On the Silver Globe
February. 10,1989A small group of cosmic explorers, including a woman, leaves Earth to start a new civilization. They do not realize that within themselves they carry the end of their own dream. They die one by one, while their children revert to a primitive native culture, creating new myths and a new god.
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I like the storyline of this show,it attract me so much
Touches You
Overrated
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Crazy original film.. trying to encapsulate almost everything about the human condition.. from simple human emotions, trust, love.. to opposition, hierarchy, religion, politics..how we perceive the world, the relationship between man and a woman, heavy philosophical and transcendental scenes.. the first 30 minutes are almost unbearable though.. at one point it got so boring, i could not sit still, i was going mental.. some people left the cinema.. mainly because of the heavy overly poetic and dramatic dialogue.. the rest is a joy for the imaginative mind.It is based on a Sci-Fi novel, written by the grandfather of Zulawski. The novel had a great influence on Stanislaw Lem as he was growing up. Mind-blowing stuff. A must-see for the serious cinephile.
I suspect this may be a kind of fake. It's all that remains of a film whose production was stopped in the middle: a science fiction film that, to judge from this paste-up, might have been something like Stalker done in the style of Weekend. Unfortunately, the sequences that were never shot included virtually all of the science fiction and most of the action, so that two-thirds of what's left concentrates on three people trekking through barren landscapes and going crazy into the camera, as in Blair Witch Project. I found it difficult to track the progress of their degeneration, which all seemed very much the same. Based on this, I'm not surprised the Polish film bureaucrats canceled the production, only that it took them as long as it did. Now the extant footage has been edited into what the DVD case calls a reconstruction. But is it really? Or is it a new construction using the old materials? What made me begin to suspect this was that throughout the film, while the director summarizes the unshot sequences in voice-over, the screen shows what seem to be outtakes, but the last of them closes on a shot of the director, taken contemporaneously. So were the other interpolated sequences shot then or forty years ago? And if forty years ago, were they to have gone in where we see them or elsewhere, and as we see them or in some other form? Or were they just scrap? Much of the rest consists of long tracking shots of scenery, which also look like outtakes. And the film is edited in a style now fashionable--with series of multiple cuts on the same angle, a few seconds apart--which I don't remember being the fashion forty years ago. This made me wonder whether the director had cut the film as he would today, rather than as he would have back when. I also wonder whether he had done so partly to disguise the incompleteness of the available material. And where did the music come from? If the film was never finished, it can never have been scored; and to me the music sounds new, too. So all in all I don't know how to judge the "reconstruction" on the basis of what it was to have been because I don't know how much I'm seeing of that. If the gaps could have been bridged with staged readings of the missing portions of the script, maybe read by the surviving actors, the film might come together into something; as it is, it seems to be little more than what another, better known film was deliberately intended as and named for: ashes of time.
This film is as far from Hollywood style as Poland is.There are some impressive ideas in the movie (like some surreal scenery) but unfortunately everything else is a total scrap.Film was shot on East-German ORWO film of deplorable quality giving it a look worse than amateur 16mm shots. Sentences are completely absurd - you are lucky if you do not understand polish ! Acting reminds mad mumbling of psychiatric clinic patients....I was a small kid when I fist learned about this production - it was in 1978, they were taking some shoots in Cracow where I lived. I was a fan of SF, watching then Space 1999, Star Wars and Japanese films about Godzilla. So obviously I was very excited about this SF production taking place in my city. Then there were no knows about the movie. Ten years later it was show on Polish TV - I was angry, because it disappointed me totally.It is "unwatchable" !
I finally managed a track down a copy of this film after looking for it forever. And not only did it live up to expectations, it surpassed them in every way possible! I had no idea what to expect from a Polish sci-fi film from the 70ies and the first thing I noticed were the lavish costumes, extremely impressive sets and great make-up. If someone would attempt to pull off something similar in the US today it would cost insane amounts of money. This is a film by Adrzej Zulawski so it figures that there is a lot of philosophical dialog and religious metaphors aplenty. In a way I was reminded of the films of Alejandro Jodorowsky and maybe if he had made his adaptation of DUNE, as he planned for many years, it would have turned out to be something like THE SILVER GLOBE. The copy of the film I watched was taped from the German TV station 3 Sat who actually paid for subtitling the film in German! The rather poor picture quality only stressed the otherworldly beauty of the images. Often the film felt like a transmission from another time or maybe even another planet. It is a truly unique gem, even in it's unfinished form, and a film that is overdue for rediscovery.