California Suite

December. 15,1978      PG
Rating:
6.2
Trailer Synopsis Cast

The misadventures of four groups of guests at the Beverly Hills Hotel.

Jane Fonda as  Hannah Warren
Alan Alda as  Bill Warren
Maggie Smith as  Diana Barrie
Michael Caine as  Sidney Cochran
Walter Matthau as  Marvin Michaels
Elaine May as  Millie Michaels
Herb Edelman as  Harry Michaels
Denise Galik as  Bunny
Richard Pryor as  Dr. Chauncey Gump
Bill Cosby as  Dr. Willis Panama

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Reviews

Cubussoli
1978/12/15

Very very predictable, including the post credit scene !!!

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SpuffyWeb
1978/12/16

Sadly Over-hyped

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SunnyHello
1978/12/17

Nice effects though.

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Beystiman
1978/12/18

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

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Alan Benfield Jr (alanbenfieldjr)
1978/12/19

That's the one thing I remembered about this Neil Simon comedy, Maggie Smith saying "That's not funny, that's bizarre" I had never heard the word "bizarre" like that. Bee-zaaaarr, or something like that but Maggie Smith uses it brilliantly as an irresistible comic tool. I remember being kind of put off because Maggie won an Oscar for this over Meryl Streep for The Deer Hunter but, watching it now. I understand. Maggie Smith is fantastic and her marital banter with Michael Caine is a total delight. The movie, as a movie is a whole other story. Flimsy and dated with a musical score that may remind you of some of most generic TV movie. Jane Fonda is great, Elaine May and Walter Matthau, hilarious but it also has Bill Cosby, hard to watch now and a hilarious Richard Pryor. Herbert Ross directs respectfully but without any cinematic ambitions. Maggie Smith and Michael Caine however make the whole thing worth it.

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Danny Blankenship
1978/12/20

Neil Simon had one of the better works of 1978 as his comedy drama "California Suite" is a really well done take on the adventures and ups and downs of life and he shows it with an intersection of different characters all who check in and out of a Beverly Hills Hotel. Yet the characters involved have come for different reasons still all involved face personal dilemmas.You have a British couple Sidney Cochran(Michael Caine)who has to battle with his depressed actress wife Diana(Maggie Smith)who's in an outrage when she loses at the Oscars!(oddly enough Smith would win a real Oscar for best supporting actress in this role). Still thru it all no loss can prevent the love that this couple has to conquer it all.Next up on the plate is Marvin Michaels(Walter Matthau)an old east coast guy who visits the west coast only to explain to his arrived wife(Elaine May)how a sexy California blonde hooker got in his bed. This act is funny and it takes an interesting twist at the end! Then it's funny and educational as we see Hannah Warren(Jane Fonda)who's a witty educated snob and proper like socialite who's uneasy about her ex husband's(the good Alan Alda) new California life. As Hannah wants their daughter to go back with her and her new life on the east coast. This was one interesting segment as the chemistry between Fonda and Alda is top notch.And to round out two Chicago friends a doctor named Gump(the very funny Richard Pryor)and his friend(Bill Cosby)take a trip to California for vacation and both have manners that conflicts with imposing means! Overall well done picture from Neil Simon that's funny with wit and charm showing that life, love, and relationship is drama and a fun challenge of change and time. Really this is one movie to watch and enjoy.

