The Thorn Birds

March. 26,1983      
Rating:
7.9
Trailer Synopsis Cast

This mini series covers 60 years in the lives of the Cleary family, brought from New Zealand to Australia to run their aunt Mary Carson's ranch. The story centers on their daughter, Meggie, and her love for the family's priest, Father Ralph de Bricassart. Meggie tries to forget Ralph by marrying dashing stockman Luke O'Neill, but she and Ralph are soon reunited, with tragic consequences for them both.

Christopher Plummer as  Archbishop Vittorio Contini-Verchese
Piper Laurie as  Anne Mueller
John de Lancie as  Alastair MacQueen
Barry Corbin as  Pete
Stephanie Faracy as  Judy
Jean Simmons as  Fiona 'Fee' Cleary
Barbara Stanwyck as  Mary Carson
Brett Cullen as  Bob Cleary
Richard Chamberlain as  Ralph de Bricassart
Bryan Brown as  Luke O'Neill

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Reviews

Alicia
1983/03/26

I love this movie so much

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Claysaba
1983/03/27

Excellent, Without a doubt!!

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Philippa
1983/03/28

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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Dana
1983/03/29

An old-fashioned movie made with new-fashioned finesse.

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tomsview
1983/03/30

Covering three generations of a family, "The Thorn Birds" is a big canvas. It's packed with emotional highs and lows that stretched the abilities of the cast, and over-stretched them occasionally. But the camera loved the three leads: Richard Chamberlain, Rachel Ward and Bryan Brown, while veteran actors Barbara Stanwyck and Jean Simmons added a touch of class.After the Cleary family arrive in Australia from New Zealand to work on Drogheda, the sheep station owned by Aunt Maggie Carson (Barbara Stanwyck), they meet Father Ralph de Bricassart (Richard Chamberlain). He takes their daughter, 8-year old Meghann (Meggie), under his wing leading to a lifelong love between them. Meggie was played by Sydney Penny as a child and Rachel Ward as an adult. Although presented as benign and paternal, after all the revelations about child abuse within the church since the series was made, the relationship between Father Ralph and young Meggie is a bit disturbing. When Meggie reaches adulthood, Father Ralph can hardly control his feelings for her, but his faith and ambition hold him back, except for the odd moment of weakness. Father Ralph's rise within the church is reminiscent of Otto Preminger's "The Cardinal", especially the way his motives are challenged by a mentor played by Christopher Plummer in this case.The Cleary's fortunes ebb and flow and Meggie marries Luke O'Neill, a shearer played by Bryan Brown. One of the most fascinating sequences is when they head off to the cane fields in Queensland before their marriage falls apart. Megan and Father Ralph come together at the end where they are forced to confront the difficulties their love created. "The Thorn Birds" was filmed in California with Hawaii standing in for Queensland. The scenes of sheep and shearing are convincing and impressive. Not quite as convincing are the dodgy Irish accents of the mainly American cast. Maybe they would have been better off tackling dodgy Aussie ones instead. No problem with Henry Mancini's score though. He created a memorable theme inspired by songs such as "Bound for Botany Bay", and "Queensland Drover". "The Thorn Birds" endures with beautiful stars and a script full of insights into the nature of love and faith drawn from Colleen McCullough's novel. There are worse ways to spend a wet weekend.

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Kirpianuscus
1983/03/31

one of the most powerful series of the genre. not only because it is the story of a forbidden love. but because it has few virtues who defines it as subtle, delicate, seductive and convincing trip in the essence of this noble feeling.its secret of success - the contrast. the contrast between desire and duty. between the Church universe and a family from Australia. the contrast between manners to see the life. and the clash between two so different ways to live. and this facts did it , first, a series about faith . religious faith, off course, but, more important, the faith as expression of hope. Decade by decade, a Roman Catholic priest and a woman are new versions of Orpheus and Euridice.against all. as parts from the other.

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vincentlynch-moonoi
1983/04/01

I couldn't help thinking of playwright Lillian Hellman as I began watching this tale of an OLD matriarchal figure in love with a hunk of a young priest, a young priest with a crush on a young girl (and vice-versa), a father who had a negative relationship with his wife's son, and a son who hated his father for making his post-40s mother pregnant. Then a husband who doesn't really love his wife; babies that are wanted or unwanted. Etc. And therein lies the problem -- for me -- with this film. I couldn't find a single major character to root for. All were badly flawed people.I remember watching this when it was on TV back in 1983, and it was nice watching it again, although frankly it isn't as good as I remember it being...although it is still better than most of what's on television nowadays. It's a great example of how mini-series can tell stories that could never really fit into a 2 hour movie.Richard Chamberlain was...as usual...magnificent here. Rather perfect for the part. On the other hand, I was not impressed with Rachel Ward. She was...adequate; and ironically seemed better in the later years of the saga. Perhaps the standout performance was that of Jean Simmons. It got me thinking that while Simmons was never a flashy actress, time after time, in film after film, she turned in solid performances. Certainly one of America's most underrated actresses. She did win an Emmy for this performance.I did have a little problem with Barbara Stanwyck's performance. Oh, good acting, and over the years an actress I always enjoyed. But at age 76, what I usually think of as false-teeth lisp (although it may be caused by other health factors) was a bit distracting. Nevertheless, good to see her here, a full 14 years after here television series ("The Big Valley") ended.Back in 1983, this was my introduction to Bryan Brown. I remember being impressed with him, although there were few endeavors of his after this miniseries that impressed me. I was a bit disappointed in the performance of Richard Kiley. I guess maybe I was too used to seeing him more a college professor type role, and I didn't enjoy his depiction as a rough Irish farmer.It's always a pleasure to see Christopher Plummer, and no less so here as a Catholic prelate. While this is not his best role, he added to the quality of the production.In terms of the younger actors in the drama, none went on to bigger stardom, with the exception of Mare Winningham.The production quality seemed somewhat low to me, and certainly care was not taken in some of the outdoor photography.If you haven't seen it and you like sudsy melodrama, this is a good miniseries, and in seemed like the later "chapters" were done better than the early ones.

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karen-millard
1983/04/02

One of the best (and first) mini-series ever! I remember watching it faithfully every night while new, going so far as to have to go to my grandmother's house with a friend one night to watch that evening's episode.Richard Chamberlain was the hottest thing then! Rachel Ward, as Meggie, was a little limp then, but I thought that Mare Winningham was incredible as Justine, even though young and around my age at the time. The series stayed faithful to the book, and I have followed Mare Winningham throughout the years and think that she is a great actress and singer also. A super series, and the groundwork for whatever followed.

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