Powerful

Good concept, poorly executed.

There are better movies of two hours length. I loved the actress'performance.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

This is a typical love triangle movie with Myrna Loy, Rosalind Russell and Walter Pidgeon, with Franchot Tone at the odd man out. It's hard to know which is worse, the acting, the plot or the dialog. The outcome is fairly predictable, given the time period when this movie was made. As far as the acting goes, Ms. Loy is thoroughly unlikeable, Mr. Pidgeon stiff and Mr. Tone an insipid hanger-on. Ms. Russell comes off the best of the lot, thought her final scene when she is magnanimously prepared to give up her husband is unconvincing and without the necessary character motivation. Motivation is also lacking in the apparent coupling of Myrna Loy and Franchot Tone, when the prior attraction seemed to be all one-sided. The best acting by far is by the little known Nana Bryant, who plays Loy's mother.

I am a big fan of Myrna's and what is thought would be a nice frothy comedy turned into the perverbial pumpkin this movie could have been funny the components were there but what happened was a train wreck first myrna getting thrown over for rosaline russell's character...what i thought..myrna dreaming of walter pidgeon...what...the obvious choice in franchot tone but he was what...the only good points where laughing at rosaline's wedding headpiece and the banter when myrna and franchot picking up the hitchhiker...myrna looked radiant as usual and that gives the movie a 10 for me but the rest was a -7 for poor direction poor rationale and just wasting talent.

Even though MGM had a huge cast of stars and tremendous budgets, sometimes even this film giant had a flop during its glory days and one such flop clearly is MAN-PROOF. Now you can't blame the stars, as this film featured the great talents of Myrna Loy, Walter Pidgeon, Franchot Tone and Rosalind Russell. No, instead the blame rests with the producer for casting these actors in this turkey and for the writers for producing a third-rate script. How no one realized this before hand is beyond me.The biggest problem with the script is that it's hard to like or care about anyone. While this is practically an insurmountable problem in most films, it's made even worse because the selfish and nasty plot just doesn't work with Myrna Loy in particular, as she made a career out of playing nice people. To make matters worse, she was the most selfish and unlikable person in the entire film.Here's the plot: Although Myrna and Walter are dating and people expect them to marry, at the last minute he instead marries Rosalind. He apparently does this because Roz is rich and Myrna isn't! Well, Rosalind is no picnic, either, as she knows she's taking Myrna's fellow and to add insult to injury, she asks Myrna to be a bridesmaid!! So, following the wedding, Myrna makes it her personal mission to destroy the marriage and take Walter back--proving she's nasty AND stupid for wanting this rat after he dumped her! Franchot is the nicest and most likable of them--spending most of the movie drunk! What a motley group of jerks--not a single one who you can respect or like! Plus, the film just seems mean-spirited and hard to believe or stomach!! The bottom line is that this might just be the worst film any of these four appeared in during their long careers. Not well made, enjoyable or interesting in the least. Even Monogram Studios might have been ashamed to put their name on this production!

Okay, so maybe it's really uneven, but there are wonderful moments -- like Myrna Loy's drunk scene, and many of the scenes between Loy and Franchot Tone, especially the "Why didn't we name them Nip and Tuck?" scene in the car. The premise could be promising, but a lot of the dialogue is stilted and silly. However, Myrna insisting that they had oars all the time is great.