Yawn. Poorly Filmed Snooze Fest.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

One of the worst ways to make a cult movie is to set out to make a cult movie.

First saw Genya a s TV series and found it interesting. That was my first Keigo Higashino story. And I think I'm lucky that way. As this year I saw the ten mysteries and was kind of disappointed.Well, back to Into the White Night. Like the direction, how it progresses through the decade, slowly, taking its own timeline. (Similar to Hitori Shizuka, in this year's WOWOW TV production) It begins with a cop, calling home saying he'll be late (recollecting). And a murder. I found well written novel based Japanese crime genre is not about the crime, however perfect they were conceived, but about the people. The sad story of the characters. And this is no exception.The heavy heavy rain kind of sets the mood. So does the muted colors. You know this is going down an unhappy trail. So does the minimal music. All this warns you. And stop if you want.The timeline continues, and other pieces of the story continues. All seemingly not tied together. This can be frustrating.And not until the end do you connect all the dots, maybe the pacing is slow, but it allows you to wonder. What went on in the past, how is this one murder connect to the other. You as audience begins to suspect more as more evidence and events are reviewed to you. You are like the detective growing old, through time, into the heart of the story.The male lead I've seen before in the TV version of Crime and Pushiment, another gem. He is good, and have chosen these rare but probably not popular roles. Good for him.

I saw this movie thanks to a Japanese friend who is a film-student. I haven't seen much of Japanese cinema but I was extremely impressed with this movie. It starts very slowly, you don't quite grasp the first 20 minutes of it, because of the many facts and the very complicated Japanese names that are thrown at the viewer who is used to more occidental names. The story begins with a murder, the Japanese local police is investigating the death of an adult man whose body was found in a warehouse that was locked from the inside. The wife and her lover become the prime suspects but the murdered man also has a lover who becomes the next suspect, especially after she commits suicide. The adult man has a son called Ryoji and the mother who killed herself has a daughter called Yukiho. They become the main characters and we see them grow through High- school, College and even their professional life. The inspector who took on the case at the beginning of the movie grows older and is still obsessed with solving the murder of the man. Yukiho is surrounded by tragedy growing up, after her mother's death, her best friend and later on her sister in law get raped. Ryoji also loses his girlfriend who poisoned herself. Slowly the action takes place, the characters become older and you understand them better and the plot becomes more discernible, with a very tragic conclusion.This movie has very beautiful close-ups, visual landscapes and gorgeous actors who played their best. Japanese cinema likes to touch upon realistic and powerful themes, you leave the cinema slightly pensive and slightly upset. At least it has motivated me to search for more Japanese movies, my friend has already given me a new stack of DVD's.