Absolutely the worst movie.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

While this film has some serious weaknesses, it deserves kudos for being the one and only Lone Wolf and Cub film that does NOT include someone being raped or there being an attempted rape! Now this does not mean it's exactly family-friendly, as there are tons of killings, swimming pool's worth of blood-letting and a lot of crazy violence. Just think twice before you let your kids watch this or any of the Lone Wolf an Cub movies.The beginning of this film is highly reminiscent of the plot of Bruce Lee's "The Game of Death". Ogami Itto must defeat one master after another in order to proceed to the next level--the assassination of an evil priest who is actually working for the dreaded Yagyu clan! There is a plot about the substitution of a girl for the male heir to a clan that is related to all this. H stupid in MANY ways. However, the way this is all revealed to Itto is cool...but also pretty stupid if you think about it. It begins with a samurai challenging Itto. Itto naturally kills the guy but instead of just dying instantly like 95% of Itto's victims, he manages to hold on long enough to give an incredibly explanation for the challenge--to determine IF this man was The Lone Wolf and Cub as well as to determine if his skills are up to the task for a new assignment. Then, one at a time, another member of this totally insane clan comes to challenge Itto and each time, the slain man manages to hold on long enough to give more information to Itto as he's dying. The craziest of which involved a guy falling into the fire and giving details as he bleeds to death and roasts alive!! It's neat to watch but makes zero sense. If any one of these men died instantly (like most normally do), then they would not have delivered each detail to him. Does this make any sense at all?!?! Plus, why waste several talented samurai like this?! Why not have the guys just go to Itto and give him the information and commission?! It's neat to watch but pretty dumb. Later, a tough-fighting lady attacks Itto, but she does not want to kill him but talk to him about the assassination the others asked him to perform--and get him to perform three more. However, she is NOT stupid and does not wish to be killed like the other idiots! She is, incidentally, not of the same idiot clan! In between these meetings, there is an odd plot involving Itto's child, Daigoro, and a pickpocket. It's pretty interesting and shows that the little boy is every bit the stoic little nut-case his father is! You just have to see this to know what I mean.Later, Lord Restudo sends his 'shadow Yagyu' to escort the evil priest. Naturally, Itto is hiding nearby--waiting to complete his contract. How he does, however, is something I sure couldn't have anticipated!! This and the subsequent getaway scene is probably the best part of the movie.From here on, it's a matter of Itto delivering the latter he got off his victim. But, when this moment arrives, don't think it's the end...as Itto has to make things right within this clan, as someone is usurping the throne and all must be made right...thanks to a massive blood-letting. The final scene where you learn exactly who the mystery woman was who helped him is a fitting finale.So is the film worth seeing? Well, yes if you like the series. Despite the stupid beginning, the rest of the film is pretty good and exciting. I noticed one reviewer indicated the film was very confusing and didn't make sense--perhaps due to the bad dubbing. Well, I saw a captioned version on DVD from AnimEigo and it was not difficult to understand.

This one seems quite popular among viewers, but I didn't really care for it. "Peril" and "Hades" are by far the best in my opinion. I find it odd that the messengers are able to give Ogami the full extent of their plight just before dying (even when being consumed by fire). One plus is his display at the end of the movie. He's got that sword moving so quick you can hardly see it. Another aspect I found interesting was when Daigoro was beaten to save a pickpocket. He seems to share his father's empathy for the down-and-out. Don't get me wrong, this isn't a bad movie. But in this great series, I think this one and "White Heaven in Hell" are the weakest.

Even though all the festival-scenes are a sub-plot that adds little to nothing to the story, I find this an excellent film. The idea and the enactment of the five Samurai, each giving Ogami a part of his mission as their dying words, exemplifies the value of loyalty and truth above all. In all the Lone Wolf films honor is considered the highest value, and there is a continuous presence of morality throughout the series. In this film I was touched by the incredible loyalty of all the Samurais of the Kuroda clan. Even when on fire, fatally wounded or bleeding from every orifice, they still continue to serve their clan. In fact they care so much for their clan that they hire Ogami to kill their own, perverted masters, because their actions bring dishonor and great danger to the clan.Story-wise certainly the most elaborate of the Lone Wolf films, I found this one to be the best.

These movies were infamous for their incredibly brutal and bloody swordplay sequences, but equally impressive IMHO was the leading actor- Tomisaburo Wakayama a.k.a. "Lone Wolf" was surely the greatest martial arts star ever. The command and authority with which he wielded a sword (and other weapons) was just phenomenal. The blade truly was an extension of himself, and his use of it was the definition of lethal, with none of the unnecessary/show-off flourishes so desperately thrown about by today's wannabes. He had incredible presence and charisma- easily on a par with the likes of say Eastwood or Bronson- with eyes that reflected pure death, and the desolation in his soul. There were moments in the "Babycart" series where you'd swear he was the personification of his namesake, the Wolf. You never doubted for one second that he WAS shogun executioner, masterless samurai, assassin for hire. One look at him in action, and you could readily understand why his enemies trembled at the mention of his name, and ran from him in sheer terror. Alas, Lone Wolf is one with void now, but his legend will live on forever in these films. Forget Toshiro Mifune. Forget Takakura Ken. Forget Sonny Chiba. Forget Bruce Lee, Jackie Chan, Jet Li, Donnie Yen, and any of those wire-reliant ballet dancers from Crouching Tiger Hidden Dragon. And CERTAINLY forget any American martial artists that you could care to name. Tomisaburo Wakayama was, is, and forever shall be, THE MAN!