This movie is the proof that the world is becoming a sick and dumb place

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

You can't teach new tricks to an old dog especially if the oldie's name is Don Medford. Don was an excellent TV director, but as a director of feature films like "The Organization", he was unteachable. Mr. Medford didn't have the slightest idea what a reverse angle was, but he did know how to say, "No way, José!", if his cameraman suggested one. Mr. Medford's favorite shot was a close-up. To Medford, a really good movie was one composed almost entirely of close-ups. I'll admit that this suited the requirements of TV right down to the ground. On a big screen, however, it looks both ugly and ridiculous. Each scene in a Medford film is composed of a multiplicity of close-ups, haphazardly strung together in an extremely jerky and often bewildering manner. It's even hard to identify the baddies, due to Medford's erratic style. There is, however, one scene in this movie that Medford actually got right – or maybe he was away that day? I refer to the excitingly staged and handled shoot-out in the excavation tunnel. Alas, in keeping with the pedestrian and inappropriate direction, the music score is one of the most deliriously unsuitable and loudly obtrusive we have heard for some time.

Ah, the 70's. Big guns, bigger cars and acknowledgements that *GASP!* police departments have black people too. Close on the heels of Isaac Hayes as Shaft, there was Sidney Poitier as Mister Tibbs. Both starred in a number of films based around their characters, although Poitiers tended to be slightly more realistic in nature (What with them being directly made with the assistance of the local force) and with less wanton violence.That doesn't mean they were immune to suffering from cliché-itis, though. So you have the usual schtick where the bad guys turn out to be the good guys, endless chase sequences through crowded streets and of course... The 'pivotal' moment where Tibbs has to hand over his gun and badge due to him being suspected of corruption. It may not be the movie's fault that such scenes have been done to death over 40 years, but it is what it is.Poitier keeps things ticking over nicely with his usual reliable screen presence, and the sparse family moments he shares with his wife and son are a nice touch... Although, too brief to really be that effective. Overall, it's an interesting look at a Gene Hunt era of law enforcement which is long since past (for better or worse) but in terms of entertainment, very, very average. 5/10

Sydney Poitier is marvelous in any movie he has been in, so far as I have noticed. When he first showed up as MISTER Tibbs in Heat of the Night, I knew it would be a great watch. Unfortunately, by the third run, The Organization, even his usual and expected dazzlement could not save the faulty plot and slow pacing. The premise of a group of amateurs trying to bring down "the organization" and then trying to drag in a good cop like Tibbs (who doesn't let the force know what he is doing) is, well, thin and silly. There were great slices of Tibbs' home life with his son and daughter, which goes to show that Poitier brings life into even a tedious period cop piece like this one. Overall, it's still watchable, but only if you are a dedicated Poitier fan.

Sidney Poitier for the third and last time essayed his Virgil Tibbs character in The Organization. It's definitely one film for the paranoid.There's a robbery/homicide at a furniture warehouse factory outlet in San Francisco. Problem is that those who committed the robbery didn't necessarily do the homicide. But Virgil Tibbs is known as an honest cop far and wide and when the robbers contact him with their story, he's real interested. The outlet was an organized crime front and what was taken and not reported was five million dollars worth of heroin. If he's willing to work with them, maybe we can take down The Organization.But The Organization is very resourceful indeed and Poitier has to watch his back 24/7 because he doesn't know who he can trust in the San Francisco PD. The film does have a real cop feel for it because guys like Garry Walberg, Daniel J. Travanti, Bernie Hamilton, and Gerald S. O'Loughlin who all played prominent TV cops are all in the San Francisco PD with Sid.The robbers are a group of Seventies Revolutionaries and have such diverse folks as Lani Miyazaki, Ron O'Neal, Billy Green Bush and heading the curious crew is a young Raul Julia. Poitier is right, these people have every reason to be concerned.The key to the whole thing is widow Sheree North who will either be rich or dead depending on how she plays it. Sheree is great as always.Poitier as in They Call Me, MISTER TIBBS is married to Barbara McNair. Funny though, when Virgil Tibbs as Howard Rollins decided to go back to work for the Sparta, PD his wife became Althea instead of Valerie which she is in both of these films.The ending shows that the effort might not have been worth it after all. The Organization is EVERYWHERE.