The film makes a home in your brain and the only cure is to see it again.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

This film is so real. It treats its characters with so much care and sensitivity.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

This is my review for the film The Intiation and it shall have several spoilers throughout.The film begins at a house with a group of sorority sisters. Some of the students at college are pledging to become sorority sisters with the sisterhood being lead by Megan we have Kelly,Alison,Beth and Marcia who will have to take part in an initiation before they become part of the group. The are allowed to have a few more days of fun before they are given their initiation.Meanwhile Kelly has been having repetitive nightmares for years about a young girl who enters a room to her parents and witnesses a confrontation between them and a man who is set alight on fire. She tells one of her tutors about this who along with another one of his students gives her some therapy and tries to get her to understand and piece together the meaning of her dreams.At the beginning of the following week Kelly,Alison,Beth and Marcia are due to carry out their initiation which is being given by Megan to break into Kelly's fathers department store and steal a specific item to be used as a souvenir within a time period. Beth gets into an argument with Megan and is eliminated from being part of the sisterhood.The girls go to the department store to fulfill their pledge whilst Megan and a couple of her friends sneak into the store with the intent on making things more difficult for them all. The students are all oblivious to the fact that on the same night a mental patient from a psychiatric ward has escaped with murder on their mind.I enjoyed The Initiation because even though it began with a familiar scenario like that of many of 1980's films in a house and with a sisterhood of some girls what were not a part of wanted to do things in order to be inclusive i like the fact that many of the films scenes were located in a department store which proved to be effective for the suspense and chase scenes. The film also worked as a thriller that was not a simple and straight forward as some others when predicting the plot. I also thought several of the characters were likable from Hunter Tylo's portrayal of Alison who was fun,entertaining and at times naughty to Vera Miles who plays Frances the mother of Kelly that harbors a dark secret to Marilyn Kagen who plays Marcia who was sweet and probably the most mature out of the girls and the way she tells her friends a story about her past even had me a little shocked which added a more serious tone to her character. Daphne Zuniga as Kelly played a worthy and dynamic performance too! The films production values, special effects and music were also professional for a horror film of 1984.I would rate this film 6 out of 10.

As Gabriel Black's and Lance Ong's atmospheric synth pads growl over the opening credits, expectations are pretty high. Unfortunately this 1984 slasher is bungled in conception and execution. Kelly (Daphne Zuniga) is haunted by a vision – possibly a memory – of her father attacking his wife's lover and setting him on fire. Or is it the other way around? Along with her sorority sisters, Kelly is in the midst of an initiation, and now it's "Hell Week". The big plan is to break into a shopping mall and steal the uniform of the security guard – the "Fright Night" toward which the story progresses. Along the way we are introduced, via the standard POV shot, to a fork-wielding killer, who's working his way through the kids, apparently to get to Kelly. Could it be the burnt man from her vision? (Spoiler: Yes, yes it could.)Kelly goes to Peter (James Read), a psychology graduate with a penchant for blandly name-dropping Freud and Jung, and who's the kind of bore who goes to a college party and grumbles, "I, too, arrested my development for four years." She falls for him and he helps to unlock her madness. It is psychology as detective work, and this whole subplot drags an already quite ordinary film down in the most clunky and unconvincing way. As Kelly, it's an early role for Zuniga (she was Princess Vespa in Spaceballs, remember?), and her wit and charisma carries the film while its other elements fail her. The Initiation simply isn't very well made. It's not the budget, or the workmanlike makeup effects, or the clearly moving corpses. It's not the typically leering camera-work, or the bland and sometimes unfocused framing. It's the lack of interesting ideas. And any deviations from the slasher formula – i.e. the aforementioned pseudo psychology – feel like dull digressions rather than adding depth. Tonally it's all over the shop, with the tension too frequently punctuated by sub-Animal House frat pratting (all the boys are mindless jesters, by the way). At one point a dramatic crescendo is completely undone when one of the characters looks at the camera for a winking reaction. Sound like fun? Not when the film had shown zero signs of wilfully breaking the fourth wall up to that point. The story culminates in an extended setpiece inside a deserted shopping mall, where there are at least some flashes of inspiration. There's some okay tension here – I like the scene where one character enters a lighting shop, and the lamps begin illuminating around her – but almost always the pay-off doesn't warrant the build-up. And that goes for the film in general, as it careens toward its lame twist: a revelation requiring so much exposition that it's more tiring than clever. The Initiation doesn't excite as a slasher; doesn't titillate as an exploitation flick; and it definitely doesn't convince as a psychological horror. As a midnight movie, sadly, the only thing to fear is falling asleep.

