If you don't like this, we can't be friends.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

It's easily one of the freshest, sharpest and most enjoyable films of this year.

I can't say I find the film particularly funny, but it interested me because perhaps it shows the difference between French and British humour. À chacun son goût - to each his own taste - of course, and to my taste the film had too much farce, too much slapstick, and too little subtlety of humour. It was like being hit with a humour-hammer rather than being amused intelligently.I have to confess that I didn't laugh once, nor, as far as I'm aware, even manage to raise a smile. I can't imagine that a film of this type would have been the most popular in the UK for as long as it was in France. I was previously unaware of the work of Bourvil and de Funés (sorry, but their constant over-acting did nothing for me) but I certainly knew of Terry Thomas's films, and he was capable of far better than this.I loved the Burgundy scenery, though, and I was happily transported back to holidays in the Côte d'Or and a visit the old hospital at Beaune.

In France, but also in the neighboring countries like Belgium (where yours truly lives), "La Grande Vadrouille" is more than just a cinematic classic… It's a cultural monument and even national heritage! I certainly don't intend to sound pretentious, but I doubt if such a movie could ever exist in the United States. Why? Because this film is patriotic and satirical at the same time, the script is chock-full of clichés and stereotypes whilst the humor doesn't necessarily rely on clichés and stereotypes, and although the subject matter deals with the depressing events of World War II – forever one of the darkest pages in the world's history – the tone of the film remains courteous and innocent at all times. The Nazis in this film are naturally the bad guys but for once they aren't depicted as inhuman monsters, which is probably the main reason why "La Grande Vadrouille" is also enormously successful in Germany! And last but not least, the script respects the language differences per country! The French simply speak French - or English with extremely heavy accents – while the English speak English and the Germans speak German! I don't see that happening in Hollywood, to be honest. The film received the funny but rather hokey sounding English title "Don't Look Now, We're being shot at", but actually "La Grande Vadrouille" simply means something like "The Big Stroll" or "The Giant Walk". As you can derive from the above paragraph, the film takes place in during the WWII Nazi occupation of France. The story already starts out hilariously, when the pilot of a British bomber plane asks his fellow passengers what their location is. They claim the plain is more or less above Calais, but when the clouds clear up they are surprised to see the Eiffel Tower directly beneath them. The plane is shot down by German ground troops and each of the three British soldiers wanders off towards a different part of Paris with their parachutes. The British pilots receive help from two typical yet entirely opposite French citizens, namely the simple but hard- working painter Augustin Bouvet and the snobbish orchestra leader Stanislas Lefort. Both men, along with the help of various other French citizens, take several risks in order to reunite the British team, which of course makes them enemies of the Third Reich as well. The whole group has to flee towards the South of France, but naturally the journey is full of obstacles and dangers. Many, and I do mean MANY, sequences in "La Grande Vadrouille" have become immortal cinematic highlights over the years and it's almost impossible to list them. The mix-up with the room numbers in the hotel, for example, is very famous and still as incredibly funny by today's standards as it must have been back in 1966. Other unforgettable highlights include the rendezvous in the Turkish bath house and the pumpkin counterattack. In fact, every single interaction between the legendary French actors/comedians Bourvil and Louis de Funès qualifies as classic comedy cinema. Both geniuses where at the absolute heights of their careers at this point, but Bourvil sadly passed away far too young a couple of years later, at age 53. Louis de Funès continued to make several more French comedy classics until his death in the early 1980s, including the sequels in the successful "Les Gendarmes de Saint-Tropez" franchise, "Les Aventures de Rabbi Jacob" and "La Soupe aux Choux". De Funès truly was, without any exaggeration, one of the funniest people who ever lived. His looks and his energetic facial expressions were his main trademarks. He wasn't very tall and his almost naturally cantankerous apparition, in combination with his distinct voice and habit of talking really fast, made him the ideal hothead-character. "La Grande Vadrouille" is a brilliant film, with a brilliant cast and a brilliant director, as well as brilliant music (courtesy of Georges Auric) and brilliant cinematography by Claude Renoir. It's warmly recommended to all admirers of genuinely funny comedies and fundamental viewing for everyone living in Europe.

I saw this movie first when I was 12. Revisiting it 25 years later, I could now reassess and reaffirm what I already knew: it's simply best in class! Nobody can do comedy like the French (sorry Hollywood, it's in their culture since Moliere, before America even existed), and this is one of the best French comedies ever. But it's not just the hilarious scenes (of which there are plenty; the short tea-for-two Turkish baths scene is a masterpiece), but every single element of it shines: the story, the timeless De Funes/Bourvil duo, the gorgeous scenery, the score, the universal appeal with not just French but also British actors and the sense of camaraderie that creates... But above all, the unbridled optimism that permeates every single shot, making the entire film such an uplifting experience! Feeling depressed, lonely, aggressive? Watch this movie! Show it to all kids as they grow up and the world will become a better place!

This movie certainly belongs to one of the best comedies French cinema has ever produced.It has that rare quality of entertaining the viewer over and over again although it has been around for years. It is also probably Louis de Funès' most witty performance ever, mainly due to the fact that he reduced his frequently exaggerated ( and often irritating) facial expressions and babbling away to an acceptable level.Bourvil was always and remains, even today, an icon of the French cinema.As a team, de Funès and Bourvil form an "odd couple" that really works and their constant bickering is often hilarious. A lot of fun is made of the Germans and British but this is always done with a tongue-in-cheek approach and the whole movie bristles with a "joie de vivre" that leaves the viewer with a feeling of intense delight.