Very very predictable, including the post credit scene !!!

Pretty good movie overall. First half was nothing special but it got better as it went along.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

The acting in this movie is really good.

People who are complaining about this movies just don't understand that is meant to be this way. The movie is one of the most horrible movies i've ever seen ( and i have seen "Age of the Hobbits" ) but it has his charme when you see an giant Nazi spider crawling over the mountain. Also the acting and sudden plot twist are an pleasure to watch and will shock you! ( i hope )On the other hand their are some scene's where the filter is just not correct. I looks like the cameramen had used too much purple filters. Also the movie is an slow starter but when the nazi's arrive the tempo will go up. All with All i enjoyed watching it and i really hope they will bring out an new one with an bigger budget.My advise! Get some friends together, buy lots of beer and have an great evening.

a B movie. unrealistic adventures, pieces of Sci Fi, almost nice special effects and Australia of beautiful images. not bad because it is out of ambitions.not original because the recipes is to old to be impressive. only kind of craft. charming in few scenes, boring in another, fake in all. but not waste of time. first, for who loves this kind of gems from another age of cinema. than - for the hunters of low budget movies in which drops of craziness of a scriptwriter is essential. in fact, it is only fruit of breaking news, need of new sensations and passion for conspiracies. and, with this virtues, it can be bearable.

This film was....how can I say it politely? A waste of time. It was also a waste of bandwith. If I paid to watch this at a cinema, I would probably burn it down to the ground if were it were not illegal to do so (heck I'd do that anyway simply because the snacks cost more than a nuclear missile). The more films I see that involve the second world war, the more I feel inclined to believe the industry is attempting to honour the memory of that horrid piece of work known historically and factually as Hitler. This was not refreshing by any scope of the imagination, it was certainly different, but it was different in a way that I can only describe as unexpected yet unwanted. I didn't watch the whole film because I endured, I endured mind you, the first half hour of it, and during that time the plot was predictable, the script was also predictable (any jokes about pussy is a bad start - they're old to a thirty-something), and generally if it's sci-fi you are looking for, then this may well be for you, but I'd expect to be bored out of your mind. Give it a go, you might like it, but for me, if I were you looking for something not usually your thing, I would totally give this a miss.

Australian cinema has a long tradition of cultivating, odd, fascinating genre hybrids, films that mix traditional movie elements with aspects of the local culture to create a unique blend. Russell Mulcahy (after his various Europop music videos, and before the singular atrocity of HIGHLANDER 2) directed RAZORBACK, a smart, garish monster-on-the-loose saga that remains a particular highlight of his career. Simon Wincer, prolific director of family friendly fare such as FREE WILLY, crafted the appealingly nasty slasher movie SNAPSHOT with Sigrid Thornton and a menacing Mr Whippy (a popular ice-cream franchise signalled by a white van continually playing a friendly jingle). George Miller's repeated odes to local car culture, samurai ethics and post-apocalyptic barbarism are other obvious examples. One of the most fascinating local examples of this tendency in recent years is THE 25TH Reich, a WWII men- on-a-mission saga that blends soldiers in combat, time travel, and everyone's favourite foe from recent German political history. The result is a witty, engaging mix of eccentric SF ideas, low-budget craft, chutzpah, and sheer cinematic balls. You probably haven't seen anything like this in a long while, or possibly ever. (THE 25TH Reich does play off an alternate vision of the present and future - viewed through the lens of resurgent Nazism, to alternately comedic and horrific effect - ala Philip K. Dick's THE MAN IN THE HIGH CASTLE and FATHERLAND by Robert Harris, two SF novels that also examine the trope of Nazis triumphing during the second World War to different ends).American soldiers circa WW2 hunt a rogue puma in the Australian outback, then stumble across mysterious events that will transport them through time. An alternate reality presents them with an old foe that has re-armed itself with spectacular new technological advances. The soldiers must fight numerous battles - some with their newly discovered enemy, others closer to home - to succeed in their mission and possibly save the world. THE 25TH Reich holds a number of surprises for viewers, many of which are best not revealed in this review. Like the characters on screen, the filmmakers wield high-tech technology (the film was shot in widescreen HD on the RED camera) and more down-and-dirty methods (the movie takes place in the middle of the arid Australian bush, and the outback locales are spectacular throughout) to craft a fun and amusing story. Some nasty, violent mutant critters make various appearances, and the Nazi's sinister advances with robotics have to be seen to be believed. (The fate of one major character captured by a mechanical adversary is a grotesquely funny highlight). Some initially cornball characters eventually gain enough depth to stick in the mind after the film's conclusion, and the movie carries its wild ideas - conveyed through punchy action scenes and some nutty but slick special FX - to a clever and creepy conclusion with a minimum of fuss. All up, THE 25TH Reich is a nice change of pace in this time of cautious, corporate filmmaking by numbers, and is well worth both seeking out and checking out.