I'll tell you why so serious

Absolutely the worst movie.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

I had first watched the 2000 TV remake of THE SPIRAL STAIRCASE and when I looked it up on IMDb I noticed that there were earlier films with the same title and plot.And so I first watched the original and fell in love with it... and then I moved on to this little gem from the 70's. I must say I really liked it A LOT! Jaqueline Bisset is stunning and the acting here is great. This is true 70's trash so bad its good film. I actually like this one over the original. The only performance I don't care for is the mother's here...in the original Ethel Barrymore played it so well! But still, this is good entertainment! Great way to pass the time!

Remake of the 1946 classic. Helen Mallory (Jacqueline Bisset) has been rendered mute after seeing her husband and only child die in a fire. She is now staying at her uncle's mansion and getting treatment. However there is a killer on the loose who kills people who have disabilities. Is Helen next? Pointless redo. The original is a classic--what's the point or remaking it? I caught this on TV late at night back in the 1970s. I had seen the original and was interested in seeing how this stood up. Sadly it turned out to be pretty bad. Despite a great cast (Bisset, Christopher Plummer, John Phillip Law, Elaine Stritch) this is pretty slow-moving and dull. There's virtually no suspense or atmosphere and it looks like it was made on a very low budget which hurts. The cast tries their best but even their considerable talents can't liven this up. You can safely skip this one. See the original.I give it a 3 because the cast does try and Bisset looks stunning (as always).

The original The Spiral Staircase, made in 1945 in black and white by director Robert Siodmak, was one of the finest killer-on-the-loose-in-a-spooky-mansion films of all-time. This 1975 remake is a very poor attempt to update and remake the original. There is less tension this time around, as director Peter Collinson allows things to proceed at a sluggish pace. Even the performances are weaker, despite the fact that this film has a comparatively star-studded cast for its era.Helen Mallory (Jacqueline Bisset) has been unable to speak since she witnessed her husband and child being killed in a house fire. Her doctor, Dr Rawley (John Ronane), has tried for several years to help her recover her speech but without success. He is very concerned for Helen's safety, as a serial killer has recently been at work in the city and all the victims share one thing in common – they are all disabled in some way. Helen goes away to her uncle's nearby mansion, which also doubles as an institution for the handicapped. Here she finds herself in the company of her uncle Joe Sherman (Christopher Plummer), his secretary and lover Blanche (Gayle Hunnicut), angry brother Steven Sherman (John Philip Law), a strict nurse (Elaine Stritch), housekeepers Mr and Mrs Oates (Ronald Radd, Sheila Brennan) and the ill, old bed-bound Sherman mother (Mildred Dunnock). A ferocious thunderstorm plunges the house into a power-cut, and before long it becomes apparent that the serial killer who has been preying upon handicapped women is one of those trapped inside the mansion. It is now Helen who finds herself next on the killer's list, unless she can find a way to survive….This is such a reliable, some might say "archetypal", story that all it needed was some thoughtful lighting and a well-judged sense of pace in order to work. But sadly director Collinson has spent too much time setting up pointless and weird camera angles instead of concentrating on the basics of suspense. If he had gone for the afore-mentioned thoughtful lighting and the better-judged sense of pace, this would have emerged a half-decent remake. The actors seem indifferent towards the material and give performances way below their best. Bisset has the difficulty of contending with a wordless role and is nothing more than average in the part; Plummer looks rightfully bored as the professor; Law snaps and snarls ineffectually as his bad-tempered brother; Dunnock spends most of the film acting drugged as the poorly old mother of the clan. For a good hour or so, very little happens in the film and one invariably finds oneself staring vacantly at the screen, waiting with misplaced optimism for a flash of suspense. Not even the music by David Lindup manages to generate any excitement or atmosphere. When the killings finally begin and Helen goes on the run in the dark passages of the house, trying to escape from her murderous assailant, the sequence is done rather flatly with little in the way of true excitement. If you're planning on watching a version of The Spiral Staircase some time soon, the best advice I can give is that you stick with the vastly superior original!

The plot summary currently available for this movie is totally incorrect. The viewer has gotten the original film (starring Dorothy McGwire and Ethel Barrymore) mixed up with the television movie starring Jacqueline Bisset and Christopher Plummer. In the remake, Ms. Bisset plays a woman who has become mute because of the trauma of watching her child die in a fire and her husband die trying to rescue the girl--he falls off a ladder and lands on the spokes of the wrought iron fence! She is romantically involved with the doctor who has been treating her. The bad guy in this version is played by Christopher Plummer, who portrays Ms. Bisset's uncle in the film (sorry, can't remember character names). He, not the doctor, as stated in the current viewer summary, is the killer. His father couldn't stand to see physical imperfection or illness and, evidently passed his fetish on to his son--who has added to it the element of psycopathy, leading him to commit numerous murders in his effort to rid the world of imperfect people. Pretty stupid, really, as much as I like Christopher Plummer. I hate to see fine actors lower themselves to appear in productions unworthy of their talents. The original was not quite so far-fetched and much better acted by Dorothy McGwire in the role of the mute.