Very very predictable, including the post credit scene !!!

Nice effects though.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

This is really a superb film. I have seen quite a few silents and most of them do look rather dated now to me. But this one transcends time due to its beautiful sets, expert camera work, wonderful direction and best of all we have a truly luminous performance by Greta Garbo as the leading lady. Never have I see her looking more beautiful and appealing as in this movie.One of the things that is missing with many actors and actresses today is their lack of ability to portray good facial expression in a scene to display emotion. It's not enough just to speak, you have to show too. Its one of the things I always look for in performance in any movie old and new.Garbo is wonderful here at appealing to the audience with her range of expressions. Normally I would miss dialogue. But it's so well produced and finely acted that I found I hardly missed it at all. Conrad Nagel was excellent as the leading man and had great chemistry with Garbo. The rest of the cast do justice to the movie too. And all in all it's well worth seeing, especially if you want to find out why the movie going public fell in love with Greta Garbo. It's all in here.

Writing scores for silent movies requires a considerable talent, but for some pictures the music must practically write itself. This is not to play down the efforts of the many fine score composers, but simply to say that for someone with musical ability, a picture such as The Mysterious Lady is constantly suggestive of melody, tempo and timbre, in a way that translates naturally into a musical setting.This musical effect is, it seems, largely down to the director Fred Niblo. Niblo, an ex-Vaudevillian who married into the Cohan family, came into motion pictures relatively late in life (he first sat in the director's chair at 42), but he soon proved himself to be one of the finest and most poetic craftsmen of the cinema. The Mysterious Lady was made at a time when the talkies were beginning to muscle in, but Niblo proudly blows a trumpet blast for the dying art form. Interestingly, The Mysterious Lady actually contains a lot of examples of images filling in for sound. Sometimes this is for narrative purposes, such as the superimposition of the opera scene when Nagel plays the piano, to inform the audience of what he is playing. Other times it is purely atmospheric, such as the shot of a row of violins in the orchestra, later grimly echoed by a similarly composed shot of the drums at Nagel's degradation.Throughout, the picture sustains a lovely rhythmic flow. The love scene between Garbo and Nagel is delicately suggested through a series of interlocking images, unspoiled by intertitles. Niblo shows complete control over the pace at any one moment, the first few minutes being frenzied and choppy, then slowing to that glorious romantic feel when Garbo is introduced in a very memorable entrance. Only once does Niblo overdo it, when he throws in a superimposition of Nagel daydreaming about assaulting Garbo – the context and Nagel's uncomfortable expression are enough without this heavy-handed display.So if Niblo was a kind of visual composer, who was his muse? Well, let's not extend a metaphor too far, but it certainly appears that Niblo was inspired to make beautiful images to complement the natural beauty of Greta Garbo. And to an admirer of fine dramatic performance Garbo is doubly beautiful because she is such an outstandingly good actress. At a period when too much screen acting was hammy and unsubtle, Garbo was refreshingly understated. To watch a Garbo picture, especially a silent one, is to witness dozens of little moments of performance genius. One example here is when her character hears the news that von Raden has been imprisoned because of her. She shows the tiniest glimmer of a reaction, enough for the audience to pick up on and understand, but not enough for her character to give herself away to those around her. Garbo captivated audiences with her mysterious allure and startling passion – the X-factor that made her a phenomenal star.Like the silent picture, Niblo's days as a director were coming to an end. Whether his decision to retire a few a few years after this was down to the sound revolution or not I am unsure. I have not seen any of the handful of talkies he made, and I simply don't know whether he gave them the same grace and musicality that we see here. What I do know, what every film buff knows, is what Greta did next. Of all Hollywood stars, Garbo's transition from silence to sound was among the most successful. Such was her power, her naturalism and her overwhelming appeal, that in spite of the 1930s demand for more earthy performers, she remained one of our brightest stars.

