It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Despite being a contract player for the top studio of the day, MGM, Ricardo Montalban was apparently not happy about the sorts of roles Hispanic actors got in Hollywood...hence he later started a non- profit ("Nosotros") to encourage Spanish-speaking actors and Hispanic themes in films. So I am pretty sure he was thrilled with a chance to star in "A Life in the Balance", as he was able to play a Mexican man and the film is set in Mexico City!When the film begins, it's very apparent that Antonio (Montalban) loves his son, Paco, very much. But he's lost his job and they barely make ends meet. Additionally, the boy often is on his own while his father is working. There is a lot of pressure on Antonio to let the neighbors raise the boy...but he won't consider it.Despite losing his job, Antonio pretends that he does have work and tries hard to convince the boy that everything is fine. In fact, he even promises to buy his son a guitar! But when Antonio goes to an old girlfriend to get some money she owes him, they argue a bit. Later, after he's gone, a serial killer (Lee Marvin) murders her and folks assume Antonio did it! To make things worse, Paco saw the murder and the maniac has captured him. What's next? See the film.I liked this film and was very prepared to give it a score of 7. However, at the very end, the characters all started talking and philosophizing...and it all came off as unnecessary and preachy. This was clearly a case where the film was finished...but they kept filming and talking! Still, despite this, the movie's pretty good viewing...and must have made Montalban happy because he was able to get back to his roots.

Lee Marvin is a crazed American serial killer on the loose in Mexico City who kidnaps an 11-year-old boy who is the only witness to his most recent murder. The boy is the son of down-and-out musician Ricardo Montalban, who frantically searches the city for his son and the psychopath who took him, and in the process hooks up with lovely Anne Bancroft. The Mexico City Police Department joins the pair in their hunt. Marvin is quite good for the most part--although he goes over the top on occasion--and Bancroft looks beautiful but doesn't have all that much to do. Montalban, unfortunately, crosses into "ham" on too many occasions, and the ending is trite and pat. Good use of Mexico City locations works in the film's favor, but the less-than-inspired writing, somewhat sloppy direction and Montalban's overacting work against it. Its good points and its bad points more or less cancel either each out, and the end result is that, while the film manages to hold your interest and has some tense moments, it's somewhat overheated and basically pedestrian.And, contrary to what several posters believe, it is not in any way, shape or form a "film noir" piece.

I saw this film today and have to say that it was magnificent! I am responding here to earlier reviewers that obviously don't know what they are talking about. One reviewer from Canada states "El Stinko Noir!" well he obviously has no film taste! In an early film role for Ricardo Montalban he plays an out of work man in Mexico who smashed a music machine for printing out terrible music His son Paco seems to get around and finds "The Killer" played by Lee Marvin. Lee Marvin in this film hardly seems like a menacing or insane killer, but seems to have tendencies of insane behavior.Anne Bancroft has never been lovelier, and seems to have a pedestrian role. For those who like Mexican cinema if you liked "Sombrero" you will love this film (*** out of ****) PS: This is not a film noir and anyone who thinks so is an idiot!!

Having acted alongside Spencer Tracy in 'Bad Day at Black Rock', Lee Marvin continued to go unnoticed in supporting roles such as in this film. In fact, he could pass for a Mexican because there was that ethnic strain to his demeanor.