While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

After a few years in light roles in film and TV, Dustin Hoffman scored stardom in 1967 with "The Graduate." So, why would he be cast the next year in a "spaghetti" comedy? I don't know the machinations of Hollywood, but I'd like to posit a wild guess: He or someone else thought he might score again in a comedy. In this case, a sort of Italian-American "Pink Panther." When you finish laughing, consider the similarities in this film with the 1963 smash hit, "The Pink Panther." Hoffman's character is similar to Peter Sellers' Jacques Clouseau. Both were government detectives of sorts. Both were bungling characters who fell, tripped or ran into objects and people. Both were disliked by their superiors and cohorts, who considered them incompetent. Inspector Clouseau incessantly corrected people who called him "inspector Clouseau," stating that he was "CHIEF inspector Clouseau." Hoffman's Jason Fister is a U.S. Treasury agent (auditor), whom people keep referring to as "Mr. FAWster." He continually corrects people: "It's FISTer – F, I, S, T, E, R." But amidst their bumbling and bungling, both had some keen insights about their work and the case they were on. So, maybe it's not so implausible after all – the intentional copying of "The Pink Panther," with obvious redesigning for the later movie? Well, whether or not it was meant to be a copy, "Madigan's Millions" didn't succeed. Hoffman is not Peter Sellers. He doesn't have a naturally funny recovery from his bungling episodes. Hoffman appeared to be having fun at times in the film, but the script, acting, direction and whole thing just seemed too hackneyed. At times, I thought the director and producer must have known and purposely chopped up some scenes. I gave this four stars only because it is an interesting look at a relatively new actor for the time; and for a cast of other interesting actors. Even with major rewriting and better direction, I'm not sure this movie would work. Surely, it wouldn't establish Hoffman as a comedy actor capable of buffoonery. I think he can do humor, but it's the more serious type – clever, witty, and wry, as in "Rain Man."

Dustin Hoffman's debut feature isn't as bad as it's reputed to be; a Spanish/Italian co-production filmed in Italy with the director using the pseudonym "Dan Ash"(!), the film is uneven but generally diverting and deals with a plethora of shady characters in search of a $1,000,000 hidden by gangster Cesar Romero (who, despite being third-billed - after Elsa Martinelli and Hoffman himself - expires before the credit sequence has even rolled!).Hoffman's performance, obviously, is nowhere near as nuanced as in later films but manages to dodge embarrassment by playing what basically amounts to an amiable klutz - an accident-prone American treasury agent of Sicilian descent (named Puzzu, which nobody seems to be able to get right!) sent out by his firm to retrieve the money and told to remain "inconspicuous" but, instead, is forever getting into trouble - though he ultimately proves surprisingly resourceful by finding the loot, foiling the crooks and winning the girl (Martinelli as Romero's daughter, who's somewhat wasted here)!! Still, the film's best moments are provided by suave gangster Riccardo Garrone: apart from his would-be hard-boiled persona and the hilarious use of dialect, he's flanked by a trio of nitwits who more often than not prove a hindrance in the fulfillment of his various schemes! Also, in view of the story being set in Rome, it's odd that the police officer investigating the case is a Spaniard (doubtless an exigency of the co-production deal)! Along the years, I've missed out on Hoffman's other Italian comedy - ALFREDO, ALFREDO (1972) - a number of times (I guess, mainly, because Leonard Maltin only rates it *1/2 in his "Movies & Video Guide"...but, then, MADIGAN'S MILLION gets a BOMB!); with Pietro Germi directing and co-starring the luscious Stefania Sandrelli, the credentials of that film are certainly more respectable, and I really hope it turns up again on Italian TV soon...

In spite of the low rating of this film I got interested in it as I wanted to see an early Hoffman's performance and the story sounded interesting.So I watched the film and I think it isn't bad at all.Yes,it has its weak points but there is plenty of humor and fun in it.Some scenes can really make you laugh.The mixture of comedy and crime works in my view and the reason for that is mainly the wonderful Hoffman ,who makes a very good role.There is even a car chase in the movie which isn't bad for a film made in the 1960s.The plot is interesting,maybe it isn't so well written but it won't bother you and you'll probably find the movie nice.The supporting cast is also good:Elsa Martinelli,Gustavo Rojo,Ricardo Carrone,Fernando Hilbeck and the others do their job well.

This Spanish-Italian crime comedy is another Sidney Pink production (see my review of FICKLE FINGER OF FATE) and stars the young Dustin Hoffman as Jason Fister, a bumbling treasury agent who is assigned to a case in Rome because the people in his home office want to get rid of him. His task is to track down a million dollars stashed away by a former gangster turned insurance man, played by Cesar Romero whose role must take all of five minutes. Although this film was not released in the US until 1969, from reading producer Sid Pink's autobiography I got the impression that it was made right before THE GRADUATE. His performance here is very good--kind of like a more subdued Jerry Lewis (or is that a more subdued Sammy Petrillo?). Having his voice post-synchronized later hurts a bit, but Mr. Hoffman does his best, and I found the film to be a harmless yet enjoyable lowbrow comedy, not too different in feel from such Pink productions as FICKLE FINGER OF FATE or WITCH WITHOUT A BROOM. It's certainly more of a success than, say, Who is Harry Kellerman? or Dick Tracy (not to mention Ishtar!). Hoffman shows that even in this early point in his career he is entirely capable of carrying a film by himself. Mainstream audiences might be put off by the dubbing or the low-budget production quality, but if nothing else it proves that Mr. Hoffman can make a Franco and Ciccio movie as well as Franco and Ciccio could have done! The scene where Hoffman plays both Fister and his enforcer "Red" is priceless and could have come from a Harry Langdon short at Columbia or Educational--high praise coming from a Langdon fan such as myself! Now, if only Alfredo, Alfredo will come out on video in the USA...