A depiction of a series of violent killings in Northern Ireland.
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As Good As It Gets
Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.
After playing with our expectations, this turns out to be a very different sort of film.
Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.
No context given. No story to narrate. No elaborate set pieces or character actors. Maybe about 2 lines of dialogue. What else is there? Only the brutal reality of a country's dirty little secret. Many films about touchy political issues are analysed through a character's interpretation of how they think or how a particular story plays out but Clarke plays it out simply: people are dying... never mind the other stuff, death is caused through our own inability to absorb other people's views. The end factor being death is all that really needs to be shown to get the point across. Clarke makes fantastic use of tracking shots, slipping left and right and around to follow a person into their death.It's provocative and probably the best TV movie ever made. I can't imagine people sitting down at night, tuning into the BBC and wondering what they should think about this mini masterpiece.
The Troubles in Northern Ireland inspired a lot films and dramas. Some more controversial than others.Alan Clarke's Elephant was totally left field. When the BBC broadcast it, they were inundated with complaints on television programmes such as 'Points of View.'Never before we had a television drama, almost wordless where one person shoots another person, a few minutes later someone else shoots another and so on and so on. Be they working in a petrol station, in a swimming pool, playing football, eating in a restaurant, at home or walking in the park, someone blasts them.These horrific random acts of violence in due course desensitizes us, maybe even leave us bored and confused as without dialogue we are unsure as to what is happening and just seeing people walking about until they take a gun out and shoot somebody.Alan Clarke was an early adopter of the Steadicam for television work which means we follow the various people out and about as the camera operator is alongside them.This was one of Clarke's last works who died a year later. Seeing Elephant again many years later, when the film is almost 25 years old, you get struck that this is a period piece with the now old model cars and that Northern Ireland has moved on since the peace process.
The film is made up of 18 short films, showing unjustified killings. In each part of this strange thriller, a murderer and a sacrifice and usually but them in the shot no one.The painting "Elephant", is filled with a cold, so a neutral atmosphere. If from what you can get here is a pleasure as the mood of the film. All shorts are designed in one color, unrelated, they still look very harmonious.This film may be a benefit for young filmmakers to make films, in which there are scenes of murder.Of course, if you look at the film with plenty of imagination, it can be to make up the history of each murder, thereby determining why it happened.After a while, after this film, there is a picture of Gus Van Sant, going by the same name. There definitely is a connection there, because in one of the interviews himself Van Sant said that after watching the "elephant" Clark, he wanted to withdraw his "Elephant." I think he is right and is the spectator Clark, who watched this movie with plenty of imagination. That imagined Van Sant, the mass murder at the school, and quite original show cause, not as pure, but the name speaks for itself, the problem is definitely there, it is just in the minds of others, there is much we would not get. Both elephants, a very similar atmosphere that captivates the viewer, who manages the end to inspect these movies.
Despite the fact that I enjoyed the movie, the slow pace really tookaway from the movie's entertainment value. I thought that Elephanthad great potential as far as a hit goes but what it lacked was apunching moment. Sure there was the school shooting part but wefigured out that was going to happen ages before it actually did sowe came to expect it. One thing that I can rave about in this film was the camera angles.I loved how the camera seemed to be following the actor. Andeach shot was a piece of art on it's own. It made the movierespectable really. I can't say that I would have even finishedwatching Elephant if it wasn't for it captivating camera work.Overall, Elephant was an enjoyable flick that I would definitelyrecommend to someone in search of an "artsy" film.