. The father is illiterate and unable to find work. Romão (the father), Rose(the mother), and their five children, from a teen to a baby, begin to make a journey on bicycles and head for Rio de Janeiro, which is 2,000 miles away, to find work. They face all kinds of physical and emotional hardships along the way, seeing many kinds of villages, dirt roads and superhighways, and desolate to spell binding scenes of nature. They beg, do odd jobs, sing in outdoor cafés for money, scrounge around in old abandoned homes, swelter under the blazing sun, almost die of thirst, and sleep under the stars; yet all the while, they keep trying to survive and maintain their love for each other, which is often tested beyond limits. The husband and wife relationship has classic features that are displayed poignantly and expertly. They exhibit a kind of yin and yang pattern with Romão being a strong, soft spoken, intensely patient, idealistic optimist and Rose being the one who verbalizes their feelings of love, sympathy, joy, as well as despair, fear, and anguish. She is also outspoken when their frailties have been overtaxed and when there is a need to be practical. Her pragmatism and his religious convictions balance each other out. Nevertheless, they are able to switch roles as the one to comfort, encourage, or recommit to the challenge when either has had enough and is losing hope and faith in their vision. With no competition from age-group peers, the character of their parents seems to be emulated as role models by the children. As a sub-plot, the teenager, Antonio, is in the middle of growing into manhood. The Father, Romão, exercises patient parental control through mild rebukes and testing Antonio's mettle by letting him use his judgment and make mistakes, but he also subtly guides him with silent looks of acknowledgement that builds Antonio's confidence in himself. Rose, the mother, gives equal guidance by emphasizing caution and protectiveness but also gives him a sense of profound mother-love that becomes his foundation of security. When the father senses Antonio is ready to emancipate, the mother does not want to let go and the father, in his wisdom-love, states simply and firmly to Rose, "We do not own our children." When Antonio is left behind to follow an occupation, the strong and positive family dynamic continues to the end of their journey. Finally, when at their destination of Rio de Janeiro, and expressing the powerful spirit of this family, their triumph is symbolized in a mountain top experience as they stand together viewing Corcovado's Statue of the Christ and overlook the prize of their victory, the city of their dreams. As they crossed the 2,000 miles of their courageous journey, they witnessed the many ways in which the nation they once knew is rapidly changing. It was a raw, earthy, beautiful story. It gave such a realistic picture of Brazil as a whole. It is a beautiful country but also has such vast differences between the rich and poor. The movie also showed what a big and truly dominant role religion, and religious superstitions, plays in the lives of the poor, illiterate 'peasants'. At 'The Middle of the World', two different worlds, the new cosmopolitan and the old world, stand on the same piece of earth!

I loved this movie!It is so refreshing to watch a non-pretentious film that illustrates the realities of poverty and the search for happiness without making you want to jump out of the nearest window! Normally, Latin American directors tend to emphasize and exoticize poverty-stricken towns and characters by dwelling on the families' strife and hardship in order to extract superficial emotion from the spectator. Mr. Amorim, however, deftly maneuvers around these themes with a sincere and compassionate and humanistic eye. "O Caminho das Nuvens" is a funny and modern road-movie that takes you where you want to go...places you may have been before, but may not have seen in such a fresh and authentic way. Muito bom.

Rarely does one have the opportunity to see such a unique, honest and beautiful movie, specially when it comes to dealing with such difficult issues such as poverty, a family's struggle to stick together and overcome all sorts of misadventures. This is a beautifully shot road movie on bicycles - based on a true story - that can be compared to The Bicycle Theif, and another Brazilian master piece by Nelson Pereira dos Santos: Vidas Secas (Barren Lives, is the English title) (based on a novel). Everyone should get to see this movie.