Expected more

Beautiful, moving film.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Blistering performances.

Flesh and the Devil (1926) may be the best example of how beautiful and technically accomplished even the most routine studio project could be back at the beginning of the Golden Age of Hollywood in the 1920s. In their heyday, silent films were far from incompetent and primitive; they glistened, the camera work was creative, and the stars were luminous.Flesh and the Devil could have been a pedestrian melodrama with the wrong staff. The story was a common one even for the time: two friends fall out over the love of a seductive woman. What elevates the material are Clarence Brown's direction, William H. Daniels' glowing cinematography, the subdued acting from all involved, and especially the chemistry between John Gilbert and Greta Garbo.Of course, the film's fatal flaw as far as modern audiences are concerned is its misogynistic undertone. (Spoilers ahead) The woman must be punished for her transgressions while the two men are allowed to reconcile. Garbo is continually contrasted with Barbara Kent's innocent, pious character, who never once shows an ounce of desire and thus is more suited to marriage with the protagonist. It is as critic Linda Williams once said: when the woman reciprocates the man's sexually-charged gaze, she must be destroyed. That this ending is also dramatically unsatisfying and anti-climactic almost kills the picture entirely.Luckily, Garbo elevates her character from the sexist stereotype she embodies on the page. Even though she is selfish in the extreme, I would be hard-pressed to say she's evil. She brings a vulnerability to the role, making her more sympathetic. And in the end, she does realize the error of her ways before being punished via death. Without Garbo, the character would be just another heartless vamp.In spite of these issues, this is still a worthwhile film, if only for its technical beauty. Paired with the Carl Davis score, it's a magnificent piece of entertainment, a simple melodrama delivered with all of the trimmings.

"Garbo multiplied the cinema's power of suggestion to infinity, and the gaze so deep that every spectator there found what he soughtshe spoke a different language to every man" Ado Kyrou, 1957FLESH AND THE DEVIL (1926), the first film that the director Clarence Brown made with "an immigrant actress" who Greta Garbo had been before its premiere occurred to be one of the very best films for its time. People flocked to see it, Garbo became so eminent that she could almost dictate the terms in film industry, her relationship with John Gilbert turned out to be no baseless gossip. However, since then, 80 years have passed, not many people know how important the premiere of the film was, how historic it turned out to be in Garbo's career. Yet, it seems never to be fading since there are STILL many people who watch this film in its recent DVD release. Let us look at some aspects that make it a real classic, not only for its time, but for the general history of cinema.THE CINEMATOGRAPHY by William H. Daniels is magnificent. Probably, anyone who has seen the film will never forget its most famous lighting effect when Gilbert lightens Garbo's cigarette in the shadowy garden. Another stunning moment is the scene of Leo Von Harden and Count Von Rhaden's duel. It is played in silhouette against the vast sky and, as a result, we can see not so much people but rather their shadows. An excellent moment that remains in memory is the waltz of Felicitas and Leo on the ball at Stoltenhof. The scene is filmed so memorably that it is hard to be skipped. Yet, the image of the "Isle of Friendship" where two best friends swore eternal loyalty as children and then went to fight in a duel is presented in an unforgettable way. Such pictures never fade in memory.THE CAST are very talented, real elite of the time. GRETA GARBO and JOHN GILBERT: Gilbert, who was Hollywood's leading man after the death of Rudolph Valentino, does a great job here as Leo Von Harden. His love to Felicitas (and to Garbo in real life) is so natural that everybody will get an impression that it is real what they can find on the screen. The love scenes between the two are particularly natural, hardly to be found elsewhere in films! If there is chemistry between the stars in a film, it is, without any doubt, in FLESH AND THE DEVIL. Greta Garbo performs so well that no wonder people saw her (many for the first time) and very soon started to admire her as an actress. She is excellent in the role and her acting still does not appear to be dated whatsoever! The whole of Garbo's sequence is marvelous but if I were to choose which scenes are particularly memorable, I would pay attention to two brilliant moments: first, the one at the train station when Leo and Felicitas meet for the first time and Leo picks the flowers that fell onto the ground and gives them to her, and, second, the moment when Leo and Ulrich, two lifelong friends, go to fight in a duel. Viewer's attention is directed towards Hertha, Ulrich's virtuous sister. She does her best to persuade Felicitas to take steps to stop this madness that a duel between two best friends appeared to be. How beautifully Garbo shows a change of heart... I admit that I have never seen such a performance before! Therefore, the words by Kyrou about Garbo, entailed at the beginning of my review, appear to accurately fit here. OTHER CAST: Besides Garbo and Gilbert, there is a great Swedish actor, Lars Hanson, with whom Garbo played in one film before FLESH AND THE DEVIL (this was Mauritz Stiller's THE SAGA OF GOSTA BERLING). He is memorable as Ulrich, particularly in the final sequence when friendship occurs to be, indeed, sacred. The fabulous acting of the three (Garbo, Gilbert and Hanson) is expressed in a brilliant scene of the three meeting after Leo's return from Africa and drinking a toast. Other cast give very good performances, too, including Barbara Kent as Hertha and Marc Mc Dermott as Count Von Rhaden.OTHER MEMORABLE MOMENTS include a number of humorous scenes that are, in no way, dated. It is important to state that many silent films may seem "silly" because today's viewers laugh at the scenes that were not supposed to be funny. It is caused by the challenge in people's sense of humor. However, it does not appear to be in FLESH AND THE DEVIL. Humor is retained and still serves its purpose. Consider the pastor seeing twins and believing to be drunk (he sees one girl in double). Or the final shot ... "You won't bid me goodbye?"FLESH AND THE DEVIL is a film that I would recommend to anyone to see. It is a real classic and, in this regard, it may be considered similar to other classics of the time, like SUNRISE (1927), BEN HUR (1925) and THE LAST LAUGH (1924). But there are three more aspects about it that make the movie a must see - William H. Daniels' cinematography, Clarence Brown's direction and Greta Garbo's magnificent silent performance together with her alluring beauty. See it so that the film can last forever in your most beautiful memories. 9/10!

Flesh and the Devil is a classic. It shows how an actress could use her face and eyes to seduce and not have to speak one word. Greta Garbo in the scene where John Gilbert and she leave the party and step outside-is truly erotic-it is so sad that now days we show everything-there is and never will be another Garbo. She was stunning! And what she does in that one scene puts all other actresses to shame! Sorry but Sharon Stone in Basic Instinct does not compare to the classiness-of not showing any skin. And I personally like Sharon Stone as a person and she is very charismatic but in thinking of a comparison of a seductress-I say Garbo wins out over them all-see this film and let me know if you agree! Also John Gilbert has been so overlooked, a very handsome and charismatic star in his own right. So sad that he passed so young.

This early Garbo vehicle is a superb, over-the-top melodrama. Garbo is a simply glorious vamp, a radiant beauty who enjoys and manipulates the passionate love of two best friends (in every sense), to their near destruction and ultimate redemption.The relationship between the two guys -- John Gilbert and Lars Hanson -- is as homoerotically suggestive as any on film before the 1970s -- and you can see from the emotions flooding Garbo's face that she feels the competition!Very good acting -- silent screen mode -- across the board in this nicely mounted MGM production.A good, rich, era-appropriate musical score with Wagner/Mahler overtones adds depth to the TCM broadcast of this silent classic!And tonight, TCM also broadcast their 90-minute "Garbo" documentary -- excellent, and a great complement to this film..What a GREAT MOVIE STAR she was! Maybe the greatest of all?