This story has more twists and turns than a second-rate soap opera.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

A popular subject for westerns throughout the years, this is an account of Wyatt Earp and the legendary Gunfight at O.K. Corral, though the showdown here is pretty far afield from what most of the other movies depicted. Scott plays the newly appointed marshal, taking the job after proving that he could handle it and then some, and after being told that there was no more room in Tombstone for his original plan of a instituting a stage coach line. His primary antagonist in this rendition of the story is underhanded saloon owner Carradine. He also has to contend with headstrong dancehall girl Barnes. Aiding him is his TB-stricken pal Romero, who is equally handy with a gun and who lashes out at everyone whenever he's feeling poorly (which is often!) Kelly, a long lost love of Romero's, comes into town to persuade him to give up his gunslinging ways and return to her. Scott and Romero work hard to rid the town of corruption, though they hardly get off scott-free. Scott is stalwart in his role and easily convinces the viewer that he means business. Romero is brooding, yet strangely charming, and makes a nice counterpart to Scott. Barnes has an out of place accent, but manages to convey the pushy, common aspects of her character. Kelly is lovely, demonstrating an understated, appealing quality that was almost completely absent from her later, Oscar-nominated role in "The Bad Seed." Foy, jr. (playing his own father who was allegedly and entertainer in town the day of the gunfight) performs a mostly unintelligible song and overstays his welcome. Carradine is appropriately slimy, but isn't given a chance to really make a strong impression as the villain. Bond appears briefly as an intimidated sheriff. It's a short movie, which makes it pretty easy to get through, though some viewers may be bored by the musical numbers. Nothing about it makes it stand out as a classic, but it's also not a throwaway. Romero's work is interesting and there are certain amounts of tension generated. Just four years prior to this film, another version was released with character names even further removed from actuality (the marshal's last name was Wyatt!) and several years after, the story was told again as "My Darling Clementine", a film that uses several of this picture's plot points. Of course, it would be told again and again in films such as "Gunfight at the O.K. Corral", "Wyatt Earp" and "Tombstone".

That would describe Wyatt Earp. Lucky because I can't think of anyone else who's had more stalwart Hollywood heroes playing him in film. Off the top of my head Tom Mix, George O'Brien, Henry Fonda, Burt Lancaster, James Garner, James Stewart, Joel McCrea right down to Kurt Russell and Kevin Costner. We certainly can't forget Hugh O'Brian on television. And also Wyatt was lucky in that he lived long enough so that no one was around to refute him when he gave a series of interviews to Stuart Lake for an authorized biography shortly before he died in 1929.As this film is based on Lake's book you won't get anything else but the Wyatt of legend. Certainly Randolph Scott fulfills the legend and that's what we print according to John Ford.This film isn't too often seen because whole parts of it were taken and used by John Ford in My Darling Clementine. Frontier Marshal should be seen back to back to graphically illustrate the difference between a good routine action western and an almost poetical film expression. Parts that were played by Victor Mature, Cathy Downs, and Linda Darnell in My Darling Clementine are taken here by Cesar Romero, Nancy Kelly, and Binnie Barnes. It might seem odd that British Binnie Barnes would show up in a western as a saloon girl, but that's no more strange than Marlene Dietrich doing the same that year and being very accepted.Eddie Foy, Jr. is in the cast playing his celebrated father who was entertaining in Tombstone at the time the Earps were providing law and order. The Clantons believe it or not are completely eliminated from the story. The chief villain is real life Clanton retainer Curly Bill Brocius played here by Joe Sawyer. Eliminated also are Wyatt's brothers and as you can imagine the final shootout at the OK Corral is staged differently than in any other telling of the tale. Probably Randolph Scott's Wyatt Earp would be a lot better known had he the benefit of John Ford's direction.