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blanche-2
1978/12/21

Neil Simon's 1978 film, California Suite, is four vignettes of couples descending upon Los Angeles at Oscar time: one couple (Maggie Smith and Michael Caine) for the Oscar ceremonies, two couples for vacation (Richard Pryor, Gloria Gifford, Bill Cosby, Sheila Frazer) one couple for a bar mitzvah (Walter Matthau and Elaine May), and one divorced couple (Alan Alda and Jane Fonda) to discuss their daughter.The film is a mix of comedy, slapstick, and drama, with the Fonda-Alda segment witty but serious, the Matthau-May segment hilarious, the Cosby-Pryor segment slapstick, and the Smith-Caine segment a classic. Their conversation in the hotel suite before the Oscar ceremony is one of the best acted, best written scenes ever written. "I'm a dark horse," Smith says of her Oscar nomination, entering the room in a gown. "They must have seen the dress," Caine concludes. This is probably the most fully fleshed-out story, with the truth behind their marriage emerging as Smith descends into drunkenness later on. That and the Matthau-May vignettes are the best, with the Alda-Fonda scene coming off as somewhat dated today. The weakest is the Pryor-Crosby.Entertaining - if you don't feel like watching the whole thing, just watch the Caine-Smith and Matthau-May.Bill Cosby and Richard Pryor try their best as doctor friends who are having an awful time on their vacation with their wives. It's just not that funny, despite them both being extremely likable.Alan Alda and Jane Fonda do well in their dramatic story of separated couple meeting after nine years to discuss their child. Their segment is too short to really have an impact, might have worked well as a feature film. It's not all that involving.Michael Caine and Maggie Smith are both excellent in their little segment, with Smith portraying an actress who's up for the academy award. Caine plays her show off gay husband. The two stars really shine in an otherwise average story, not all that interesting.

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dglink
1978/12/22

Despite a talented all-star cast, "California Suite," which was based on a hit Neil Simon play, is a wildly uneven film. The episodic story traces several unrelated couples from across the U.S. that check into a Beverly Hills hotel. Like a comedic "Grand Hotel," the film cuts between the stories, although the editing makes no comments, ironic or otherwise, between the episodes. Actually, the often foolish, self-centered characters make "California Suite" more a "Ship of Fools" in the sunshine than a "Grand Hotel" under the palms. The original play was a follow-up to the more successful "Plaza Suite" and demonstrated Simon's shakier take on the West Coast than on the East. For the most part, the hotel guests speak and behave like the transplanted or visiting New Yorkers that they are.Jane Fonda portrays the ultimate New York snob, and her bitchy banter with ex-husband Alan Alda only underscores her arrogance and intolerance of anything that exists west of the Hudson. Alda is a New Yorker's stereotype of a Californian with pastel sweaters and perpetual tan. While a few amusing lines pass between the terminally mismatched couple, Fonda and Alda's episode is more grating than funny. However, the New York couple display Noel-Coward wit in comparison to the wasted talents and misfires in the scenes that involve Richard Pryor and Bill Cosby as vacationing doctors. The premise of two couples that arrive to find a reservation for only one has promise. However, director Herbert Ross should have studied Chaplin, Keaton, and Lloyd before he devised the broad, unfunny physical stunts that will leave viewers grateful that both Pryor and Cosby survived the mess and moved on to better material.However, the film does have some fine moments between comedic experts Walter Matthau and Elaine May. When Matthau arrives in LA a day early, his brother surprises him with a prostitute, who passes out from too much tequila and cannot be awakened in the morning. Of course, Matthau's wife, the always-delicious Elaine May, arrives, and the comedy moves into high gear. The best episode in the film, however, involves an English actress, Maggie Smith, and her bisexual husband, Michael Caine. The couple arrives to attend the Academy Awards, because Smith is a Best Actress nominee. While Smith has some of the best-written lines in the film, her role also has a depth and poignancy that goes far beyond the cardboard characters in the other episodes. Although Caine is equally fine, Smith's role is showier, and she won a deserved Academy Award for the part. The film's special irony is that the part of an Oscar-losing-actress won an Oscar for the actress who played her."California Suite" is one of those films in which a few superior scenes make it worthy entertainment, and the Smith-Caine episode pulls the film several notches higher than it otherwise deserves. Add the sparkling Matthau-May scenes, and there is at least one-half of a good movie. Although the Fonda-Alda episode is bearable and occasionally amusing, the Pryor-Cosby scenes are often labored and unfunny. However, with a strong finger on the fast-forward button, there is a good hour of comedy and fine performances to be had in this inconsistent film.

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