the audience applauded

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

The Chocolate War is top quality and deals with a range of themes in a private boy's school...power, corruption, the state, conformity. And that's all within the setting of a chocolate fund raiser.Some reviewers have criticized the ending because it's not faithful to the book, and fair enough. But I liked the ending and as someone wrote, it's akin to if you can't fight city hall, join 'em. That's what Jerry Renault (Ilan Mitchell-Smith) did when he beat up Archie Costello (Wallace "CSI" Langham) in the boxing ring.The soundtrack is haunting and it was never released commercially, but you can get the songs from other sources.The acting is top notch and given the small budget (I think only $170,000), Keith Gordon did a masterful job directing this feature.

This is a textbook example of how NOT to adapt a book to the screen.Teenager Jerry Renault in high school is having a terrible life. His mother just died, he has no connection with his father and has next to no friends. Then he has a run in with a secret group in the school called the Vigils. They tell him to do something and he refuses. Then his life becomes a nightmare...At least that's how the book went. The book is harrowing. Strong, powerful and very bleak and desolate and Jerry is put through utter hell and is almost killed in the end in a truly horrifying sequence. A faithful adaptation of the novel was not going to happen--it was considered too extreme and doubtless it would get an X rating (for the violence). So...why bother with a movie version? Well...they did. The story was toned down and changed a LOT and VERY badly cast (especially the part of Janza). It was also shot with a wobbly camera which made me sea sick and (for some reason) Jerry has acne and nobody else does (?????) And, worst of all, they totally changed the ending which completely destroyed the point of the book! The ending is just hopeless--I'd love to know what they thought of when they dreamed it up.The book is powerful, grim stuff and NOT for kids. It's not easy to read--it's very disturbing--but it has a point. This movie just tones down everything, casts it badly and destroys the book. This seems to have disappeared completely--that's a good thing. Don't bother. I give it a 1.

Pretty good movie. I have this taped off TMC, and the book is great. At the Trinity all-boys Catholic high school, there is a secret society of Seniors called the Vigils that like to hand out special assignments to the other students. The Vigils and the power-hungry Brother Leon are what make Trinity a rotten school. When the annual chocolate sale approaches, everyone participates, except Freshman Jerry Renault. This kind of sparks a conflict everyday when Brother Leon will call the names to see how many boxes each kid has sold, and Jerry always says no. He stands up to Brother Leon, Archie, and the school bully, Emile Janza. I was neither impressed or disappointed by the ending, which was very different from the books. *********out of**********. Rated R for Violence and Language.

I went into this film expecting yet another inspirational story about an individual triumphing over the oppressive system. Instead, this film is a lot deeper than that... and a lot darker. It is at once a film about the horror of conformity and the deadening pointlessness of resistence. Our young protagonist, Renault, still agonizing over the death of his mother, is given a right-of-passage style task by his school's secret society, run by the calculating and elagantly power-hungry Archie : To refuse to sell chocolates to boost school income for 10 days (an activity Brother Leon, the equally power-hungry John Glover, is pushing on the students with unexpected zeal). But when his ten days are up, he still refuses to bend to the will of a system that wants only to use him as a tool. Both Archie and Brother Leon then use every method in their power to keep this rebel without a cause from toppeling them from power.Simple enough, but this, as I said, is not a simple film about fighting the powers that be. The protagonist actually has little to say about his own action: he's so opaque that it seems even HE doesnt know exactly what he's rebelling against, just that he can't give up. He doesnt really know what he's doing, and as his life is made more and more awful by Archie and Brother Leon, it becomes increasingly clear he doesn't enjoy it either. He simply feels compelled to, and stoically refuses to give in, despite the obvious pointlessness of his rebellion and the cruel consequences that ensue. But this makes for a very hard hero to identify with and root for. In fact, most of the film revolves around Archie and his attempt to break Renault's will. Archie is very talkative, and in fact the camera seems oddly attracted to his mercilessness, elegance and charisma, even as we assume we're supposed to revile him. Even creepy John Glover plays his villain very straight, giving only a vague, intangible sense of menace. By creating a hero we can't understand and villians we gravitate towards, the film subtly creates a situation where we can't really take sides, and can only observe the pathetic hopelessness of both situations. After all, this is all about selling CHOCOLATES. This throws the entire proceedings into an almost absurdist light. Light touches of humor (including a brief but spot-on perfect cameo by "Harold and Maude"'s Bud Cort) reinforce this classification and keep the proceedings from ever becoming bogged down in their gloominess.All in all, though, The Chocolate War is a very dark, slightly surreal tale of the emptiness of life, for winners or losers. It suggests that, fight the system or succeed with it, you're still just a tool of larger forces, unflinchingly puppeteering smaller lives for their own banal ends. It offers no solutions and no salvations, not for anyone. Just hubris and humiliation, and perhaps a grim chuckle or two along the way. Its this demenor that makes it a truly overlooked and rather unique cinema gem, well - worth some time and thought.