Fresh and Exciting

Don't listen to the negative reviews

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

I am amazed at the lack of knowledge displayed by the previous reviewer. I first saw this film in the 90s and watched it again last night. I was part of this general scene in southern England at that time and I have to say that the music, dancing and fashions are completely accurate. This nonsense about Afros and flares, that belonged in the early 70s, by 77 all that had changed. And yes, punks and soul boys were mixing in the clubs, fashions crossed over even earlier, the plastic "jelly" sandals and winkle picker shoes, all adopted from the punks in late 76/77.If anybody had walked in with flares there would have been howls of laughter.

I am currently writing a paper on this film and another for one of my film classes, Topics in National Cinemas, as it was one of the films we examined. While perusing this page for certain information I needed i happened to read the previous comment that someone had posted regarding what they thought of the film.While reading this individual's comments it occurred to me that they COMPLETELY misunderstood the film and what it set out to challenge and address. This film is NOT a murder mystery. Yes, a murder occurs and sets off the story, but it is no more essential to the plot than is the youth in a coma in La Haine (Kassovitz, 1995). Like La Haine, this film sets out to address social issues pertaining to race, class, positioning in the political landscape, and, unlike La Haine, sexuality (which seemed to greatly disturb the previous individual who posted).Young Soul Rebels examines the social landscape of late 1970s Britain, and particularly how it affects youths within the greatly marginalized "Black" culture. It confronts issues of diaspora, through the juxtaposition of different aspects of the "Black" culture, as in the rastas working at the garage, compared with the two, funk obsessed (and much more "Afro-English") main characters. It also looks at the intersection at which certain sub-cultural borders collide, as in the Punks, the Funks, and the Reggaes, as well as Hetero and Homosexuality. Ultimately this notion of collision is key to understanding this film for what it is, which is precisely identities in collision. If the previous individual who posted had understood this, then they would have also seen how the murderer's motives implied this idea of identity collision, were driven by it and pertained more to it than to reading the film as a simple "whodunnit." In this light, you'll also find that music drives the film, both as a signifier for identities, and as an expression of them. Music is certainly an essential component to this film.For more information regarding the issues this film juggles, and for a greater understanding of its concepts and meanings, look at the writings of Paul Gilroy, particularly his book "Ain't No Black in the Union Jack," and the film's director, Isaac Julien.

Remember the 1966 movie BLOWUP ? That's the movie that claims to be a murder thriller but is nothing of the sort . YOUNG SOUL REBELS is basically the same , it starts with a murder in a park then spends most of its running time going out of its way not to be a murder thriller except for the last five minutes which reveals who the murderer is . I'm surprised anyone is still able to remember or care about the murder subplot by the end of the movie since it concentrates more on the soul club scene of the late 1970s . Worse it features several scenes of men kissing and in one scene there's something a lot worse than kissing going onBefore anyone goes running to the admin screaming that a raving homophobe has submitted a review let me point out that BROKEBACK MOUNTAIN has received massive critical acclaim ( Though it's unlikely to make more than 50 million dollars at the US box office ) so much for homophobia . What my main gripe the opening and closing scene revolves around a murder and very little in between has anything to do with the alleged main story . There is no main story as we see a rambling ill focused film concerning itself with the club scene of 1977 . Ironically enough there's no feel of time or place here and could easily be set in any part of Britain at any point during the last 30 years This is just another cheaply made British movie that was produced by people who have no desire to make movies for a mainstream audience . If they had decided to make a movie revolving around a murder in a park that would have been fine , ditto if they had decided to make a movie revolving around the London soul scene but seeing as they've tried to combine the two YOUNG SOUL REBELS is a failure while the scenes of homosexuality is totally alienating for the average cinema goer . At least BROKEBACK MOUNTAIN deserves credit for knowing what it is

Been a long time since I saw this movie, but whenever I think of it, or even just hear that song from the soundtrack, I feel all happy and <ahem> gay. Funny thing is, I went back to see what I'd noted about it at the time (1991), and apparently I'd only considered it a so-so film!So, yes, perhaps the story line was a bit flimsy, perhaps all of the movie didnt amount to a whole much ... but if the memory of it still makes me smile after ten years, it must've been a lot better than I'd originally realised! ;-)