The 1800s: scholarly Karl Schiller believes he's found the ring of the Nibelungen, which holds great power. It's at Castle Dracula. His twin, Franz, a gambler, asks if vampires frighten Karl; Karl shows him an Egyptian amulet, which may protect him. Franz takes the amulet and sets out ahead of his brother, arriving at the castle first. There he finds a countess who invites him to dine. Later that night, Karl arrives. Coincidently, it's the Night of the Virgin Moon, a night that falls every fifty years and draws five virgins from the surrounding village to the castle not be heard from again. Can Karl protect his brother, find the ring, and rescue any of the women?
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Reviews
The Worst Film Ever
Pretty good movie overall. First half was nothing special but it got better as it went along.
It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.
By no means a top notch Gothic horror but it is colourful and eventful, has the wondrous, Rosalba Neri and a cast of lovelies, all pretty keen to strip down. The ever effective Mark Damon, here plays a pair of twins with some silly mission involving a big red ring, worn throughout the film, of course by the vampiric countess (Neri) in some style. Indeed Neri is perfect in this role of the majestic yet deadly, beautiful but cruel lady of the night. Apart from the nonsense story there are one or two too many scenes of Damon on horseback or searching through corridors, but there are also such stylish set pieces, mainly involving blood and flesh, that it would be churlish to complain. Great title and if not expertly executed, certainly entertaining enough.
There are roughly 18,262 days in a 50-year period. Thus, I would have to say that the odds of twin brothers Karl and Franz Schiller, in the 1978 Eurosleaze horror flick "The Devil's Wedding Night," arriving at the castle of Countess Dolingen de Vries in Transylvania on the one night in 50 years when village virgins are sacrificed is, well, 18,262 to 1. Still, the viewer can well imagine on which night they DO arrive: that's right, the Night of the Virgin Moon! In their quest for Wagner's legendary Ring of the Nibelungen, which gives its owner almost limitless powers, the brothers (well played, I suppose, by Mark Damon) run afoul of not only the beautiful vampiric countess, but her castleful of zombie retainers, as well. In the role of the countess we have the perfect 10 Eurobabe Rosalba Neri (here called Sara Bay, for some reason), an actress who I only recently became enamored of after admiring her performance as the doomed nymphomaniac in 1971's "Slaughter Hotel." Rosalba, though a talented thespian (and, in this film, lesbian) and much more than just a gorgeous face, nonetheless still looks incredible here, especially when streaked with blood and rising out of a steaming vat. She easily flaps away with the film. But there are still other, modest pleasures to be had here, in a film that ultimately comes off as sleazy shlock. Like another Italian film that I recently saw, 1960's "Mill of the Stone Women," "The Devil's Wedding Night" features a disorienting, drug-induced, psychedelic freakout sequence that comes roughly halfway in. Director Luigi Batzella and composer Vasili Kojucharov's contributions do create a film with some creepy atmosphere, and for all you hound dogs out there, the five virgins that are called to the castle, stripped and butchered are quite a toothsome lot. In all, certainly not a classic or even very good film, but still fun. Unfortunately, this DVD from Shout Factory showcases a very damaged-looking print that is only just barely watchable, and with no extras to speak of other than some snide comments from Elvira. Even this sleazy piece of Eurohorror deserves a better treatment!
This is another disreputable "Euro-Cult" item of the Horror/Erotica variety: its director, in fact, is likened to Renato Polselli whose vaguely similar THE REINCARNATION OF ISABEL (1973) I recently watched. Mind you, this is nowhere near the incomprehensible mess that ISABEL was but the plot also concerns vampires, sacrificial victims and lookalike protagonists (in this case, Mark Damon as twin brothers).It all starts with the search for the mythic Ring of the Nibelungens, currently residing in Transylvania(!) which, of course, is the home of Count Dracula. When one of the Damons goes there, he finds a Countess ("Euro-Cult" starlet Rosalba Neri) living in Castle Dracula; having lost his protective amulet, he soon falls under her spell and is himself turned into a bloodsucker. Soon after, though, his twin turns up at the castle but, being the more studious of the two, he resists Neri's advances and, thinking something's not right with the place, spends a good part of the running-time roaming its various corridors and, naturally, the crypt (virtually a given for Gothic chillers)! As it turned out, the brothers happened to pick the time when five local virgins are to be sacrificed (presumably for the reincarnation of Dracula); the film's most erotic yet visually impressive sequence, as a matter of fact, shows the blood of a freshly-slain girl being spilled on the naked Countess residing in one of the crypts by her zombie-like black maid (yes, various horror myths are thrown in for no very good reason and with little real impact!). Anyway, it all ends with the afflicted Damon being initiated into the ways of the vampire but he's actually been disposed of and replaced by his heroic sibling who, in no time at all, manages to disarm the various diabolists (who turn up out of nowhere) at the ceremony. Meanwhile, Neri retreats to the castle tower and, with the aid of the ring, draws the intended sacrificial victims to her but Damon disturbs her plans even here, and she eventually perishes thanks to some providential lightning. The hero leaves the castle with a local girl he had befriended but, in a clichéd downbeat conclusion, she has been turned into a vampire (off-screen) as well given that the driver of the coach is none other than the sinister-looking character occasionally seen prowling the castle grounds To be fair, the tone of the piece is characteristically dream-like and it all looks pretty good for the little budget the director must have had at his disposal; on the other hand, being at once insufficiently-plotted and highly derivative, it's not memorable enough to live in the memory.
This movie has as much life as the Countess's zombie housekeeper. Even Rosalba Neri's hot body couldn't get things exciting. But. then the housekeeper (Rosalba Neri) bathes the Countess in hot blood, and it gets a little steamier.But, the real deal in this Italian classic is Dracula's ring. With it, the Countess summons young maidens from the village to fulfill her needs. She is a real hero to me in that she doesn't seek power or glory or riches, just young maidens to frolic with before she drinks and bathes in their blood. Bwa ha ha ha. And it's not just a single serving for the Countess, she orders in a five-pack, then does the funky chicken, and, voilà, 10 perfect breasts, extra spicy Italian-style. Yum.Now, she must just avoid the evil Herr Schiller (Mark Damon), who wants to take her hand for his own purposes.They don't make them like this anymore.