Redundant and unnecessary.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

The film never slows down or bores, plunging from one harrowing sequence to the next.

This is an unusual movie that I know will provoke a very mixed response from fellow reviewers. Some will just give the movie a wide berth due to it's subject. First of all, I've just watched it and really enjoyed it. On one level it is my favorite movie of the year, partly because it was so much better than I expected. The Movie was written, directed and co produced by Howard Weiner. A Professor of Neurology by career and a pioneer of some treatment of multiple sclerosis. Wow, so we're talking a very intelligent man with an artistic ambition to create a good movie. He's just done it. I think his knowledge of real patient behavior and human interaction shines through in this story and sets it apart from the usual Hollywood take on life. There's lots going on here enough to more than fill the 85 minute run time with interest. The acting and direction are superb. Martin Landau and Paul Sorvino handle some very cringe-worthy and awkward scenes really well. Sadly this movie will never get the acclaim I think it deserves due to a limited number audience and viewers that are just too uncomfortable watching seniors discussing and doing the things that they themselves think and do. Thank you Howard Weiner for an enjoyable 85 minutes and for cementing my memory of the late Martin Landau as a wonderful talented actor. My rating: 9 out of 10 Highly recommended - Be open minded and give it a go. We're all human and unfortunately are going to get old along with all the changes that brings!

Greetings again from the darkness. There really isn't an age where one's level of horniness is of interest to the outside world. The topic is certainly cringe-inducing as we listen in on two old men bemoaning their current state of dysfunction, while simultaneously recalling their glorious past conquests. Were these two gents played by lesser actors than screen legends Martin Landau and Paul Sorvino, there would be no need to tune in.Writer/director Howard Weiner (a Neurologist and Harvard professor - thanks Google) delivers his first narrative feature film as a statement on old age, pride and dying. In Mr. Landau's final film, he plays Dr. (not Mister!) Abe Mandelbaum (I'm giving credit as a "Seinfeld" reference, whether intentional or not), who, along with his dementia-riddled wife Molly (Ann Marie Shea), moves into Cliffside Manor - a Retirement Center and Nursing Home. Abe quickly bonds with fellow resident Phil (Mr. Sorvino) as the two exchange dirty jokes and tales of yesteryear.The other story line involves a nurse (Maria Dizzia, MARTHA MARCY MAY MARLENE) who has reason to believe the biological father she's never met is a resident at the manor. The obvious development is whether Abe or the notoriously womanizing Phil might be her father. Other minor story lines include the center's director (Alexander Cook) who admittedly hates old people as he searches for a miracle potion to prevent his own aging, Molly's struggle with dementia which can only be soothed with her fur coat or relief in bed, and a last hurrah field trip to a local sports bar with the nurse, Abe and Phil. If not for the vulgarities and three of the most uncomfortable sex scenes you've likely ever witnessed, this would have been a textbook Lifetime Channel movie. Watching two pros like Mr. Landau and Mr. Sorvino go at each other is quite a treat - though you best enjoy old men talking about sex, as the subtleties of pride, masculinity and self-identity of men are mere afterthoughts here. Oscar winner Landau (ED WOOD) deserved a send-off more in line with Harry Dean Stanton's LUCKY, but fortunately he has a 60 year career as his legacy.