Touches You

Although it has its amusing moments, in eneral the plot does not convince.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Blistering performances.

Kamillions is that rare film that truly offers something for the film fan of every ilk. We have scares that will make you jump right out of your seat, side-splitting laughs, unflinching eroticism, and awe inspiring FX work! The plot of this film is rather similar to that of the horror blockbuster the Mist, or possibly the Thing. A scientist is experimenting with interdimensional...something. As a result, the doctor is sucked into his interdimensional...thing, and the Kamillions are unleashed on a group of unsuspecting houseguests as well as the scientist's own family! The events that transpire from this point on are almost too incredible to be believed! The box art said that the film reminded one reviewer of Cronenberg's the Fly, but I personally think that this is the superior film by far. Say what you want about Cronenberg's masterpiece of body-horror, I don't recall a religious fanatic being killed by his own penis in THAT picture! I've never heard of any of the people involved with the production of this masterpiece, but it is a damn shame that none of them rose to the heights of stardom that this film should have elevated them to. I am giving this film 10 out of a possible 10 stars because it is as close to cinematic perfection as you are likely to see. Catch Kamillions, before they catch you!

The critics hate it... but only the ones with no sense of humor. This film will probably be to our generation what Plan Nine From Outer Space was to our parents. It's so bad it's good, deliciously good! The mad doctor is frumpy and completely self absorbed. The monster is-- well-- beyond words! The first time you see it, you think "what the f--" But by the second time, it gets to be like the Rocky Horror Picture Show. You want to shout out replies and retorts to the actors! If you're a fan of the weird and wonderful, this is a must-see film! I had the same feeling after seeing "Eraserhead". I hated it. But I felt I had to see it again, despite my better judgment. Now I look forward to any opportunity to see either film again and again. These dark comedies are an acquired taste, but well worth it.

This movie reeks. No money, no acting, no nothing. I caught this on on the 3am late show movie tonight and felt compelled to comment on it. This movie has nothing to recommend it. I can't believe it ever got released to US television! Nobody in this movie can act their way out of a paperbag. The lame attempts at comedy fall flat on their face, the special effects consist of a worm-like handpuppet "monster"... I can't even begin to tell you how rock-bottom this production is. It looks like it cost maybe $50,000 to shoot, but only because it is on 16mm, and that is probably a generous estimate! Anyway, I lost interest rapidly and had to settle for watching "Matlock" reruns instead of finishing it. That's how BAD this movie is!!!

Unknown Christopher Gasti gives a tour-de-force performance in a dual role as practically perfect Count Desmon and a creature from another dimension who has copied his body. It would be a spoiler to give away what makes his performance so brilliant, but it also helps make the film rewarding for multiple viewings. Although it contains some mildly raunchy humor (in about three scenes), there is almost no violence in this film (which was only screened theatrically in South Amercian and Arabian countries, and a few others, Ning-Ping Chan tells me, and thus never submitted for rating), and it is mostly suitable for families, particularly considering much of the PG-13 fare parents take their kids to these days. The film contains references to Lovecraft (as in Miskatonic University) and Hubbard (Larry, the hypocritical preacher and Nathan's best friend, preaches "Dynagenics," and promises God to make it cheaper after his great sin). It also deals effectively and humourously with extradimensional creatures adapting to human bodies and American culture, sometimes in a retro-fifties style. The film also has a beutiful new age score by Kent H. Randolph, and only once, for Desmon, does the synth based ensemble create a pale imitation of an orchestra, nor is it merely synthesizer droning. Although the characters sometimes seem stereotypical, they are often allowed to show multifaceted personalities. The kids, of course, are the ones who know what's going on, like _The Night of the Hunter_ with teenagers. The film never takes itself too seriously, but the naturalness of the dialogue, the flowing camera movements, and simply-decorated mansion make Nathan's fiftieth birthday party preparation seem like a real birthday party preparation. Nothing is ever presented as very sinister, save for the possibility of an earth -shattering explosion, and with good reason. It is a shame the video release of this film was limited, making it hard to find and impossible to order. It's a delightful bit of normalcy affecting the genuine humdrumness of a supposedly-exciting family gathering.