From Beyond
October. 24,1986 RThe Resonator, a powerful machine that can control the sixth sense, has killed its creator and sent his associate into an insane asylum. When a beautiful psychiatrist becomes determined to continue the experiment, she unwittingly opens the door to a hostile parallel universe.
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Reviews
Thanks for the memories!
A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
I want to know more about H.P Lovecraft influence on modern sci-fi horror and as a newbie to the whole Lovecraftian kind of movie I find From Beyond from 1986 directed by Stuart Gordon a director well known for such Lovecraft adaptations under his belt like:"Re-Animator","Dagon" and a short movie from the Masters of Horror anthology series "Dreams in the Witch-House" in my humble opinion a good Lovecraftian movie when it got something that so bizarre and extraordinary from a diferrrent dimension that make the human characters losing their mind cause their brain can't comprehend with the new reality plus the awesome 80s practical effects lacking in today horror movie
From Beyond, for all its fantastic source material, is really nothing more than a tiresome Hellbound Heart rip off. When the spooky scientist who has crossed into the other dimension keeps appearing in ever more deformed shapes, I couldn't help yawning. You're supposed to be frightened and horrified. You're not. He's like a party guest that won't leave.The attempt to shoehorn sex into a Lovecraft story would have the great horror maestro turning in his grave. It's sacrilegious, and of course, not even handled well. Apparently crossing over into a transdimensional vortex doesn't just deform the body and make your forehead grow worms. It also makes you... horny. But for all those freaks out there, don't think that that means you're going to see monster-on-human sex or anything like that, just a stupid scene where the scientist-creature rips off a girl's top. This is "explained" by a laughable scene where the heroes are apparently going through the scientist's video collection and find a bondage porno. When you are working from one of the world's greatest horror writers, do you really have to try so hard to rip off a horror novel that came out the year before? You may remember that one of the things that made Barker's early fiction so transgressive and dangerous were his intimations of BDSM. In Lovecraft, well, you'd be hard pressed to find any such reference. The man was clearly not interested in love or sex and this is part of his success; the man's world was utterly scientific in its refusal to acknowledge humanity: he was the horror writer for the post-Darwinian age. In short, he'd have scoffed at this nonsense.Look out for the scene at the beginning where the other scientist, played by Jeffrey Combs, who has been institutionalized after witnessing what happens to his colleague, is frothing at the mouth and raving about the things he saw, and actually starts shouting "why don't they believe me? Why don't they believe me?" Think about it. He has just witnessed the most incredible discovery ever made by any man in human history. As a scientist, he should know this, so why would he expect ANYONE to believe him? He is either actually crazy, and therefore it is a good thing he is locked up, or a total moron. The movie doesn't want us to believe either, yet it provides us this evidence to the contrary.All up, this is a very stupid and crass movie, the equivalent of using the master of horror's work as toilet paper.
Dr. Edward Pretorius (Ted Sorel) and his assistant, the physician Crawford Tillinghast (Jeffrey Combs), have developed the Resonator, a machine to stimulate the sixth sense through the pineal gland. When Crawford activates the apparatus, he sees creatures flying in the air and he summons Dr. Pretorius. The experiment goes out of control and Dr. Pretorius refuses to turn off the Resonator. Meanwhile their neighbor (Bunny Summers) calls the police, and when the police officers arrive, they see Crawford trying to escape from his house and Dr. Pretorius beheaded. Crawford is sent to a mental institution under the supervision of the sadistic Dr. Bloch (Carolyn Purdy-Gordon). However, the prominent psychiatrist Dr. Katherine McMichaels (Barbara Crampton) requests the custody of Crawford and Detective Bubba Brownlee (Ken Foree) that is investigating the case stays with them. Katherine goes with Crawford and Bubba to see the Resonator and turns the machine on. Dr. Pretorius returns in a mutant shape and attacks them, in the beginning of a gore night with weird life forms."From Beyond" is a funny trash produced by Brian Yuzna and Charles Band and directed by Stuart Gordon that works with the cult-actor Jeffrey Combs and Barbara Crampton from the Re-Animator. The result is a gore and gruesome black humor horror movie filmed in Italy to keep the low-budget. In the 80's, "From Beyond" was very creative and unique; in the present days, it has lost part of this impact but still entertains. My vote is six.Title (Brazil): "Do Além" ("From Beyond")
With all the reviews here, I won't waste your time with redundancy. But I do have a word to add.First: This is available to watch free here at IMDb. Get it while it's hot!Second: Jeffery Combs is one of my favorite actors, and I harbor deep resentment at the fact that he was never elevated to mainstream success. The emotions, thoughts, and inner conflicts of his characters flicker across his visage in a way that few actors can manage. There are many actors who can do "twitchy", and a few that can't help but come off as deranged, but the discipline Combs brings to gradual mental deterioration shows great craft.Take a bow, Mr. Combs!Third: This is a rip-snortin' roller coaster of a movie. It's funnier, smarter, sexier, and more creative than the genre, audience, or era demanded. Like "A Boy And His Dog", "Flesh Gordon", "Liquid Sky", "Eyes Of Fire" or "Sore Losers", this flick rises above every expectation the uninitiated may have for it.Old school? You bet!But on a psychologically fantastic level not affected by changing fashion and technology, this little bugger should be able to freak people out for generations to come.