The Giant of Marathon
May. 25,1960A Greek soldier leads the fight against an invading Persian army.
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Reviews
Fantastic!
This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.
Good films always raise compelling questions, whether the format is fiction or documentary fact.
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
A rousing Italian/French peplum adventure yarn, teaming screen legend Steve Reeves with a fine director in Jacques Tourneur and one of the best directors of photography in Italian history - Mario Bava. The combination makes for a beautifully-shot, colourful, and well paced movie, which is a bit slow to start off but soon comes into its own with imaginative battle sequences and a story which is always moving.A clean-shaven Reeves plays Phillipides, an Olympic legend who is a hit with all the ladies - and who finds himself torn between a forbidden beauty, Andromeda, and Karis, a woman ordered to seduce him by the bad guys and who ends up falling in love instead. These romantic subplots are what make up the first half of the film, interspersed with plenty of dancing, a few fights here and there and lots of sweeping spectacle thanks to Bava, who really gives the film an expensive-looking veneer.The second half of the movie concerns an invasion by the Persians, with Phillipides attempting to rally the Spartans to his cause. There's an excellently-shot hand-to-hand combat scene involving an emissary who is attacked by a gang of cut-throats, who outnumber him 5-to-1 but still end up getting beaten. Then the film culminates in an fine sea battle in which the Olympic heroes chuck burning spears at the approaching enemy ship, which retaliates by crushing their own ship with an awkward pair of pincers! At this point, there's also some great underwater photography and lots of violence as underwater attackers are shot and speared by the enemy. Finally, a battle ensues, of which you can probably guess the outcome.Reeves is as good as ever as the masculine hero, and here he's supported by a strong cast which offers some good female characters. Tourneur's direction is assured and Bava's camera-work gives the film fine visual splendour. While the plot may be familiar, even interchangeable stuff, GIANT OF MARATHON is still a fine piece of solid entertainment.
This is the ultimate tribute to Steve Reeve's phenomenal male beauty, captured in all its glory at the peak of his powers in l959. "Giant of Marathon" is given an exhilarating beginning with the powerful music score of Roberto Nicolosi, whose symphonic theme, underscores a nearly naked Reeves in brief scenes that showcase his power in the beginning of this vastly entertaining swords and sandals saga. When he swims towards the camera and comes up for air, the music swells and we see a rare glimpse of Reeves laughing. In another snippet, he's shown wrestling with another athlete and both are clad in very brief white loin clothes. It's sexual connotations is definitely there but Reeves looks so god-like you can't imagine him doing anything so earthy as coupling with another handsome jock. Throughout the running time, Reeves magnificent torso and charisma are given the star treatment, especially in the final portion where he and his warriors swim underwater to sabotage the enemy. In their flimsy briefs, this proves to be a beefcake bonanza, featuring not only Reeves but numerous handsome Italian extras. Mario Bava and Jacques Tourneur directed this classic adventure tale with Bava also responsible for the outstanding photography. From this film, he was launched into his legendary series of horror classics, creating such classics as "Kill, Baby, Kill," "Black Sabbath" and others. Reeves is beardless in this adventure and it adds to his boyish charm. At the beginning, he is crowned with a wreath of olive leaves and wearing only his loin cloth, his incredible torso is displayed in all its glory. If you're a Steve Reeves fan--which I definitely am--you might also explore the series of muscle man moveis made by Reeves American cohort, Lou Degni, re-named Mark Forest from the Bronx and a Mr. America winner. His physique is also stunning with a handsome face and acting ability to go with it. "Giant of Marathon" should be restored to its full technicolor glory. Even more than "Hercules Unchained," this is the Steve Reeves movie that fully exploits his extraordinary beauty.
Giant of Marathon could have been a really good movie. It's got a lot going for it. Steve Reeves, fresh off his stint as Hercules, is good and dependable in this kind of movie. He did Sword and Sandal as good as anyone. The movie also has some very nice action sequences. I'm far from an expert, but the battle scenes in Giant of Marathon are the best I've seen in a Sword and Sandal. My favorite bit had to be the ship equipped with James Bond style pinchers that were used to sink other ships. Nice touch. The movie also features a "good" bad guy. Teocrito is about as villainous as they come.But the movie isn't what I would call "really good". It has far too many problems. The first is the love story underlying the action. The love scenes are so corny that they are difficult to watch. Cringe inducing is the best way I can think to describe it. Another real and more important problem is that parts of Giant of Marathon can be incredibly boring. When the battle scenes aren't on screen, nothing happens - a lot of ridiculous talk that isn't in the least interesting.
Maybe its the dubbing, but this story of a Greek hero who is at first the key to taking control of Athens and later to beating the invading the Persians, should have worked. Certainly it's the best looking Steve Reeves movie, with some really good action sequences but this movie is awful.If its not the the dubbing then perhaps its the editing and direction which appears to have taken the "lets use every piece of available footage" approach to film construction. Sequences go on and on and on. We Persians invade and we get to see every soldier land in Greece, and we see a boulder crash into a camera. Why couldn't the sequences have been trimmed. It makes things seem last for hours despite it only being 90 minutes long.Another clunker from Reeves.