Childhood friends Tracy Lord and C.K. Dexter Haven got married and quickly divorced. Now Tracy is about to marry again, this time to a shrewd social-climbing businessman. C.K. still loves her. Spy magazine blackmails Tracy's family by threatening to reveal her playboy father's exploits if not allowed to cover the wedding. A remake of the 1940 rom com The Philadelphia Story.
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Reviews
Waste of time
Pretty Good
I wanted to but couldn't!
This story has more twists and turns than a second-rate soap opera.
First the good- Louis Armstrong-the grace Kelly and frank Sinatra your sensational number a convincing flirtation.grace Kelly was lot more attractive and less irritating than Katherine Hepburn in the 1940 film. the rest- Bing ludicrous as the ex suitor- looked old enough to be her grandpa. john lund twice as attractive made you wonder why she had a pensioner fixation Instead.Frank Sinatra with black hair looking like a left over from the munsters sang well enough but wasn't convincing. as a newspaper hack -then there was the always middle aged Celeste Holm in girly dresses looking like Sinatra's ma- finally there was father figure looking like serial killer, top that up with awful colour and ghastly sets- the garden was particularly awful.As it was Kelly's last film she looked as though she was already the true princess she became- .there was sense of her being above the whole dreary caper . all in all flat champagne with a plausible title change from high society to slumming it
I was somewhat disappointed with the original version, The Philadelphia Story, when I watched it. Though James Stewart's acting was great, for some reason the movie just wasn't too enjoyable for me.When I found this movie, until I read the synopsis I had no clue it was a remake. That being said, I think that High Society made some improvements over its predecessor. The casting in both movies is no doubt great. Many people enjoy Katharine Hepburn in TPS, but I found her annoying.I am a little biased towards Grace Kelly in general but I enjoyed her performance much better than Hepburn's. Making this story a musical helps liven up the whole thing and makes it more enjoyable to see. My favorite was the jazz song by Louis Armstrong and his band with Bing Crosby. Plus, three great musicians are in the cast. What more could you ask for? The ending in both flicks is the same. I'm not giving too much away but I think it comes out of left field (less so in this one). I guess this divorcée romance type of story isn't my cup of tea. Another pet peeve: this movie loves wide shots. Perhaps there are too many.Overall, the performances here are very enjoyable, both acting and musically, and you will be charmed to no end by Grace Kelly and entertained by the music. If you didn't care for The Philadelphia Story, you'll find that High Society improves a story a bit and is overall more fun.7/10 stars.
Correct, it is not "Philadelphia Story." No Hepburn. No Grant. But it does have the beautiful Grace Kelly and Bing Crosby at his peak. It is a silly movie with non-stop interactions between characters, people still carrying torches after divorce, and some beautiful Cole Porter songs. One of the most gorgeous songs ever written is "True Love" done as a duet with Crosby and Kelly. She actually sings and the song is just plain pretty, with one of the most touching messages of any song ever written. Of course, everything goes haywire for a while, all the participants running into each other. And in the end it gets worked out.
I'm one of those who don't admire this film much.On the positive side, it's a lush production. It has a Cole Porter score -- my favorite composer -- although I'm impressed with only a few of the songs: "True Love" (of course), "Who Wants to Be a Millionaire?" (with a swellegant turn by Celeste Holm), and the bright "Well, Did You Evah!" (in a terrific duet by Bing and Frank); the other songs are forgettable.Another positive note are a number of the supporting actors -- Celeste Holm as a reporter, Louis Calhern as an uncle, Sidney Blackmer as the father, Margalo Gillmore as the mother, and young Lydia Reed as the younger sister.Unfortunately, I can't say as much for the lead cast. Bing Crosby is always very natural on screen, and is here. Grace Kelly has another turn as a spoiled brat, and as far as I'm concerned flubs the role terribly. Frank Sinatra plays the smart ass that he seemed to be in real life...which may have gone over well in the 1950s, but isn't as attractive today; and ironically, he played a poor drunk (type casting from the Rat Pack days?). John Lund as the fiancée????? Stick with the original "The Philadelphia Story", or watch this one as a comparison. Frankly, about the only reason this film was made was Bing's whim and Grace Kelly's rising star (in terms of the latter, thankfully it was the last film with her that we had to suffer through).