Randolph Scott, as Wyatt Earp, rides into Tombstone thinking about starting a stagecoach line. But Indian Charlie, drunk, starts shooting up the local saloon. The local marshal (Ward Bond) is afraid to go in and roust Charlie, so Earp dons a badge, goes in and drags him out by the feet. Earp becomes the full-time marshal. He meets Doc Halliday (Caesar Romero), a tubercular physician, gambler, and gunman, and after an initial wary brush, the two become more or less friends. Romero has a local trashy girlfriend (Binnie Barnes) whom Scott has to dump in a water trough. Doc gets liquored up, pulls his gun at the bar, and Earp knocks him out to save his life. An old flame of Doc's (Nancy Kelly) shows up in town, having pursued Doc all across the West, but Doc dumps her unceremoniously because he loathes what he's become. He redeems himself, however, by saving a badly wounded patient, only to be killed by Curly Bill and his gang as he walks out of the saloon door. There follows a shootout at the OK Corral in which Scott makes mincemeat of the bad guys. Binnie Barnes leaves town on the stage, and Kelly stays behind, probably not unaware of the moon eyes Scott has been casting her way.Sound at all familiar? Seven years later it was remade as John Ford's "My Darling Clementine." It isn't a bad movie, better than the majority of Westerns being made at the time. Yet one can't help wondering what makes Allan Dwan's "Frontier Marshal" an above-average Western and Ford's "My Darling Clementine" a classic.Small things first. Dwan's movie is short on creativity in the wardrobe and makeup departments. Like most of the other principals, Scott dresses in an echt-1939 suit, only with a cowboy hat and gunbelt. The women's makeup dates badly, with dos out of the late 1930s and pencilled eyebrows and big lashes. It isn't that "Clementine" is extremely good in those respects -- it's just better. The photography and location shooting don't reach the bar set by "Clementine" either. The photography isn't bad at all but it hardly fits into a Western frame. Almost the entire movie is shot at night, with no more than a handful of daylight scenes. The location isn't Monument Valley but it is, after all, Movie Flats which has been used expressively before. Here, it's not really present in any utilitarian sense because you can't SEE it at night.Acting. Caesar Romero is probably as good as Victor Mature was in the later version. Binnie Barnes and Linda Darnell (in the same hooker role) are equally good, although they give us two quite different versions of what a hooker is like. Barnes is older, tougher looking, a bit treacherous. Darnell is younger, more Hispanic, tousle-haired, tempestuous, and childish. Scott is a competent actor, but Fonda is on the other hand outstanding. Throughout "Clementine" Fonda wears an expression that has something of puzzlement in it. When he whacks a guy over the head with the barrel of his pistol, he looks up from the unconscious body as if he's slightly surprised at what has happened and hasn't got a very clear idea of what's going to take place next. Above all, there is the difference in direction. Dwan was a forthright story teller, a pioneer in the movies, and he does a good job. But Ford goes beyond the story, almost into visual poetry. "Clementine" has not only the family, but two opposing families, which gives the characters added depth and more intense motives. "Clementine" also has the familiar Ford opposition between the wilderness and the garden, which in Dwan's film is given very short shrift indeed. There is nothing in "Frontier Marshal" like the scene in which Fonda escorts Cathy Downs to the half-built church and awkwardly dances with her. What a celebration of community. Dwan's story deals with individuals who have conflicting ideas of how to get ahead. A couple of people know one another but there is little sense of a "town" in Dwan's movie. I won't go on about Ford's touches of roughhouse humor except to mention that they add another element lacking in "Frontier Marshal." There's an intentionality behind these brief incidents. Instance Fonda's dance with his feet against the porch post, or Darnell throwing a pitcher of milk in Ward Bond's face after he whinnies at her. Still -- allright, so it's not a classic. But "Frontier Marshal" is better than most. And it's worth seeing for its historical value, a kind of lesson about how to make a good movie into a very good movie indeed.

This was the movie which John Ford remade as his classic My Darling Clementine. Here, Randolph Scott plays Wyatt Earp and Caesar Romero plays Doc Holiday, but there are no Clantons or Earp brothers. Instead, John Carradine plays a bad saloon owner heading a gang that is trying to take over Tombstone.Of course, this movie can't directly compare to My Darling Clementine, but it's a pretty good western in its own right. Its one of Randolph Scott's better early roles.Many of the classic scenes in My Darling Clementine were taken directly from this movie, and it's very interesting to compare the two. This version of Frontier Marshal was a remake of an earlier 1933 version, and, of course, this story has been told many times since.The Maltin Guide gives it three stars. Check it out if you're a western fan, or just a fan of My Darling Clementine.