Please don't spend money on this.

Although it has its amusing moments, in eneral the plot does not convince.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

This is a casino heist movie set in Reno. Apparently they didn't realize back then that any decent casino heist film must be set in Vegas. The fact that it was perhaps the first casino heist film ever is no excuse. Reno was apparently so uninteresting that they had to open the film with a five minute scene of the automated pigeonhole parking garage. Pigeonhole parking lots saw a small boom in the 50s but quickly faded as people didn't like waiting around for their cars on a good day, let alone when the elevators often broke down. Seriously, seeing what the casinos looked like back then is interesting, but unfortunately the heist itself was a bit of a disappointment, it doesn't account for much screen-time and is logistically ridiculous.

Four carefree young men stop off in Reno, Nevada, for a little down time on their way back to Midwestern University, where they are students. The four are extremely handsome Guy Madison, whose girl, Kim Novak, is waiting for him back in school; bulky Brian Keith; whiz-kid and wealthy Ketwin Mathews; and funny-looking, wisecracking sidekick Alvy Moore.If all of them look a bit older than most college kids it's because at least three of them have served in the Korean War. As a matter of fact, Keith brought the wounded Madison back from an exposed position and saved his life. Actually, all of them had served in World War II -- Madison in the Coast Guard, Mathews in the Air Force, and Keith and Moore in the Marine Corps. I mention their ages only in passing because it doesn't detract from the story.And it's quite a story, too, not nearly as bad as might be imagined. Mathews proclaims himself bored. He wants to be a man of action and pull something off for the record. When they relaxed in Reno, Mathews developed a plan to rob one of the casino's, claiming it was foolproof. The money would all be given back afterward. He needs the others to carry out his scheme but they scoff.The movie really belongs to Brian Keith, and he handles it well. He is suffering from post-traumatic stress disorder and, when crowded, has an alarming tendency to beat the crap out of the man who's bothering him, and Keith has the muscles to do it. When Kevin Mathews explains the details of his hypothetical armed robbery, the camera stays on Keith's face. And his features morph insensibly from amused disbelief to something resembling a grim fascination, richly colored with lunacy.Keith more or less forces the others to go through with the plan, taking Kim Novak along for the ride. The robbery goes awry, as all robberies must in 1955, and Keith is cornered by the police until he is finally talked down by Madison.Phil Karlson's direction is efficient if not very subtle. Karlson seemed attracted to (and good at) stories involving unexpected explosions of violence, such as "Walking Tall." But he allows Keith to go goggle-eyed with rage as he's beating another college kid half to death.The writers included Sterling Silliphant who could do a fine job of adapting material for the screen, even if, at the same time, corrupting it, as he did in "From Here To Eternity." There's a scene in the script that should throw up fireworks of disbelief in any sophisticated audience. It's the climax, when Madison reminds Keith of their experiences together on the battlefield. "Remember the tracer bullets? How they turned the snow red?" Keith is cornered, sweating, trembling, half out of his gourd, and holding a gun on Madison, repeating the phrase, "I'm gonna kill you." And what does Madison do? He does what EVERY exemplary cretin does in these situations. He talks calmly but continues to advance on Keith, pushing him closer to the edge. And Madison's soothing reminiscences last about sixty seconds of screen time, then Keith collapses into sobs.Guy Madison was plucked out of the crowd and turned into a romantic lead strictly because he looked good. His nose, in particular, is unforgettable. During the robbery Madison is disguised by a fake beard but nothing could camouflage that ski-slope nose. That aside, he is an unprepossessing actor, about as good as you or I would be if we were chosen from the crowd. Well, not as good as I'd be, but as good as you. Yes. I gave a sterling performance in "Weeds." I was the Corrections Officer that was left flattened on the floor, as if by steamroller, after the riot scene. No one has ever been flatter.Brian Keith has always been a reliable performer. He never achieved Class A stardom but I can't remember a single film he's appeared in that he torpedoed. A shame about his death.Anyway, this isn't the cheap B movie that you might think. It has no bankable stars, Phil Karlson wasn't a big name, and it's in black and white. Yet it hits its mark and does what it's supposed to do with lucidity.

Phil Karlson directed a lot of B movies and this one, "Five Against the House" is another one, released in 1955. It's notable for having Kim Novak in it just before she hit real stardom, and she's gorgeous. The other stars are Guy Madison, Brian Keith, Kerwin Mathews, and Alvy Moore. The story concerns Korea War vets in college on the GI bill who become involved in the heist of a Reno casino. It's supposed to be a lark by one of the men, Ronnie (Mathews). just to see if it could be done; he plans on returning the money. Lark or not, Al (Madison) opts out, but travels to Reno with his girlfriend Kay (Novak) and the rest of the guys as he and Kay are planning to be married there. However, the psychologically unstable Brick (Keith) decides to do the heist for real and forces his buddy Al to go along with it. Brick saved Al's life in Korea, and Al doesn't feel he can refuse him, even though the plan now involves Kay.Though the end of the film had some excitement, the rest of it drags. The acting is adequate. Though the guys had served in Korea and entered college late, as far as I know, the Korean war lasted three years and not ten. With the exception of 29-year-old Mathews, the rest of the actors are in the 33-35 year-old range. Madison's career started out promisingly, but he became best known as Wild Bill Hickok on television and eventually made many Italian westerns; physical ailments kept him from working often past 1975 - his last credit is 8 years before his death in 1996. The other actors worked mainly in television except for the handsome Kerwin Mathews, who found career success in another type of film genre before his retirement circa 1978.What the film has going for it is a really neat atmosphere. It was filmed on location in Lake Tahoe and Reno, and that part of it really pays off.Of mild interest.

Jack Finney's magazine story becomes an annoying, miscast film saddled with leadweight pacing and poor production values. University seniors "cook up" a great lark for successfully robbing a casino in Reno, but when they hit the highway to attend their pal's wedding, roommate Brian Keith (just out of the Korean War as well as the psycho ward!) decides to treat the heist plan seriously, hijacking the others. Good cast can't do much with this juvenile script--and the actors look too old to be campus kids, anyway (Keith could easily pass for one of the faculty--notice how no one cards him at the gambling tables). Alvy Moore's wisecracking sidekick is grating the minute he opens his mouth, but young Kim Novak has movie-star allure to spare as a nightclub singer. The locations are more interesting than these characters, although neither are especially exciting--and some of the backdrops look so phony, one half-expects them to topple over from the draft caused by the wind machine. *1/2 from ****