Under Western Skies

January. 19,1945      
Rating:
5.6
Trailer Synopsis Cast

An Arizona teacher (Noah Beery Jr.) saves a vaudeville star (Martha O'Driscoll) and her troupe from a bandit (Leo Carrillo).

Martha O'Driscoll as  Katie Wells
Noah Beery Jr. as  Tod Howell
Leo Carrillo as  King Carlos Randall
Leon Errol as  Willie Wells
Irving Bacon as  Sheriff James Whitcolm Wyatt
Ian Keith as  Professor Moffett
Jennifer Holt as  Charity
Earle Hodgins as  Mayor Dave Mayfield
Dorothy Granger as  Maybelle
Jack Rice as  Neil Mathews

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Reviews

Karry
1945/01/19

Best movie of this year hands down!

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Kidskycom
1945/01/20

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

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AshUnow
1945/01/21

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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Lollivan
1945/01/22

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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FilmFlaneur
1945/01/23

This undemanding B-western contains genial performances from Noah Beery Junior, Leon Erroll and Leo Carrillo (the latter best remembered from his work alongside Wallace Beery, in some of his underrated Westerns of the early 40's). What makes the film of more than average interest is the incidental relationship some of the elements bare to the work of John Ford: for instance, the ham Shakespeare actor recalls John Carradine's similar, albeit much more rounded and expanded, role alongside Fonda and Mature in ‘My Darling Clementine'. Not unexpectedly, Ford elevates such a character to pathos. Here the effect is one of parody. More intriguing is the plot device whereby the seven members of King's gang are killed by the school teacher (Beery), the credit for which is passed on to the infirm sheriff. Almost twenty years later, Ford was to use this device to far more significant ends in ‘The Man Who Shot Liberty Valence'. In the later film of the deception and it's reception serves to make judgement on the passing of the old West, the value of a printed legend over a secret history. In Yarbrough's film the tension created by the wrong assignation of merit is never resolved to any such poetic effect, but left as bald fact. Co--writer Bruckman (light years away here from his part in creating some of Buster Keaton's finest films) leaves everything unresolved, just as the implications of the plot might really take off. Beery rides off cheerfully to get married to the singer, and the ex-sherriff remains basking in his undeserved glory – a result that is somewhat unnerving, to say the least, given the lie upon which his respectabililty in built on.

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