The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The first must-see film of the year.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

A clunky actioner with a handful of cool moments.

In this painfully drawn out bedroom farce, set in Paris, Frank Fay is miscast as the titular love object, a descendant of Don Juan, who is smitten with a young American in Paris (Laura LaPlante) but in order to win her must extricate himself from the tangled web of his long- term intrigues with a virtual harem of lovers (played by Joan Blondell, Margaret Livingston, a sadly underused Louise Brooks and others). The set up is amusing and deftly staged by Michael Curtiz, but once the direction of the plot becomes clear it bogs down in long, boring and insultingly stupid gag sequences, one upon another, involving Fay's diagnosis with a potentially fatal illness; eventually the viewer can only long for this character's demise. The fine lineup of female supporting players is wasted as are Charles Winninger as LaPlante's suspicious and protective father and Alan Mowbray as (what else?) the butler. Tyrrell Davis gets to wrap the whole thing up with a decadent chuckle, foreshadowing his even more unusual closing moment in "Our Betters" two years later.Frank Fay's trademark casual banter works against him here because it only adds to the already sluggish pace.

During the 1920s, Frank Fay was the highest paid performer in vaudeville, the comedian from whom Jack Benny candidly admitted he lifted his on-stage style. By 1931 when "God's Gift to Women" was released, he had married Barbara Stanwyck and groomed her for stardom while his own career was rapidly declining. An arrogant drunk with a flair for alienating his fellow performers, Fay's downfall didn't get much sympathy though it purportedly inspired the movie, "A Star is Born." For more than a decade, he was the classic example of a "used-to-was" until the producers of the Broadway play, "Harvey," tapped him to play Elwood P. Dowd. It was among the most memorable stage performances I've ever seen, a classic of fey (sic) whimsy and superb comedy timing. Jimmy Stewart in the screen version, couldn't come close. Suddenly, a far less arrogant Frank Fay was enjoying the accolades that had eluded him since the late 1920s. Watch "God's Gift to Women," a stiff, stilted early pre-code romantic romp and you'll see both why Fay's career went downhill and conversely why he had the ideal vaguely befuddled style to play a man with a six foot tall rabbit as a pal.

Plot? Who cares about the plot? Something about a guy with several attractive girlfriends, including the incendiary Louise Brooks and the magnetic Joan Blondell. We should all have this problem. ;>The main action involves the classic situation of juggling three women in different bedrooms. We've all seen this a million times and always wished the juggling act would fail, the women would encounter each other, and a catfight would ensue. Guess what? This time it happens! It may not be a classic catfight, but the brawl between Louise, Joan and another attractive brunette is worth the price of admission.This movie will appeal mainly to fans of Louise Brooks. Her part is relatively small and she appears sans her famous Dutch-bob hair helmet, thus revealing a rather high forehead. You will still be in love with her, guaranteed. The real irony here is that several other actresses appear with the hairstyle she made not only famous, but possibly immortal. The Louise Legion will also be interested in her voice acting. Her voice is fine, but the role gives her no real opportunity to display her ability. As we all know, things never really got better on that front, either.So don't expect much out of this, just kick back and enjoy one of the great beauties of film history, the incredible Louise Brooks.

I initially began watching this film with the preconceived notion that Louise Brooks had more of a major role. In which she had just a minor one. And so I was disappointed because of it. After having owned this video I can say that I have only seen it once, and that I remain neutral on the movie itself aside from the Louise Brooks issue. I have seen better old films though it did have it's more comical points that I did enjoy.