The Shadow Returns

February. 16,1946      
Rating:
5.4
Trailer Synopsis Cast

The Shadow (Kane Richmond) cracks a case of missing jewels, murder and plastics.

Kane Richmond as  Lamont Cranston
Barbara Read as  Margo Lane (as Barbara Reed)
Tom Dugan as  Shrevvy
Joseph Crehan as  Police Insp. Cardona
Pierre Watkin as  Police Commissioner J.R. Weston
Robert Emmett Keane as  Charles Frobay
Frank Reicher as  Michael Hasdon
Rebel Randall as  Lenore Jessup

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Reviews

GazerRise
1946/02/16

Fantastic!

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Console
1946/02/17

best movie i've ever seen.

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AnhartLinkin
1946/02/18

This story has more twists and turns than a second-rate soap opera.

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Allison Davies
1946/02/19

The film never slows down or bores, plunging from one harrowing sequence to the next.

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MartinHafer
1946/02/20

It's rather odd that the Shadow films weren't all that good. The Shadow was a very popular character on the radio and in magazines yet the film versions of the character were, for the most part, a big failure. You would have expected more films in the series as well as better films but this is not the case--they are often pretty limp mystery stories. "The Shadow Returns" is yet another attempt to re-introduce the character--and this time Kane Richmond stars as Lamont Cranston/The Shadow. Richond was the most successful of the actors who played him, but this was only for three poor to mediocre films.If you are unaware of The Shadow, Lamont Cranston supposedly learned some amazing hypnotic techniques in 'the East' that allow him to cloud the minds of people. He can either seem invisible or make people confess to their crimes. However, oddly, this incarnation of the character hides a lot and doesn't use his cool skills to get to the heart of matters. In many ways, he's not a lot different from The Saint or Charlie Chan--other than his cool voice and great wardrobe! The story is an odd one. As the mystery unravels, each time the police or The Shadow try to question a suspect, the suspect throws himself off the balcony to their death! Soon Cranston realizes that someone else has Shadow-like powers and they are making people kill themselves rather than confess. BUT, and this annoyed me, no one thought about just interviewing people on the first floor!!! Or, taking them into custody and handcuffing the suspects to the cops so they cannot jump. Or, handcuffing them to a heavy table or knocking them out first! Duh.An even bigger duh is Cranston's man-servant, Shevvie. Shevvie might just be the most annoying and stupid sidekick ever. Heck, he makes Birmingham Brown (Mantan Moreland) from the Charlie Chan flicks seem like a rocket scientist by comparison! Shevvie just talks and talks and talks and cannot seem to shut his yap and most every minute he's on the film seems to last an eternity. So, while Kane Richmond didn't do a bad job, Shevvie (as well as Cranston's fiancée) were too annoying and steal all the focus of the film.To make things worse, some of the story elements are just plain dumb--such as Mr. Yeoman (who OBVIOUSLY is wearing a disguise) and the use of the whip near the end of the picture. All in all, the film's dumb writing and bad writing make you wonder why anyone would have approved of making two more films in this incarnation!

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busterggi
1946/02/21

to make a real Shadow movie this time. Burbank & Hawkeye appear although they don't actually do anything - in fact you'd think they were Lamont's buddies rather than The Shadow's agents from they way they are depicted.Don't get me wrong, its better than 'International Crime' because it does at least feature The Shadow even if he isn't depicted as well as in the earlier serial or the pulps. And it does have more action than 'The Shadow Strikes' (it could hardly have much less). It would be nice if Margot wasn't a pretty much total flake and more of an agent/assistant/non-idiot. Though she comes off looking good next to Cardona & Weston who make the Keystone Kops look and sound good (yes, I know the Kops were silent but that would be an improvement for this film).See it if you can but don't go out of your way.

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csteidler
1946/02/22

Lamont Cranston and Margo Lane have sneaked into a darkened office. Lamont puts his ear to the safe dial but fears that it's too old and rusty for him to crack. Margo suggests that perhaps it's not locked, if it's such an old safe, which comment prompts a dirty look from Lamont. Undeterred, she reaches past him, turns the handle, and... bingo! opens the safe. With a sweet smirk, Margo then neatly sums up everything you need to know about this film: "Not a profound piece of deduction, but...cute, don't you think?" Well, Lamont Cranston is not particularly impressed, and for all I know neither will true fans of the Shadow be amused. But...that's about what we get from this movie. I suspect that my own minimal knowledge of the Shadow and his various incarnations only increased my capacity for enjoying this film. And enjoy it I did--while it's no great shakes, it's fast moving, has some humor, and has enough plot to at least carry the jokes and various relationships."Enough plot," I say--which I guess really isn't much, since it struck me during the final suspect-gathering scene that I really barely recognized any of the roomful of suspects. However, Lamont knew them all, and he pointed the inspector in the right direction, and he also maintained the secret of his other identity. And importantly: Kane Richmond does make it all look like fun.

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dbborroughs
1946/02/23

Second attempt at turning the radio character into a movie series. This time out its Kane Richmond as Lamont Cranston and his alter ego the Shadow. Here he has no power to cloud men's minds, instead he wears a mask and a fedora. Here he is investigating the smuggling of jewels in coffins and the deaths the occur around it.Very comedic the film has almost no suspense despite its best efforts. The broad comedy simply cuts across the mystery and takes away from feeling of danger. The ploy almost works, however about two thirds of the way through the film the mashing of styles becomes too much and the back and forth nature of the plot (There are only really three locations, the commissioner's office, the dead man's house and a warehouse) interest dissipates and you get the feeling you'd really like to just jump to the end to see who the killer is.Worth trying but only on cable.

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