Very very predictable, including the post credit scene !!!

Sadly Over-hyped

Excellent but underrated film

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The subjects of this documentary are the renowned cellist Yo Yo Ma and the Silk Road Ensemble, an international orchestra which he created. Some of the other members, renowned in their respective countries and regions, are also interviewed. They include Kinan Azmeh (from Syria), Kayhan Kalhor (a Kurdish Iranian living in exile), Wu Man (from the Chinese province of Zhejiang), and Cristina Pato (from the Celtic region of Galicia in northwestern Spain).This film ably juxtaposes the spiritual beauty in discussions of music and culture against the troubles of the world including histories that are current (Syria), recent (Iran), and distant (the cultural revolution in China in the 1960s). These discussions also include the difficulty in maintaining culture and music during such difficult times. Similarly, modern economics is also a challenge to maintaining cultural history which is most important as many musical instruments are unique to certain countries and regions.As the main interviewee, Ma is inspirational due to his modesty, his intelligence, and his ability to articulate the spirituality he sees in his art. It is also refreshing to witness someone who is world famous but who also seems resistant to the trashy and vulgar sides of fame.One of the most gripping scenes is where Azmeh visits Syrian refugee camps in Syria and teaches basic music to a group of young girls. An aerial view of the camps is heart-wrenching.With such a great collective of music, I was expecting a grand finale. The finale was pleasant though it could have been more emotional. While this film takes on great principles, it occasionally seems a bit too earnest. But when it covers so much beautiful music, art, architecture, and spiritual values, how can one not like it? It's no surprise that its director, Morgan Neville, directed another musical documentary "20 Feet from Stardom" which was one of the best movies of 2013.

Yo-yo Ma and The Silk Road Ensemble have such a warm rapport with each other and the audience. It is uplifting in this current political climate of divisiveness to see such cooperation and empathy all through the film. The music is wonderful and Yo-Yo Ma is a very special ambassador of international good will.

"The Music of Strangers" is an American English-language movie from last year (2015). It runs for slightly over 1.5 hours and was directed by Morgan Neville, Oscar winner for "20 Feet from Stardom". And as much as I was disappointed with the latter, I am equally disappointed with this more recent work we have here. The center of it is famous cellist Yo-Yo Ma and we meet several members of his Silk Road orchestra. With this name, you obviously immediately understand that this is as much of a cultural project as it is a political. On a side-note, it is a bit of an equivalent of Daniel Barenboim's recent project (an orchestra that includes Israeli and Palestinean musicians). Ma, however, has people from all over the world, also countries far far away from the Silk Road, such as Spain or the United States. A lot of the focus is about Yo-Yo Ma himself and his life as a musician. We see interviews from decades ago where we find out what his view on things was back then.In addition to that we find out about some other members of the orchestra, for example an Iranian who struggles with his country's politics and the fact that he can not speak freely because his wife/girlfriend still lives there. Or a Spanish female singer who brings the spirit of the soil to the group. The latter reference already tells you that this is a fairly pretentious film on several occasions. Not only did I feel that I did not learn much at all about the music, the people's backgrounds or the concept of the orchestra in general, this lack of information was tried to get hidden behind an accumulation of seemingly important quotes and references (some downright poetic) and to me personally almost all of it rang pretty fake and scripted and staged. And honestly, why would we care what any of the people in here did on 911. It was a tragic day yes, but the reference to this film/project felt so non-existent to me.On a more positive note, the music is sometimes fine, even if I felt the musicians overacted a lot while performing. But honestly, I found most of the people depicted in here pretty unlikable and there are some cringeworthy sequences in there too, for example when Ma makes a joke about the sound of a noisy horse fart and everybody finds it oh so funny. Or the part when the one guy brings flutes to children and they exaggerate it all that it is oh so forbidden and that he is smuggling these and it is all so risky, but he is such a good guy and doesn't care about the risks. Guess what! It's risky? Do not film it. I am sure nobody suspected anything with a film crew accompanying the man. Cringeworthy stuff. This documentary has almost nothing to offer from the informative standpoint and if you want to hear the music, I suggest you just listen to a record from the ensemble or see them live. The experience is certainly much better than the one you get from watching this movie. 4 stars out of 10 is almost too generous. Big thumbs-down from me.

Music documentaries can be fascinating in many cases. This is the case of The Music of Strangers, the documentary produced and directed by Morgan Neville which tells the story of the wonderful musical adventure and inter-culture experience which is 'The Silk Road' ensemble and organization started in 1998 by the famous cellist Yo-Yo Ma.The documentary deals both with the initial phases of the project (based on filmed material from their first encounters around the year 2000) and its later evolution. While the value of the cultural interaction is quite well presented, there is less mention if at all about the novelty of the approach of gathering together artists with very different backgrounds and having them play music in a fusion mode that was maybe acceptable in jazz, but much less in classical music where many of them (including Yo-Yo Ma) came from. Actually Ma is a pioneer from this perspective, using his almost pop star reputation to bring classical music to the wider audiences, but also the music of people and peoples to the classical musicians world.There is no central story telling in the film which mainly builds itself by the interleaved personal stories told by Yo-Yo Ma and a few of the musicians, their own perspective about the work in the the ensemble, the interaction with other musicals, and their philosophies about the scope and the benefits of the project. We have the opportunity to meet Chinese lute virtuous Wu Man and hear her speaking about the challenges of learning and making music in China immediately after the Cultural Revolution, and Spanish bagpiper Cristina Pato about building her path as a woman artist in a less developed area of Spain, we see Syrian clarinetist Kinan Azmeh talking about his feelings about making music while his country is torn by war, and Iranian musician Kayhan Kalhor telling the story of his family broken by the political situation in his country and by exile. Most of all we see their opening to dialog and artistic collaboration, their passion of talking and especially playing music. A few of the meetings, concerts, family reunions and activities of volunteering with refugees are caught also on record.Watching them is a fascinating and beautiful cultural and musical experience.