Viva Cisco Kid

April. 12,1940      
Rating:
6
Trailer Synopsis Cast

Cisco saves a stagecoach from being robbed and takes a shine to one of the passengers whose father is in cahoots with a vicious criminal who plans to murder him.

Cesar Romero as  Cisco Kid
Jean Rogers as  Joan Allen
Chris-Pin Martin as  Gordito
Minor Watson as  Jesse Allen
Stanley Fields as  Boss
Nigel De Brulier as  Old Mose
Harold Goodwin as  Hank Gunther
Francis Ford as  Proprietor
Charles Judels as  Don Pancho
Jacqueline Dalya as  Helena

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The Cisco Kid and his buddy Gordito arrive in town and learn that Cisco is supposedly dead. Not only that: Before his death, he is believed to have attempted to steal Susan Wetherby's land.
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Gallant Cisco "kidnaps" murder suspect Ellen from the authorities, then sets about to prove her innocence, all with the cooperation of a sympathetic sheriff.
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The Cisco Kid and Pancho are mistakenly identified as leaders of an outlaw band. While the cavalry runs them down, they must hunt down the real bad guys.
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After several years' dormancy, the "Cisco Kid" western-film series returned to the screen with Monogram's The Cisco Kid Returns. Duncan Renaldo, actually Rumanian, starred as the Mexican "Robin Hood of the Old West", with Martin Garralaga as his corpulent sidekick Pancho. In the tradition of 20th Century-Fox's earlier "Cisco" efforts, our hero comes to the aid of an orphaned child, clears himself of a kidnapping charge, and proves that a "solid citizen" is in fact a criminal mastermind.
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The Cisco Kid is captured while keeping a rendezvous with cantina dancer Dolores but is released by his captor, the commander of a U.S. Army regiment, to help break up a kidnap ring. On his way to Las Tables with his pal, Gordito, he makes a stop at the Martinez Rancho, where they learn that his friend Carlos has been kidnapped, from his wife Marquerita. At the Crystal Palace Saloon, Cisco runs into an old girlfriend, Sally, who he once jilted for a tight-rope walker, but she doesn't betray him when the sheriff and an army officer enter searching for Cisco.
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Beauty and the Bandit
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In Old California, a young Frenchman transporting a chest full of silver travels by stagecoach to San Marino, to complete a complex business deal. The stagecoach is ambushed by a band of men whose leader, a mysterious bandido known as Cisco (Gilbert Roland), claims the silver is money that was extorted over a period of years from the poor people of California. The bandits take the money and escape, but Cisco stays behind with the Frenchman -- who, it turns out, is actually a lovely mademoiselle, Jeanne DuBois (Ramsay Ames). She follows him to the bandit's lair, where Cisco tells her he intends to return the stolen money to the poor people. The two rivals are irresistibly drawn to each other, however, and as a token of love Cisco offers to return the money to Jeanne instead. Now she must decide whether to complete her business deal, or to comply with Cisco's wishes and redistribute the wealth.
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Reviews

VividSimon
1940/04/12

Simply Perfect

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Moustroll
1940/04/13

Good movie but grossly overrated

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Salubfoto
1940/04/14

It's an amazing and heartbreaking story.

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Kien Navarro
1940/04/15

Exactly the movie you think it is, but not the movie you want it to be.

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MartinHafer
1940/04/16

This film is very much like many of the other Cesar Romero incarnations of the Cisco Kid. Once again, when the film starts he's in a clinch with a pretty lady, once again she betrays him and once again he swears off women....and once again he soon forgets this oath! What also is familiar is that once again, someone is committing robberies and they are pretending to be the Cisco Kid. After all, he's a bandit and a handy scapegoat! However, when a robbery in town occurs, an old crazy hermit, Moses, sees it...and the bandits kill the guy and frame Cisco!! So, he has to infiltrate the gang, save the pretty woman and save his not exactly perfect reputation.Despite the familiarity, this is an enjoyable entry in the series. There also a couple familiar bit players, Mantan Moreland and Willie Fung. Oddly, Fung's IMDb and Wikipedia pages list almost nothing about him...yet he appeared in 125 films! Overall, an enjoyable outing. Generally nothing special but handled quite well...and the way the baddies die...now that IS special!

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bkoganbing
1940/04/17

Viva Cisco Kid finds Cesar Romero as the famous bandit once again stopping to do a good turn for a lady. In this case the lady is Jean Rogers and along for the ride is Chris-Pin Martin as Gordito.Romero prevents a stagecoach holdup where Rogers is a passenger and prevents bandits led by Stanley Fields. What they don't know, but soon learn is that Jean's father Minor Watson is an express company employee in league with the bandits.I like Romero's interpretation of the part. His Cisco Kid is charming and breezy and never loses his cool under some extreme provocation at times. He's not a G-rated Cisco like Duncan Renaldo. Both of them however keep their sidekicks around for laughs. Poor Chris-Pin Martin, he can't do anything right. In fact Stanley Fields who likes practical jokes, exploding cigars, whoopee cushions and the like, makes him the butt of a lot and even Romero gets a laugh from it.Of course Fields plays one too many jokes and it spells the end.Fans of the Cisco Kid will like this.

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boblipton
1940/04/18

Fox' Cisco Kid series continues, with the usual good chemistry between Cesar Romero and Chris-Pin Martin. This one takes a few minutes to get off to a start as Cisco is framed for a series of robberies and succored by Jean Rogers, who is the daughter of one of the gang members. This is not quite as good as others in this series: the energy levels of different players is distracting and at times it becomes a standard B western.Fox' B unit, however, was, at this time, probably the best in the industry, and its strength was the high quality of cinematographer it got. Here's it's Charles Clarke, who takes advantage of the settings to shoot some beautiful scenery. Notice also the silhouette lighting during the interview with the witness and the almost Film Noir shadow shooting when Romero meets Fields -- or as close as they ever got to noir lighting at Fox. I don't think anyone ever turned out a light at that studio.

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