How sad is this?

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

The plot from "Romance on the Rio Grande" is utterly ridiculous. It relies on one of the worst and most over-used clichés in film/TV history--the identical strangers myth! The Cisco Kid (Cesar Romero) and his dopey sidekick, Gordito, come upon a stagecoach with a dead as well as a severely injured man aboard. The injured guy is the spitting image of Cisco and he'll probably soon die! And, when he finds a letter upon this man that tells Cisco he's the grandson of one of the biggest land owners in all of Mexico, Cisco decides to assume the guy's identity and make himself rich. What he doesn't suspect is that someone at the grandfather's hacienda wants to inherit the place himself....and is responsible for the attack on the stagecoach and is not above killing Cisco as well.In addition to the plot relying on a terrible cliché, it also seems to go on and on and on--and MANY times it looks like it should resolve itself quickly but didn't. The eventual ending to the plotters is decent...but took too long considering how early Cisco sorted all this out. Still, despite the film's many logical flaws, it's fun and worth seeing if you are a fan.By the way, the baddie is played by Ricardo Cortez. Don't let this guy's Latin good looks and name fool you, he really was born Jacob Krantz and was Jewish! Apparently, Cortez decided to pretend to be Hispanic instead of Jewish because of the idiot antisemitic idiots of the world.

Cesar Romero does double duty in Romance On The Rio Grande as he plays both the Cisco Kid and the heir to a rich estancia, one of the finest in all Arizona. Of course that's nowhere near the Rio Grande, but apparently even a major studio like 20th Century Fox gave westerns titles that had nothing to do with the story.The Cisco Kid interrupts a holdup and discovers his lookalike, the heir to a large estancia newly arrived from Spain. The heir is wounded so Cisco goes to the estate to meet his grandfather Pedro DeCordoba and his cousin Ricardo Cortez who wants to gain control by any means necessary. He has a mistress in Patricia Morison equally ambitious. Ironically it's her ambitions that eventually bring about their downfall. Romero acquits himself well in both roles and his Sancho Panza, Chris-Pin Martin as always gives us a few good laughs.

Cisco and Pancho (played by the always amusing Cesar Romero and Chris-Pin Martin), wander into the third movie version of a pretty good novel set among aristocratic Mexicans. Charles G. Clarke's camera work is sharp and beautiful, but while the movie is always interesting, the various elements don't gel perfectly: Cisco and Pancho go about their part of the movie as if it is a comedy, and the rest of the cast is dealing with real problems.Still, Fox turned out the most sumptuous of B movies during this period, and you can spend your time just looking at the pictures -- the rescuing of the runaway stagecoaches, the agave plants by the edge of the canyons, the musical numbers or the sharply low lit portrait shots. That is a lot of fun in itself.