At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he fell in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet.
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Reviews
Very disappointing...
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
The film never slows down or bores, plunging from one harrowing sequence to the next.
One of the worst ways to make a cult movie is to set out to make a cult movie.
impressive. for to remind the essence of a totalitarian regime. for the importance of chance and hope and force of happiness. for the dance scenes and for the tension of hunt. for realism of different forms of crisis . for the impact between a closed society and freedom.it is not an original subject but this does it useful. because, the passion for ballet, the opportunity to leave the village. the choice of free world are little more than clichés or crumbs from the American dream but parts of a struggle for define yourself. Li Cunxin by Chi Cao is not a hero. only a survivor with dark sides, fears and doubts, not ignoring his fatherland tradition, interested to use the chances and to use his gift. Mao's Last Dancer is only a story. like many others. dramatic, emotionally, impressive. for the wise manner to mix politic and love and passion and the help of the others in a kind of crusade who has everyone as part.
Yes, the plot is predictable and Li's reactions to America perhaps excessively awestruck, but this is probably the best ballet film since "The Red Shoes." In most dance films the director abandons the totality of the performances by inserting closeups of faces and feet, whereas Beresford knows when to just leave things alone. The edits only happen when another point of view is necessary and thus are never gratuitous. Restraint in art is always admirable.I was also amazed by the actors, many of them amateurs, and by the scope of the production. Maoist China appeared authentic to me, having seen many documentary films about the cultural revolution and life during that period. And Beresfords depiction of 1980s Houston reflected the era quite accurately, even if - as some comments here detect - some of the street scenes were clearly shot in Australia. So what!For me and my family, "Mao's Last Dancer" is one of the best films we've seen this year.
I should have trusted my instinct and avoided this movie based on the title. I pictured some sort of feel good propaganda capable of passing Chinese censorship.Li Cunxin a Chinese ballet dancer catches the eye of Ben Stevenson the Houston ballet director who is touring China in the 1970s. Ben brings him to the US as a student and makes him a star. Li marries and defects. In the end he is reunited with his family and makes a glorious visit to his homeland with his second wife. In the final scene he and his wife (also a ballet dancer) freeze in the cliché triumphant glory pose (arms together pointing to infinity) of Chinese opera. It is sickening.Another reviewer said this was paint by numbers for the masses-- Basically accurate. It made millions at the box office. Every cliché known to the genre is in this thing....the sudden need to replace the lead dancer hours before curtain call. The wise sage teacher who supplies the magic anecdotal encouragement to motivate a discouraged student. This is an autobiography--where are the negatives that would make this guy human? The excessive ambition maybe a few dirty tricks he regrets--none of that.I personally hate movies that throw up signs on how the viewer is supposed to feel and think every 10 seconds.The acting directing and story is cheesy (overdone inauthentic exaggerated) Ben Stevenson (Bruce Greenwood) gets an F for unconvincing gay mannerisms he should have studied Paul Lynn. One flaw of Netflix Streaming is you cannot fast forward...however with about an hour to go I began to skip ahead 5 minutes at a time-- it is that bad.DO NOT RECOMMEND
Absolutely a movie worth seeing. I rented it out knowing just a little bit about it but not knowing that the movie is based on an autobiography of the main character. Great movie and great performance. One of the few movies I will never forget. It is hard to even imagine the hardship Li Cunxin had to go through for a person who was not born in the communist country especially communist China. It makes you think how many things every day we take for granted. Our freedom, the reality of seeing your family every day and at the same time making your dreams come true. I will definitely want to see this movie again some time, it is now on my favourite movies' list.