Danny Ocean's team of criminals are back and composing a plan more personal than ever. When ruthless casino owner Willy Bank doublecrosses Reuben Tishkoff, causing a heart attack, Danny Ocean vows that he and his team will do anything to bring down Willy Bank along with everything he's got. Even if it means asking for help from an enemy.
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Reviews
The Worst Film Ever
the audience applauded
Best movie ever!
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
Come on, be honest, you wanted Pacino to win didn't you? I mean, Brad Pitt is good when he's not doing the fluff action movie thing. He can act when he really wants to. Matt Damon is the same, when he wants to act he can act and when he wants a paycheck he does a boring action film. George Clooney is cool, he does some mad roles......but, I mean, they are up against Al Pacino. It's hard to hold your own against them man.Other than that it is leagues better than the second film and still not as good as the first.The first had some real heart, the third had some great jokes, but you got the feeling that they were grasping at straws. A heist film with that much going on is hard to pull off more than once.But the effort was here and it was a good job. They did a good fight, they just couldn't pull it off a second time, let alone a third.I'll give you a hint. Don't try to justify it and make them the good guys, they are thieves, so long as they are lovable they don't have to be righteous.
As silly, gaudy and drawn out the Ocean's franchise had gotten by its third outing, I still somewhat enjoyed Ocean's Thirteen, an overblown attempt to keep the magic alive that most of the time trips over its own bells and whistles. That being said, the gang is all there, and that alone is good for some laughs. This time around, Eliott Gould's cranky charmer Reuben has been ousted from his Vegas property by Willie Bank (Al Pacino) a ruthless and ludicrously rich casino tycoon with big plans for the future. Reuben is left in a dazed depression, and the gang all drifts back together to try and rob the hell out of Pacino, using methods and cons so over the top they almost seem like a parody of the former films. Pacino is a bit more clownish than Andy Garcia's grim Terry Benedict was in the first film, which adds to the cavalier absence of any sense of real danger. In fact, Benedict is now chummy with the gang himself, which is a cute turn of events but kind of seems too silly. Ellen Barkin adds a lot of class as Pacino's head honcho, fitting into the Ocean world nicely. The gang I'd all back and more eccentric than ever, with Matt Damon scoring comedic points in one of the funniest prosthetic jobs I've ever seen. Newcomers to the show include Julian Sands, Oprah Winfrey and a reliably hapless David Paymer. It's not that this one takes the formula too far, it's just that we've been there, done that, got the t- shirt and there was really not much need for it. I won't say no though, because the blue print of what made the first so fun is still there, it's just been jazzed up and adorned with a few too many gilded sequins and fancy jib jab. Still enjoyable.
Holds up well. Not as tight as the original because the original had surprise working for it. You know the formula now, so there is nothing for it but to sit back and enjoy the show.So we go back to Vegas, we leave the girls at home this time, and line everything up for exquisitely executed revenge. It's a lazier, less suspenseful pace than the first film. It's not the "if" but the "how" that matters, and what good lines characters will give us as it all goes down.I find I remember 13 a lot better than I remember 11 now. I like many of the scenes more, and I like many of the characters more. Ellen Barkin is a particular treat to watch. There is a lot of absurdest comedy, and lots of great, quotable lines. Music and visuals are absolutely top notch.No, I really don't see why the hate is so strong for this one. A lot of people didn't didn't connect with it. Pity.
After the disaster of Ocean's 12 there was only one way: up. Therefore, Ocean's 13 inevitably improves although it's not surprising Julia Roberts and Catherine Zeta Jones dropped out. The ridiculously likable crew are back, getting revenge on a businessman (Al Pacino) who conned their friend. It relocates the action back to Vegas, where it belongs, and this time they were polite enough to actually include a heist. Concluding the trilogy in better than expected fashion, O13 restores the trilogy to glamorous, slick, stylish glory and still shines brighter than the majority of the lights on the strip. It doesn't measure up the original. Don Cheadle is as jarring as ever and there are some irritating jokes and the heist sometimes feels lost in the comedy. It can be overly confusing and it's sometimes difficult to understand where the plot is going. These various flaws don't stop it from being a solid 4 star crime flick.The characters are still entertaining and likable. This time, Brad Pitt and George Clooney are actually likable and aren't just smug. Matt Damon is still bland though. It's well directed by Steven Soderbergh and has another fine musical score. There's also a sense of finality and it wraps up the trilogy very well. It's not as surreally enjoyable as the first one, but it's humorous, slick and offers plenty of the escapist fun that the first did. It doesn't suffer from the laws of diminishing returns and does the formula of the first one without adding to it but also without copying it and doing a turd on it. This isn't the strongest or bravest second sequel out there but it deserves a lot of respect for being entertaining and learning from the mistakes of the awful Ocean's 12. Nothing memorable or daring, but O13 provides plenty of stylish and sub zero cool heist based fun. At least there's a proper heist set piece.8/10