I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Despite the presence of Franchot Tone and Ton Conway, "Lost Honeymoon" is a truly dreadful film--with a stupid premise and amazingly bad writing. It made me cringe and I pray that you read this review and think twice about seeing this turkey.When the film begins, you learn that a British lady has died and her twin children are being kept by her landlady. However, there IS a father--some American named John Gray. So, an amazingly stupid lady (Ann Richards) decides she's going to go to the States to find the man--a guy who married the now dead lady while was stationed in Britain during the war. However, instead of going about this is a sane manner, she decides to tell the Red Cross that she IS the dead woman and gets them to pay for her voyage with the two children. Once she's in America, she seems to automatically know that THE John Gray she wants is the one played by Tone--even though it's a relatively common name and he might not be the one. So, despite having no hard evidence, she strikes like a blitzkrieg--not caring what sort of repercussions there might be.Now if this isn't bad enough (and amazingly contrived), it turns out that this Gray might just be the one. However (uggh, this is bad writing), he doesn't know if he is or isn't because he had a head injury and six weeks of his life are missing. During that time he MIGHT have gotten married and fathered the kids--but he doesn't know! Later (in yet another badly written twist), he learns that the woman pretending to be his wife is a liar...and he now is in love with her and must have her!!!The bottom line is that none of this film makes sense. It's built on one dopey premise after another and the movie is one of the most contrived and silly films I've ever seen. The end result is impossible to believe, quite stupid and really a waste of decent actors. Not worth your bothering with this one.

Imagine to return home after the war with little memory of your last days and all of a sudden find that you had a wife and child that you didn't know you had. That is the theme of this sweet, if preposterous comedy, where the wife dies and the child's nurse arrives with the kid and in order to make sure the child whom she has grown to love gets a home pretends to be the dead wife. Sound unbelievable beyond belief? My first thoughts exactly, and while the screenplay may slight on reality, it doesn't slight on entertainment. Franchot Tone is a bit long in the tooth to be believable as a World War II hero (after all, he was acting in glossy MGM soaps of the early '30's) but there you have it, and he runs with it in spite of that. He's engaged to the bitchy Frances Rafferty, and a friendly rival (Tom Conway) goes after the fake wife (Ann Richards) in attempts to create more of a romantic quadrangle which you know instantly what the outcome will be. Some great comic supporting players (Clarence Kolb and Una O'Connor) round out the cast, and Winston Severn is adorable as the young son. There's all sorts of comical confusion as Richards arrives at the hotel just as Tone is celebrating his upcoming wedding to the shrill Rafferty, and all sorts of chaos ensues as the press moves in for the kill. This is the type of film where you must suspend all disbelief and just accept it for what it is, post-war comic entertainment of a softer screwball nature. Considering that the post-war years of Hollywood had little to offer in the way of comedy (both on screen and behind the scenes), this is a nice little distraction in the historical sense. Joseph Fields, a very talented writer of some of the best comedies of the 1940's and 50's, came up with this sweet concoction, and if it ain't no "My Sister Eileen", its certainly better than a lot of the comic misfires Hollywood threw at audiences of the time.

Lost Honeymoon which was produced by the short lived Eagle-Lion studio is a somewhat silly comedy about a man who married while he was having a bout of amnesia. He went back to America where he is now a successful architect and set to marry the boss's daughter.But the wife he married in wartime Great Britain has died and her best friend has taken the two small mementos of the short lived marriage. And the friend has forged the passport in the name of the deceased wife. That can and does raise the eyebrows of immigration officials.Franchot Tone is the lucky man about to find out he's a proud father of twins and Ann Richards plays the woman pretending to be his wife. This sad to say is just plain bizarre. Why not just get a passport and take them over yourself? The premise of this comedy is just plain silly.Frances Rafferty is the boss's daughter and Clarence Kolb her choleric father. Tom Conway chips in with a rather droll performance as Tone's doctor and best friend who takes an interest in Richards himself.It strikes me but this whole plot premise was done in a most serious vein and much better in Random Harvest.Though Franchot Tone does not ever wear a tuxedo, he almost does but not quite, he does spend a great deal of the last 10 minutes of the film being chased by cops driving an automobile in his pajamas.A really fine group of players in roles type cast for them can't really raise Lost Honeymoon above the mediocre.

With a far-fetched and often silly story, "Lost Honeymoon" is only mildly entertaining, and that mainly because of some decent performances by a mostly good cast. The romantic comedy story itself doesn't work very well.Franchot Tone stars as a successful American architect who one day is confronted by an Englishwoman with two children, who claims to have married him when he served in England during World War II. The architect doesn't remember anything about it. Both the architect and the woman have secrets of their own, leading to an initially complicated, then rather silly, situation. While at times mildly entertaining, the story gets completely predictable very quickly, and is never very believable.The only thing that keeps the movie from being a total loss is that the cast does a mostly acceptable job with some ridiculous characters. They do make you care a little bit about the characters, even though they are not very credible. Tone, in particular, does as well as anyone could with his situation. But this movie would only be of any real interest to those who enjoy all romantic comedies regardless of quality.