Captain S. Melly takes over as the new Commanding Officer at an experimental mixed sex air defence base. It's 1940 and England is under heavy bombardment, but the crew seem more interested in each other than the enemy planes above. Captain Melly plans to put a stop to all this, and becomes the target of a campaign to abandon his separatist ideals...
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Reviews
For all the hype it got I was expecting a lot more!
I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
By the time the dramatic fireworks start popping off, each one feels earned.
At a point when a lot of armies were becoming fully integrated with women taking more active combat roles Carry On England was woefully out of date as the Carry On troupe took on the RAF in its glory days as a subject for satire. This film must have drawn a lot of feminist ire and fire when it came out because it portrayed women both as sex objects and the men and women with nothing else on their minds even as Nazi Germany was perilously close to invading the United Kingdom.Kenneth Connor bellows his way through the role of a new commanding officer taking over a group of RAF ground personnel who staff an anti aircraft gun in a remote part of the country and they've never seen hide nor hair of any Luftwaffe types. In fact this unit is coed with the boys and girls just doing what boys and girls do. The women are headed by Judy Geeson and she's just as interested in kanoodling as the men. Connor tries every wile and stratagem with a most reluctant Sergeant Major Windsor Davies to instill some discipline in the ranks to no avail.A pity that Sid James, Charles Hawtrey, and Kenneth Williams were not available apparently, but I doubt any of them could have saved this one. The series was sputtering to a conclusion with gags that were either forced, unfunny or both.And Carry On England is quite a put down to women.
Set in 1940 in England, this is a story about a particular military outfit made up of men and woman who were particularly inept, lazy and probably a bit oversexed. Sid James, who wasn't supposed to be here anyway, passed away before the film was done. He could have brought some life into this, he was a great comedian. This movie is very shrill, lots of yelling, lots of noise. Does the new general of this company whip these people into shape? Do you care? The jokes are very obvious here, and I was only semi-amused a few times. The movie seems labored, and that is not good for a Carry On film. I would only recommend this film for Carry On completists. Otherwise, there are other films in the series which are infinitely better (examples are Carry On Doctor, Carry On Abroad, Carry On-Don't Lose Your Head etc).
This is easily the closes you will get to Kubrick's 'Dr Strangelove' deep performances from a skilled cast. Yes, many of the original team are missing, but what a wonderful show. The attention to period costume is remarkable considering the small budget. The wit of the dialogue far outshines some of Oscar Wildes later work. It is a great satire, you could compare it to 'All quiet on the Western Front' but with a rich sense of humour. It takes the death aspect out of war, and that can only be a good thing. I was particularly amused by this bawdy romp through the humorous side of World War II. Those were the days. When you see this it makes you long for a Third World War, what a jolly good laugh that could be! Bravo!Ten out of ten! Fantastic entertainment!
Possibly the worst British comedy film I have ever seen. Firstly, Sid James was the heart and soul of these films. They had no business going on after he passed. Second, there were no outstanding performances in this film, with one exception. Long time Carry On matron Joan Sims had a part in this film that really was unworthy of her, the same for Kenneth Connor who I absolutely loved as the funeral director with a weak heart in 'Allo 'Allo. Judy Geeson was as beautiful as ever she was in any other film, but her character wasn't well written in my opinion and Patrick Mower seemed to me to keep trying to come off as a younger, randier Reg Varney from On The Buses. In fact, I felt as though I were watching an episode of On The Buses many times in this film. The brand of humor was very similar. A bit too similar. The way the men and women were always nipping off for a good time was too much like Stan and Jack with the clippies. The only stand out performance in this film has to be Windsor Davies as the beleaguered Sgt Major, wanting to obey Capt. Melly's orders but knowing full well that the 'soldiers' will retaliate if pushed too far. They even recycled the only almost funny gag in the film. The first time Cap. Melly get's tripped into a pile of excrement, it's almost funny, the second time, it's already boring. The business with the men and women sneaking around for amorous encounters throughout the film is more worthy of a teen summer camp film, not a film starring adults who are supposed to be operating an anti-aircraft battery during WW2.