Oh here we go again. A college slasher… from the 80s. But hey, "The Initiation" was surprisingly an effective and playful little slasher item and delivered on what you look for in these ilk of presentations. While nothing groundbreaking, I thought it stood out. It has some clever touches, adds moments of mystery, tension, ominous atmospherics, and the ghoulish violence has a real nasty streak, a Burt Reynolds poster pops up and the characters are resilient. You got some veteran actors in Vera Miles and Clu Culager. Likable teens played by Daphne Zuniga, Frances Peterson and Hunter Tylo. Then there's good support from James Read, Paula Knowles and Robert Dowdell. What takes a while to get going, only does so to build-up its story arches and characters before reaching its outrageous stalk and slash traits when everything erupts in its creepily daunting after-hours shopping mall setting. It does have a soap-like quality, where it does get silly when it comes to the end with a shockingly hysterical revelation. The first half of the film sets itself up by concentrating on our heroine's (an affable Zuniga) traumatic recurring nightmare, where she goes about trying to understand it with the help of an assistant professor (Read). While her parents are trying to keep her past secret, which only comes to the forefront when they're told of a breakout of a patient from an asylum. But also Kelly and a few friends are about to undertake a sorority pledge, involving sneaking into a shopping mall one night to steal the security guard's uniform where everything comes together. The direction is durably crafted with style and a budget to boot. Slick photography and numerous killer POV shots. Even the music score keeps the mood spot on. Traditional, but entertaining. "There's nothing to be afraid of."

It's a hit or miss moment when you're about to experience a viewing of another '80s Slasher. Will it be but a mere rip-off of its predecessors or offer a new take on the formula? Sometimes, the film's conclusion will leave you stranded between both schools of thought.Kelly Fairchild is a bright college student and new initiate of Delta Ro Kai sorority. She has a troubled past and due to a traumatic incident in her youth she suffered from amnesia and cannot remember anything before the age of 9. She's also plagued by a reoccurring nightmare of a burning man and a few other hazy details that are interpreted by her professor, Peter Adams, who is working on a doctoral thesis in parapsychology. The plot also focuses on the escape of several mental patients of a psychiatric clinic hundreds of miles away – in particular, a man on the loose who spends his free time dispatching his victims with a garden rake. Is there a connection? And what's in store for prank night when the Delta Kai girls are trapped inside of a mall complex?With a few years separating this title from the well-known classics, it's a shame that Initiation wasn't released earlier. It did, however, mark the film debut of Hunter Tylo, a young and attractive model; Daphne Zuniga also plays a memorable role featured as the female lead with 1982's The Dorm That Dripped Blood securely stashed away in her horror repertoire. These two girls, along with a young cast of characters, offer the viewing audience a fun little performance. The mall complex that sets the stage for murder later on in the film was an excellent choice; constructed with vast ceilings and an intimately laden store configuration. The death scenes won't shock or disgust – instead, opting to epitomize the Slasher medium that features ill- advised decisions that lead to treachery. As a result, we're treated to characters that follow the guidelines of your standard horror movie. You won't find something "new" to talk about – just more of the same, but outputted more crispy and coherently than usual. The pacing is slow during the first half of the story but remarkably enough, I wasn't bothered by it. A film of this caliber would not be complete without your typical twist- ending; a trademark of Slasher films throughout the '80s and Initiation receives equal treatment. This big secret that patiently waits in the wings isn't too common of a device so you may be somewhat surprised by the conclusion. With a bit of cheese and that 80s flair, Initiation should be placed into the upper echelon of the Hack-'n-Slashers of days gone by – and while I can't necessarily deem it as a "classic" it's far better than the mop and schlop low-budgeters that overwhelmed audiences 3 decades ago.