Simply A Masterpiece

Save your money for something good and enjoyable

Pretty good movie overall. First half was nothing special but it got better as it went along.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

This well-acted chase movie was a box office flop when it was first released and is now most significant for being the first feature film that Steven Spielberg directed. Its story, which Spielberg also co-wrote with Hal Barwood and Matthew Robbins, features enough car chases and stunts to illustrate that his ability to choreograph action sequences was already well developed at this early stage of his career, as was his skill at creating shots that are beautifully composed and visually impressive.Based on a real-life incident that took place in 1969, "The Sugarland Express" is an account of what happened when a young married couple, who had both spent time in prison, decided to embark on a long trip across Texas with the intention of kidnapping their child from its new foster parents.Having recently been released from a prison sentence she'd served for shoplifting, Lou Jean Poplin (Goldie Hawn) visits her husband Clovis (William Atherton) at the minimum security prison where he has only four months of his one-year sentence to serve and insists that he should break out immediately (with her assistance) so that they can head to Sugarland, Texas to take back possession of their son who the welfare people had fostered out to a middle-aged couple. Clovis initially resists the plan but gradually gives in to Lou Jean's forcefulness and they simply walk out of the establishment together before travelling away from the place, courtesy of an elderly couple who travel along the highway at about half the speed limit before getting pulled over by a highway patrolman.When Patrolman Maxwell Slide (Michael Sacks) talks to the elderly couple outside of their vehicle, Lou Jean becomes convinced that he's actually pursuing them and so the young couple drive off at high speed and are soon followed by Slide. The chase ends when Lou Jean crashes the car she's driving and the couple then surprise the patrolman by taking him hostage and hijacking his vehicle. From this point on, the two fugitives and Slide continue their long journey to Sugarland during which they're pursued by an ever-growing number of police and media vehicles that follow them at a very slow speed. Police Captain Harlin Tanner (Ben Johnson) is put in charge of the whole operation and becomes determined to avoid any harm coming to Patrolman Slide or the misguided couple who he regards as being simply foolish and naïve rather than dangerous criminals.During their journey, an unlikely friendship develops between Slide and his captors and they're also met by crowds of well-wishers as they pass through various towns on their route. Lou Jean, who always acts on instinct without ever thinking about the repercussions of her actions, clearly has no idea of how much trouble they're in and foolishly expects that when she and Clovis are re-united with their baby, that they'll all be able to live together, as a family, and be happy ever after. The fact that the media attention has made them into celebrities and they get lots of public support only reinforces her delusional thinking and strengthens her determination even further. All the chaos and activity that characterised their journey suddenly ands' however, when they get to Sugarland and the police convoy comes to a halt some distance before they reach their baby's current home.This movie is brightened up by its action sequences, some moments of droll humour and an amusing example of Stockholm syndrome but otherwise its pace is too slow, and there is none of the exhilaration that would normally be found in a road movie or the excitement that a chase movie would usually provide. This is because the fugitives are only out of sight of the authorities for the first few miles of their journey and the remainder of the pursuit is played out in slow motion with the police even staying back at a respectful distance when the fugitives have to stop to refuel their vehicle.Goldie Hawn is brilliant as the loud and not-very-bright, Lou Jean and William Atherton is marvellous as her obedient husband who's prepared to do anything she wants even though he doesn't share her belief that everything will turn out fine. The remaining members of the cast also provide consistently solid performances with Ben Johnson and Michael Sacks standing out in their important roles.

"The Sugarland Express" is a decent chase movie about the world's most harmless prison escapees and the policeman they're forced to take as a hostage, becoming famous in the process.It's pretty slight, but Spielberg's direction shines through, a whiz kid even at this early stage in his career. It is slick and unobtrusive while still being inventive and masterful.Goldie Hawn is also a stand out. She would have stolen the show from the other two lacklustre performers anyway, so I'm glad Spielberg had the sense to focus the movie on her and not on one of the dullards like Hal Ashby did in The Last Detail.Ben Johnson is, as always, fantastic as the crusty old police officer who leads the chase.The movie does drag a little, though, ironically for a movie about a chase. It's not really Smokey and the Bandit - the runaways lead the police right at the front like a funeral procession.

Based on a true story, a woman (Goldie Hawn) helps her husband (William Atherton) escape from prison so they can kidnap their child from the foster family he's been placed with. Along the way the duo takes a state trooper hostage and are pursued by police while their story gains media attention. Steven Spielberg's first theatrical film (Duel was made for TV but released in theaters later). Also his first collaboration with John Williams. It's a fun dramedy with some great performances from Goldie Hawn, William Atherton, and the rest of the cast. Especially good are the colorful supporting characters, many of which have an authenticity about them that gives the film some nice flavor. An under-appreciated gem in Spielberg's oeuvre.

It's a well-made film by Spielberg. But, it features two not-at-all-bright criminals running from the law, putting lots of lives at risk. And, as expected, there are tons of people celebrating these two along the whole way.So, it's very difficult to care for anyone here. Ben Johnson does his always sturdy work, but they basically have Ben Johnson in the film to play his stock Ben Johnson character.Goldie Hawn's character is a screechy, pretty brainless mess who's willing to risk as many lives as possible to get her child back. And, (SPOILER) inexplicably, we find out at the end that the authorities actually let her do that after a slap-on-the-wrist prison sentence. Texas definitely does things beyond belief when it comes to the law! (END SPOILER)Vilmos Zsigmond's cinematography is excellent, as is John Williams' score. But, those two elements are by far the highlights of an otherwise routine film.****** (6 Out of 10 Stars)