Phantom Raiders

June. 07,1940      NR
Rating:
6.1
Trailer Synopsis Cast

In this second Carter mystery, a mysterious rash of cargo ships sinking in Panama leads insurers Llewellyns of London to hire vacationer Nick Carter and his eccentric associate Bartholomew to investigate. Nick recognizes influential nightclub owner Al Taurez as a shady operator, but getting the goods on him depends on slick diversions involving the heavyweight champ of the Pacific Tuna Fleet, a Panamanian bombshell armed with American slang, a young couple in love and a whole raft of crooks and cutthroats.

Walter Pidgeon as  Nick Carter
Donald Meek as  Bartholomew
Joseph Schildkraut as  Mr. Al Taurez
Florence Rice as  Cora Barnes
Nat Pendleton as  'Gunboat' Jacklin
Cecil Kellaway as  Franklin Morris
John Carroll as  John Ramsell Jr.
Steffi Duna as  Dolores
Dwight Frye as  Eddie Anders
Matthew Boulton as  John Ramsell Sr.

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Reviews

Alicia
1940/06/07

I love this movie so much

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TrueHello
1940/06/08

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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Nayan Gough
1940/06/09

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

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Mathilde the Guild
1940/06/10

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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LeonLouisRicci
1940/06/11

The second of three Nick Carter movies (all are middling and forgettable) again directed by the talented B-Movie auteur. This series is an MGM production and includes many talented character actors and all three films have a "going to war" prelude plot.The velvet voiced, skirt chasing screen adaptation of the Pulp Detective is so whimsical and heavily propagandized that it serves its heavy message with a lot of sugar and very little else. It is all done in a professional A-Studio way and has a minimum of entertainment value and a maximum of hokum. This was also the most studio-bound of the three with every scene obviously on the back-lot.There are three recurring themes in these justly forgotten relics. Carter's lechery, sidekick, and his fight against the impending American involvement in WWII. It does have an attraction as to the movie machine and its value at shaping public opinion, as an icon of 1939-40 silly sensibilities and what was accepted as good family fun with a not so subtle message of Nationalism.

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sol
1940/06/12

***SPOILERS*** The high flying Walter Piedgon is NYC ace detective Nick Carter who gets himself involved in an elaborate and deadly insurance fraud scheme engineered by US gangster Al Taurez, Joseph Schildkraut,south, way south, of the border in Panama.After having a number of ships's valuable cargoes, which are nothing but a bunch of sandbags, heavily insured Taruez has, from the comfort of his Colon Panama office, through high frequency radio singles set off bombs planted in the ships and have them blown up together with their crew on the high seas!It's Nick together with his side kick the Bee-Man Bartholomew, Donald Meeks, as well as his Panamanian girlfriend B-girl Delorous (Steffi Duna), who doesn't speak a word of proper English, who eventually solves the case. But not after some half dozen ships are sent to the bottom by Taurez and his hoods. Nick who at first didn't want to take on the case since he was on vacation at the time changed his mind when he spotted, after she had it out with him, pretty Cara Barnes, Florence Riuce, working at the local Morris Shipping Company. In fact it was Cora who was unknowingly used by Taurez in providing him with the information of what ships,and how heavily insured they were, were being sent out to sea. Where he then had his men plant explosives on so that he he could later,with high frequency radio waves, detonate them and collect, with an insider inside the shipping company, the insurance on them!***SPOILERS*** Nick in finding the contraption that Taurez is using to electronically blow up the targeted ships has it disarmed and tricks Taurez into getting on the one that's next to be blown up.Taurez, with Nick holding a gun on him, realizing that he's cooked if he doesn't get off the ship before midnight the time its set to explode breaks down and admits his crimes not knowing that the ship that he and Nick were on was no longer in danger of exploding! What he also should have realized is that Nick wouldn't have put his own life as well as everyone on board in danger if he knew that in fact would happen!

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chank46
1940/06/13

Phantom Raiders portrays a crime that is all to possible today, blowing up ships set off by electrical devices. However this was 1940, the era of the wisecracking detective and his sidekick neatly wrapping up the mystery in a little over an hour. What sets this film apart from other movies of the same type is its crackling good dialog, an insidious villain,(Joseph Shildkraut),the suave Nick Carter,(a clean shaven Walter Pigeon), his assistant, Mr Bartholomew (beautifully played by Donald Meek), the innocent ingénue(the captivating Florence Rice). Speaking of Florence Rice, she literally lights up the screen when she is on. At the same time vulnerable, adoring. Listen to the way she says "I love him", talking about her boyfriend, it will melt your heart. Highly recommend!

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David (Handlinghandel)
1940/06/14

Though he's the title character, Welter Pigeon plays a back seat to the villain. The villain is played smoothly by the superb Joseph Schildkraut. The rest of the cast is fun. Nat Pendleton is Schildkraut's bodyguard. Donald Meek is Pigeon's sidekick -- and a beekeeper, to boot. Florence Rice is very good in what looks like a sympathetic role, and is, though she's initially on the wrong side of the law.What makes this stand out is its plot. We see this at the very start; so I'm giving nothing away: Schildkraut is blowing up ships at sea to collect on their insurance. It's shocking to think of such cold-blooded behavior. But to underline the heinous nature of his crime, we see the captain and some crew members chatting just before theirs is blown to bits.This isn't the greatest of Jacques Tourneur movies. But his masterly touch is evident. Schildkraut is often photographed in profile and generally partially in shadow. He reminds one of a streamlined, custom-made sports car of the time. He is stylish -- and almost impossibly cruel.

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