Have you ever been touched by the glimpse of perfection on screen? I suppose not if you are a buff of 'modern' thrillers that boast technical effects, but, unfortunately, lack any basics of subtlety. Anyone who longs for charm of good old days should decide to see at least one Garbo movie. And it does not have to be her top classic film like NINOTCHKA where Garbo memorably laughs, ANNA Christie where she adorably reveals the sound of her voice, or even GRAND HOTEL where she memorably says her iconic words "I want to be alone", but THE MYSTERIOUS LADY where she so brilliantly seduces. But what is, in fact, THE MYSTERIOUS LADY after all these years except for the fact it is one of the last silents Garbo made. In spite of the fact that THE MYSTERIOUS LADY is made by the talented yet underrated director of silent BEN HUR (1925), Fred Niblo, and based upon the novel WAR IN THE DARK by Ludwig Wolff, that is, for many, not at all the movie's strongest point. The content of a spy's determination between the choice of serving the country in lie or the choice of offering a genuine love to a man is memorably resembled in Garbo's famous talkie MATA HARI (1931). The entire investigation depicted in the film also appears to be of little importance. The real charm of THE MYSTERIOUS LADY lies in its stunning cinematography by great William H. Daniels, impressive lighting, memorable moments and, foremost, excellent cast......and at this moment, whilst analyzing the film from this perspective, we get Greta Garbo, one of, if not, the best actress that cinema could ever have, neither Garbo alone nor with her beloved John Gilbert but with equally lovable Conrad Nagel. The couple of Tania, a seductive spy, and Karl, a lovable captain, of a singer and a pianist are excellent. While Nagel crafts the role skillfully as a lover and a captain experiencing bitter military career, Garbo uses her two most powerful weapons: charm and talent. She seduces like in MATA HARI, and, moreover, she seduces silently and ... mysteriously. Their scenes are, symbolically, based upon hand and mouth (two body parts which resemble the subtle desire), upon act and affection, giving and taking. The moment worth particular attention is, perhaps the most famous scene of this movie, when Garbo lights up the candles and the camera is directed towards her face. And here, again, great thanks to William H. Daniels who photographed Garbo in an extraordinarily subtle manner. Another memorable scene is the one at the theater: how lovely it is to see the Austrian captain whose blood runs faster in veins at the sight of a delicious Russian beauty. I was mesmerized by the magic stream sequence where I found the very essence of silent picture: the delicacy it portrays and the visual experience it offers.Among the supporting cast, Gustav Von Seyfferlitz as Boris is well worth attention. The German actor who appeared in some other Garbo films as well, perfectly portrays a dominant man, someone powerful, stylish, calm who behaves in a terribly masterful manner. My friend who was watching the movie with me called him: "a macho in elegant clothes." Modern language, as it may seem, there is some truth in this.In short, I highly recommend this movie not only to silent movie buffs, but to all viewers who perceive the cinema from a more open minded perspective. If you open yourself to forgotten charm and lost magnificence of yore, THE MYSTERIOUS LADY may truly make your day.Such a little thought at the end: It seems that silent cinema is no longer appreciated, Garbo's beauty no longer valid, the charm of great motion pictures no longer admired, so are we left merely with nostalgia? No, not at all as long as there are still people who cherish these movies. They mysteriously bring its lovers into a beautiful world where you can sit in your chair at the fireplace, take a glass of champagne and drink a toast to the eyes and lips, to the glorious face of a seductive silent beauty that cinema once had.

While "The Mysterious Lady" is only a mildly entertaining romantic thriller, the film's seductively beautiful star, Greta Garbo, illuminates the screen whenever she appears and raises the film several cuts above what it might otherwise have been. The predictable plot is serviceable, if somewhat less than credible, and the handsome one-dimensional leading man and the sinister snarling villain, complete with flamboyant dark mustache, visually cue the audience to the identities of the hero and his nemesis.Only Garbo infuses her character with the depth and ambiguity to keep the audience guessing as to her sympathies and motives. Although her husky accented voice enhanced her aura, the actress was a master of projecting emotion without words. Her shifting facial expressions convey more than words, and even her body language speaks volumes about the character. Garbo moves with a fluidity and grace that enhances her innate seductive sexuality. She captivates the viewer even with the simple act of descending a staircase. When cinematographer William Daniels back lights her profile in closeup, she literally glows on the screen.While "The Mysterious Lady" has high MGM production values, fine cinematography, and lush sets, the film does not rank among the finest of silent cinema. With a lesser actress at its center, the film would likely have been forgotten. However, with Garbo, the film transcends its cardboard plot and provides a serviceable backdrop for the work of one of Hollywood's greatest icons.