The Invisible Avenger

December. 02,1958      
Rating:
5.3
Trailer Synopsis Cast

Lamont Cranston, aka The Shadow, investigates the murder of a New Orleans bandleader.

Richard Derr as  Lamont Cranston
Mark Daniels as  Jogendra
Helen Westcott as  Tara O'Neill
Jack Donner as  Billy Sanchez

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Reviews

Claysaba
1958/12/02

Excellent, Without a doubt!!

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Jonah Abbott
1958/12/03

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

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Quiet Muffin
1958/12/04

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

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Billy Ollie
1958/12/05

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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JohnHowardReid
1958/12/06

Also known by its re-issue title, "Terror in the Night", this el cheapo production with its cast of nonentities – Bill Bloom had previously played a waiter in "The Party Crashers" (1958) and a role in the Mr. Novak television series, but none of the other players seem to have enjoyed any other credits at all – is not too bad by the humble standards of the non-mainstream exploitation flick, and it certainly has a time warp curiosity value. Director Bill Parker/Ben Posner did have a modest Hollywood career and went on to film in 1964 a re-make of "The Shepherd of the Hills" with Richard Arlen in the title role. Most of his movies, however, were shorts. So "Teenage Strangler"/"Terror in the Night" is really a somewhat incompetent but not too bad a flick for completests like me, rather than the casual DVD buyer. Yes, you can buy at least a thousand murder mystery/teenage trauma movies better than this one And yes, this particular film is now available on DVD from Alpha in a very good print.

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Adam Graham
1958/12/07

A nice waste of an hour. The acting was passable, though the Shadow's mentor guy was a little creepy. The plot was mostly predictable with a few plausibility issues. (Yeah, we're going to show what we believe to be an execution on television.) Having listened to quite a few episodes of the radio Shadow, my conclusion is the Shadow does best when operating like a Super Hero, as he did with Orson Welles in the lead. When the Shadow operates as a shamus with a special trick, it's a lot cheaper.This is okay, but if it was a pilot for a TV show, I can see why it didn't make it. Still, for fans of the Shadow, this is a rare opportunity to see an attempt at bringing that mysterious voice to film.

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disdressed12
1958/12/08

for me,this is the best of the six movies in The Shadow series.i found it entertaining,and well paced.there's more action,excitement and suspense.Richard Derr(in his only outing as Lamont Cranston/The Shadow) is the best actor for the character,out of these six movies.he just seems more convincing and believable in the role.this story is a bit different than the previous ones,in that Cranston is shown here as he has just begun to understand his powers.along for the ride is his teacher in the mystic arts,Jogendra,Played by Mark Daniels.in this one we get to see the Shadow utilize his powers,something we haven't actually seen before.this incarnation seems to me to be the most fitting for the character.for me,The Invisible Avenger is a 6/10

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behrens-2
1958/12/09

This 57 minute film is of some historical interest, especially to collectors of films based on comic book characters. The plot is only mildly interesting and certainly not very original, the acting wooden, the production values low budget. In fact, I began to wonder if this was an early made-for-television effort rather than a film for cinemas.At any rate, it does not follow the original concept except for Lamont Cranston's ability to "cloud men's minds" so that he seems to disappear. He does not don the familiar broad-brimmed hat and cape (although it is shown on the cover drawing), nor does he consort with Margo Lane, "the only person to know the Shadow's true identity." Instead he is in the constant company of a certain gentleman named Jogendra, who is trying to discipline him in the Oriental art of they are practising.But all this aside, it is really a lot of fun in its own way because of its defects and a good example of how Hollywood had no respect for its sources. I have sought in the recent and in back copies of Maltin for some mention of this item, but it seems to have been forgotten by all except Video Yesterday--for which I thank them.

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